In the combination: Andria Sjøberg, freelance broadcast sound engineer on her love of creating audio for reside sport

Working in grams in a studio, freelance broadcast sound engineer, Andria Sjøberg
“Since transferring into reside sport I actually discovered it’s my absolute favorite space to work in out of every little thing I’ve executed over time,” says Andria Sjøberg, freelance broadcast sound engineer. “I just like the fast-paced nature and that each job presents new and totally different challenges from working in soccer, to motorsport, athletics and even indoor bowls. There are at all times totally different shopper necessities and totally different components to the job to swimsuit the character of the game. Sometimes a problem can current itself you can clear up from utilizing one thing you probably did on a totally totally different job.”
For Sjøberg, working in broadcasting was an apparent profession alternative. She explains: “It was at all times within the household! My dad labored in TV as a spark – largely dramas and studio – and I grew up with it. I consciously tried to keep away from entering into TV for a number of years, however lastly realised I used to be keen on the way it labored and are available collectively and needed to get entangled a lot to his delight! So I already knew in regards to the lengthy unsociable hours, the toll it will probably tackle a household and that it will probably take you everywhere in the world. I moved into sports activities broadcasting a lot later, however I’m so glad I discovered it.”
Apprentice in sound
Her first job in TV was at ITV at Granada as an apprentice in sound. She says: “I labored in studios and in addition on Coronation Street, studying studio rigs, mic placement, progressing onto being a gram op, find out how to increase op and I additionally discovered find out how to use a fisher increase.
“There was tons to be taught and with the previous analogue Calrec desks and patch bays, downside fixing was at all times enjoyable! Out of the entire technical departments, sound are those getting within the private areas of presenters and contributors, so with the ability to be conscious and discreet is crucial. Coronation Street was a totally totally different fashion of sound and I bought to be taught lots about negotiating with totally different departments to get the shot and sound all of us needed.”
After having kids, Sjøberg took a while off work and finally got here again as a contract sound engineer. She signed up with a crewing firm in 2019 which launched her to the world of sport.
She says sports activities broadcasting is now her ardour: “Sport wasn’t one thing I had bought to expertise as a staffer at ITV and truthfully, I actually want I’d bought to do it years earlier. I take pleasure in doing sound typically, however doing sound for sport is one thing I completely love. I take pleasure in going to totally different venues across the nation and additional afield. It’s a brand new problem each time and the crew and package is totally different day-after-day; there’s at all times one thing new to be taught!
“Post-COVID, I took a workers job mixing BBC Sports information at Quay House, however I missed working in reside sport and I got here again into it, however that job did assist me grow to be a greater mixer and understanding incoming feeds from occasions around the globe.”
Sjøberg went straight from faculty to doing an ND at St Helens College, Merseyside, Liverpool in Music Technology. Sjøberg says: “I liked sound and needed to go down a much less tutorial path to studying as I felt A-Levels and exams didn’t actually work for me. I progressed onto an HND at Salford University, Manchester in Professional Sound and Video, however left after a semester.
“I then went to University of Huddersfield the next yr to do the Music Technology and Audio Systems course. I took a yr in trade at a neighborhood PA firm and discovered find out how to combine FOH/displays for bands. I carried on working with them for round three years in complete. In 2006 I grew to become a sound apprentice at ITV in what was then 3sixtymedia.”

Freelance broadcast sound engineer, Andria Sjøberg [second from left] on the 2023 World Athletics Championships in Budapest, Hungary

Andria Sjøberg [left] and Heather Winn working collectively in Dock10
Work-life steadiness
Sjøberg says of being a freelancer sound engineer that it fits her pursuits in addition to her life-style: “Currently, I’m freelance. I help on OBs, gram op and infrequently supervise on extra news-based programming. I additionally do a little bit of comms too. I’m a single dad or mum and freelance life does work nicely for household life. Taking a workers job once more is one thing I might positively do, however it must be with the fitting firm.”
However, she provides: “I discovered getting again into work after having just a few years break to have the children was exhausting. In the time I used to be away, Granada closed and MediaCityUK had opened and I did really feel like I missed the boat a bit with reference to that. I believe in the event you take time away, you must discover methods to remain in contact and hold your face identified and remembered.”
On her favorite gig in sound, Sjøberg feedback: “I really like engaged on Wimbledon for NEP which I’ve executed for the previous couple of years, and I’m lucky sufficient to get to be a part of the rig, which out of all components of my job is my favorite factor to do.
“It’s such an enormous infrastructure with totally different components to it and there’s at all times new issues to do, from constructing mic arrays for the in courtroom FX, to chasing fibre within the basement,” she provides on Wimbledon. “I’ve had the chance to do some mixing of a few the skin courts and hopefully can do some extra this yr to construct on that. Eurovision final yr got here an in depth second!”
There are many causes to benefit from the job, she states, together with the challenges that this trade’s quickly altering applied sciences throw up: “There are new challenges day-after-day, whether or not its that means it’s important to get artistic to search out someplace to position a microphone or discover a technical resolution to an issue.
“I believe maintaining with applied sciences and altering environments are the primary challenges. Since COVID, increasingly OBs are going distant, which creates new methods of working. I’m making an attempt to be taught extra about IP and networking; fortunately I had a few modules masking the fundamentals again at uni, so I had a base data already. I’ve purchased myself a set of Cisco switches and routers with the goal to work by the CCNA course.
“Obviously IP has modified methods of working and will probably be an necessary a part of broadcasting sooner or later,” continues Sjøberg. “But my favorite factor lately is to make use of [Reidel] Boleros for the presenters on the Isle of Man TT. They can have their regular feeds of their ears, but additionally because it’s so noisy, we have now a separate listen-only partyline for the FM to talk to them as they break up up and it’s a lot simpler to herd them to the right place with out interrupting the gallery.”
As to recommendation Sjøberg provides to different sound engineers on the market, she says: “Get your self a very good fibre meter, cable tester, gentle pen and many tape! OB rigging and derigging can get soiled so a good set of gloves is a should too.”
She concludes: “OBs can nonetheless really feel like a male dominated setting, however it’s actually a constructive setting the place girls can thrive and develop. If you’re new to sound, then attempt for a traineeship at one of many OB corporations, you’ll be taught a lot and keep there so long as you may to get out of it as a lot as you may. Once you grow to be freelance, the training is a lot harder to do as you’re anticipated to already know tools, and so on. Being workers offers you the time to have the ability to be taught.”
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March 7, 2024 at 02:13PM
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