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Connected Fidelity AC-2K Reference

It at all times comes again to the mains. Perhaps one comfort of residing in these densely populated British Isles is {that a} majority of the inhabitants lives inside a couple of stones’ throw of a distribution sub‑station. And we have now a well-regulated provide that normally stays effectively inside tolerance of the mandated 230V AC +10/–6 % and 50 Hz ±1 %. But the quantity of RF noise using on the mains is simply going up as the trendy world depends on elevated use of radio and microwave communications, exterior and within the dwelling.

One strategy to counter such undesirable interference is to transform the standard mains feeding the system electronics right into a balanced mains provide, utilizing the identical precept as balanced sign interconnections through XLR socketry between units – creating section and anti-phase waveforms that may cancel out exterior intrusion by common-mode noise rejection.

Turning Live

In the case of mains energy, meaning turning Live and Neutral traces into ±120V AC, and utilizing a centre-tapped earth on a transformer as a brand new 0V floor connection. Balanced mains options are already utilized in hospitals and recording studios and the know-how is rising in popularity for dwelling audio methods. To energy an entire system does demand a decent-sized transformer with capability to spare, which normally means a big and large field weighing tens of kilos.

From new model Connected Fidelity we have now the AC-2K, a balanced mains transformer constructed right into a sturdy aluminium chassis with output voltage indicator on its entrance. Connected Fidelity is a sub-brand of distributor Air Audio, based by Michael Osborn and higher generally known as the founding father of Astin Trew, and latterly the importer of Hana moving-coil cartridges from Japan.

The AC-2K’s 2000VA-spec toroidal transformer ought to have the headroom to permit not simply low-power supply parts however amplifiers too up to some hundred watts of rated energy. In truth, and in defiance of many mains therapy options I’ve tried with energy amps, from the outset it was the amplifier that responded most positively to this new balanced provide.

The black anodised case with brushed pure entrance is giant however not big at 23cm vast and 18cm excessive, extending again 33cm, and at virtually 17kg it’s nonetheless comparatively man-liftable. The rear panel as customary has only one UK mains outlet and a 20A IEC energy inlet. Other choices can be found to order, together with two UK mains retailers, and EU or US retailers.

Power wire? Nein danke

There’s no energy wire supplied with AC-2K; Connected Fidelity is primarily a cable firm so upsell alternatives can be found. The take a look at unit was provided with a brand new cable simply added to the vary, the Chronos 2 (£840). It’s based mostly on a braided weave of cryogenically handled multistrand UP/OCC copper and silver-plated copper wires, totalling 12 sq. millimetre for every of the 2 energy traces, terminated with Furutech IEC and MS HD Power UK plugs.

Inside the field, safety circuitry on the balanced output aspect is specified as two residual present circuit breakers with overcurrent safety (RCBO). On the enter aspect is a soft-start relay swap to cut back switch-on surge. The toroidal transformer is mounted on a compliant anti-vibration assist plate, with transit screws to safe the mass when packed for delivery. And in a bid to extract the perfect efficiency from this transformer, it undergoes deep cryogenic therapy previous to set up in AC-2K, cycled by a industrial specialist all the way down to –195 °C in a course of that’s stated to learn the ferrous core of the transformer by growing the proportion of martensite and reducing austensite within the metal’s crystalline construction. And because the toroid is handled full with its copper wiring, there could also be optimistic results of chilly annealing on the first and secondary windings.

Cryogenic therapy can be marketed for the inner fuse and wiring in addition to the PCB and its parts, however not the Chtai mini circuit breakers or Songle soft-start relay, which might not safely survive a deep-freeze therapy.

In use the AC-2K remained blissfully silent, with no hint of background hum from its transformer. Nor did it journey the buyer unit on switch-on, which I’ve encountered with different balanced mains options. Inspired by professional items just like the Equitech Model Q, there’s a voltage output show, fortunately switchable and stored off for listening, with even the corporate admitting it has an influence on sound high quality. Referenced to different voltage meters it additionally appeared not significantly correct both, constantly studying over 4V too excessive. There is a bare-bones ‘Studio’ model of the AC‑2K (£1,995) with out the chocolate teapot read-out though this model additionally lacks the circuit breaker security options and decoupled transformer mounting.

Sound high quality

While checking out the facility provide to a system is important for good sound, there are many mains therapy merchandise that subtract as a lot from efficiency as they add. Excessive or the incorrect sort of mains filters, for instance, that add networks of resistors, capacitors and inductors within the curiosity of eradicating noise, might achieve this on the expense of ‘slowing’ down the sound, robbing dynamics or slam as they go. They might exist, however equally, in my expertise I’ve not discovered a shielded mains cable that has completed something apart from collapse the drama and dynamics from the music both.

This balanced mains provide is altogether completely different, and regardless of my greatest efforts to incorrect foot it, the important timing and dynamics remained intact – whereas the general sound was in respects displaying the sort of night-and-day variations that makes comparisons swift and decisive.

