Scriabin: Poem of Ecstasy; Prometheus; Piano Sonata No. 5

Poem of Ecstasy has absolutely earned each little bit of its fame. The colours coaxed from the orchestra are good but at all times utilized in service of the music. Scriabin’s principal themes are straightforward to recollect and acknowledge whilst they make their peregrinations by the twists and turns of his chromaticism. And the heights of jubilant grandeur the piece reaches are surrounded by their very own uncommon air. Shui and the Singapore Symphony are concurrently polished, managed, and invigorating, delivering a efficiency that ranks with the very best. In the sonata, Sudbin wins each devilish problem the composer throws his method, preserving the traces and rhythms clear whereas apparently having the time of his life. The miking makes the piano sound almost psychedelic, with totally different components of the keyboard coming from totally different locations within the soundstage. It’s like being inside the piano as an alternative of simply within the corridor! Prometheus is a vivid tone poem depicting the evolution of the world and humankind from gritty chaos to “final transcendence.” Though components of it really feel like a less-inspired sequel to Poem of Ecstasy, it has extra violent undertones and lurid orchestration. Again, a stellar efficiency in splendid sound.

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