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Martin Audio Fits The Bill At Clockenflap Festival In Hong Kong

Martin Audio Fits The Bill At Clockenflap Festival In Hong Kong

The newest version of Clockenflap, Hong Kong’s largest and longest operating out of doors music and humanities pageant held just lately on the Central Harbourfront, was supported by a principal stage system deployed by MSI Japan that was headed by Martin Audio MLA arrays in help of performances by Pulp, Joji, Yoasobi, Caroline Polachek, IDLES and plenty of others.

The system was designed by MSI’s Bunshiro ‘Bun’ Hote, Yasuhiko “Yasu” Watanabe and Yukio “Eddie” Tanada, who clarify that one of many largest challenges confronted on the occasion is noise management, and extra speficially limiting the audio popping out the again of the stage, the place there are a number of authorities buildings, residential properties and inns. In previous years there have been complaints from residents, so MSI put its main deal with rear rejection.

To meet this standards, the design duo selected to deploye MLA with its DISPLAY management and optimization software program. And by additional including a full cardioid subwoofer array, utilizing 30 MLX enclosures, they calculated that they might obtain near 30 dB rejection on the rear of the stage.

The two hangs of 15 MLA arrays and a single MLD downfill field have been addressed by DISPLAY, the software program enabling MSI to assist management the protection. At the identical time, by using the “Hard Avoid” characteristic on the rear, they might decrease audio on the stage, and subsequently additionally from the residents behind the stage. Limits have been additionally positioned on the edges of the viewers areas to make sure added deal with putting audio the place it wanted to be with out escaping throughout the water to the Kowloon aspect.

Clockenflap sound director Sem Cigna, who has been engaged on the occasion since 2016 and has seen a number of sound methods on the principle stage over this time, used MLA for a Gwen Stefani live performance in Hong Kong in 2019 in addition to the Rugby Sevens, and familiarized himself with MLA in an analogous configuration to this present (though with barely fewer subs). “I used to be in a position to expertise simply how MLA might scale back the audio exterior the viewers space with out dropping any affect for the viewers itself,” Cigna says.

He’s labored alongside the occasion’s manufacturing supervisor, Peter Gorton, since 2019, and it’s the latter who’s in the end answerable for managing the noise thresholds, which all six levels have to evolve to.“When the venue moved from Kowloon to Central [Hong Kong] a number of years in the past, one of many largest requests from the Government was to handle the noise for the residents,” Cigna explains.

They subsequently endured a number of years of trial and error, testing totally different choices, from hiring cranes to fly and consider totally different line arrays on website to craning in massive sandbags to sit down behind the subwoofers so as to block sound from the rear of the stage. Noise ranges are monitored at 4 factors across the metropolis, three within the central area and one throughout the water in Kowloon.

Martin Audio

The submit Martin Audio Fits The Bill At Clockenflap Festival In Hong Kong appeared first on ProSoundWeb.

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March 4, 2024 at 08:28PM

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