Author Archives: James Hale

Three Distinctive Voices Flow via the Pro-Ject MaiA DS3 Stereo Integrated Amplifier

Note: for the total suite of measurements from the SoundStage! Audio-Electronics Lab, click on this hyperlink.

June 2023

If you caught final month’s column, you’ll know that one of many recordings I featured was Van Morrison’s signature major-label debut, Astral Weeks. I famous that—sometimes for a pop recording within the late Sixties—the recording setup was fairly primary. Morrison’s voice is centered within the soundstage, and there seems to have been little or nothing altered in post-production. One consequence is that Morrison often sounds barely off-mike. Having seen Morrison carry out a number of instances, I anticipate these off-mike incantations have been deliberate.

Looking Back 50 Years with Wadada Leo Smith and the NAD C 3050 LE Integrated Amplifier

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

April 2023

Composer Wayne Shorter died on March 2 this year, at the age of 89. Along with the release of a massive, career-capping biography of fellow saxophone giant Sonny Rollins, this is a landmark—the symbolic end of a jazz era studded with remarkable iconoclasts. Miles. Monk. Trane. Wayne. Sonny. We all know their unique sounds; hearing them in our heads as soon as those single names pass the lips.

For the Love of Sound: Kenny Barron and the RME ADI-2 DAC FS

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

February 2023

When the user’s manual for a desktop DAC has 68 pages—68 pages of very small type—you know you’re not dealing with just another digital-to-analog converter. At $1299 (all prices in USD), RME’s ADI-2 DAC FS isn’t priced like most of its competitors, either. I slid it into the place normally filled by my $199 iFi Audio Zen DAC V2, between my iPad Pro and my Focal Alpha Evo 50 studio monitors.

For the Love of Sound: Kenny Barron and the RME Audio ADI-2 DAC FS

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

February 2023

When the user’s manual for a desktop DAC has 68 pages—68 pages of very small type—you know you’re not dealing with just another digital-to-analog converter. At $1299 (all prices in USD), RME’s ADI-2 DAC FS isn’t priced like most of its competitors, either. I slid it into the place normally filled by my $199 iFi Audio Zen DAC V2, between my iPad Pro and my Focal Alpha Evo 50 studio monitors.

Taking the Jazz Detective’s Latest Releases to the Woods with the Helm Audio DB12 AAAMP Portable Headphone Amplifier

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

January 2023

If there’s a psychiatrist out there who wants to delve into the connection between weather and music, I’d be happy to lie on your couch. Deep in my Canadian psyche is the need to hear extremely buoyant–yet-meditative instrumental jazz on late-autumn days. Pianist Keith Jarrett’s 1973 album Solo Concerts: Bremen / Lausanne is the ideal way to scratch that itch. That stems from the first time I saw Jarrett in concert: a crisp, fall night in 1975, which gave way to an exceptionally snowy morning. I woke to it with his music still in my head.

Mali Obomsawin: “Sweet Tooth”

November 2022

Out of Your Head Records OOYH 017
Format: 16-bit/44.1kHz WAV download

Musical Performance
****

Sound Quality
***

Overall Enjoyment
****

Indigenous culture of all forms is gaining prominence, particularly in Canada—a country that is in the midst of a process of “truth and reconciliation” with its Indigenous Peoples. In the past, Indigenous musicians from the continent many call Turtle Island, like Link Wray and the members of Redbone, were rare; today, young artists like The Halluci Nation, DJ Shub, and others are receiving widespread exposure.

Various Artists: “Here It Is: A Tribute to Leonard Cohen”

October 2022

Blue Note Records 0602445659920
Format: 16-bit/44.1kHz WAV download

Musical Performance
*****

Sound Quality
****

Overall Enjoyment
*****

In September, at a New York City event to promote his new autobiography, Rolling Stone cofounder and longtime publisher Jann Wenner responded to a question posed by host Bruce Springsteen: Who did he regret never interviewing for the magazine? Wenner didn’t hesitate: “Leonard Cohen.” After a pause of a few seconds, he added: “And Elvis.”