Limited by the solitary UK mains outlet, the AC-2K was first wired into the system with a six-way distribution board, a Nordost QB6 with V2 mains cable, which serves a Chord SPM 1200C energy amp and Rothwell Signature One phono stage. Playing vinyl from Clearaudio Innovation, the main transformation was the way in which that instrumental color was fleshed out, making a return to unbalanced mains seem as gray and flatter in timbre. Working by an previous favorite of the Peddlers’ Birthday album, the classical guitar that unusually supplies the principle accompaniment within the opening observe ‘Where Have All the Flowers Gone?’ appeared extra important, extra within the room and now fairly naturally positioned in its area. A shimmer of tambourine was unveiled brisker and cleaner, and together with Roy Philips’ vocals, was now clearly being fed by some traditional plate reverb for that 70s manufacturing. Image peak was shifted upwards, together with the sense of air as you discover as noise flooring are lowered. Playing the subsequent observe ‘Little Red Rooster’ with Philips behind his signature Hammond B3, the drawbars appeared to discover a new place, one I’d have to explain because the rippling-funky-gospel setting.

Given some solo piano recordings, modifications have been maybe not so manifest, and whereas Kempff’s enjoying of the Beethoven Pathétique didn’t so simply exhibit the modifications there was undeniably extra delicacy and nuance. A swap again to plain mains now confirmed a flatter depth perspective and a way that quick finger runs that punctuate the primary motion weren’t so fluently performed. And that’s one of many treasures of enhancing the standard of sound copy – as constancy is elevated, so too will be the standard of musicianship as appreciated by the listener.

The AC-2K was acquitting itself of the same old sins of mains therapy – the robbing of tempo, slewing of timing or subtraction of micro-details – however with my system at the very least there was a small matter of addition, and that was in bass richness. While it could preserve the tempo ticking alongside from prog rock to journey hop, I felt it may tickle up the mid-bass with a contact of euphony.

Played at appropriate live performance quantity, the Floyd stay CD efficiency of The Wall stored the architectural solidity from the rhythm part basis, with added focus to vocal components, and within the background acoustic of a extra convincingly cavernous Earls Court.

Happy hogging

This remaining outcome was solely after making an attempt numerous wiring mixtures of DAC and upsampler plugged into both the identical distribution board as the facility amp from AC-2K; on their very own direct from the wall; or with simply the digital supply parts on the balanced provide. As prompt in earlier trials, the Chord DAC/upsampler combo, with their pesky laptop computer SMPS provides, don’t make simple mains-sharing bedfellows with the amp and different analogue electronics, so have been as soon as once more relegated to their very own retailers with out the blessing of balanced mains. Or to place it one other approach: the Chord SPM 1200C energy amp was at its happiest when hogging the AC-2K alone.

Balanced mains from the AC-2K should depend as a kind of one-way dems, the place the sonic advantages make switching again to the previous regular an unwelcome journey. It presents cleaner, extra extremely resolving sound together with a mid-band declutter, with none elementary cramping of tempo and dynamics.

Technical specs

  • 2.0 kVA screened balanced transformer
  • 4 x rubber isolation mounts
  • UP/OCC inner wiring
  • Deep cryogenic therapy for transformer, fuse, wiring and PCB
  • Input socket 16 A IEC C20, gold-plated
  • Output socket UK 3-pin, gold-plated
  • Soft-start relay and resettable RCBO
  • Dimensions 230 × 185 × 330 mm (whd)
  • Weight 17.3 kg
  • Price £2,890

Manufacturer

Connected Fidelity

connected-fidelity.com

UK Distributor

Air Audio

airaudio.co.uk

+44 (0)1491 629629

Back to Reviews

The put up Connected Fidelity AC-2K Reference appeared first on Hi-Fi+.

Connected Fidelity AC-2K Reference

It all the time comes again to the mains. Perhaps one comfort of residing in these densely populated British Isles is {that a} majority of the inhabitants lives inside a couple of stones’ throw of a distribution sub‑station. And we’ve a well-regulated provide that normally stays effectively inside tolerance of the mandated 230V AC +10/–6 % and 50 Hz ±1 %. But the quantity of RF noise using on the mains is simply going up as the fashionable world depends on elevated use of radio and microwave communications, exterior and within the house.

One solution to counter such undesirable interference is to transform the standard mains feeding the system electronics right into a balanced mains provide, utilizing the identical precept as balanced sign interconnections through XLR socketry between units – creating part and anti-phase waveforms that may cancel out exterior intrusion by means of common-mode noise rejection.

Turning Live

In the case of mains energy, which means turning Live and Neutral strains into ±120V AC, and utilizing a centre-tapped earth on a transformer as a brand new 0V floor connection. Balanced mains options are already utilized in hospitals and recording studios and the know-how is rising in popularity for house audio techniques. To energy a whole system does demand a decent-sized transformer with capability to spare, which normally means a big and large field weighing tens of kilos.

From new model Connected Fidelity we’ve the AC-2K, a balanced mains transformer constructed right into a sturdy aluminium chassis with output voltage indicator on its entrance. Connected Fidelity is a sub-brand of distributor Air Audio, based by Michael Osborn and higher often known as the founding father of Astin Trew, and latterly the importer of Hana moving-coil cartridges from Japan.

The AC-2K’s 2000VA-spec toroidal transformer ought to have the headroom to permit not simply low-power supply elements however amplifiers too up to some hundred watts of rated energy. In reality, and in defiance of many mains remedy options I’ve tried with energy amps, from the outset it was the amplifier that responded most positively to this new balanced provide.

The black anodised case with brushed pure entrance is giant however not large at 23cm extensive and 18cm excessive, extending again 33cm, and at nearly 17kg it’s nonetheless comparatively man-liftable. The rear panel as normal has only one UK mains outlet and a 20A IEC energy inlet. Other choices can be found to order, together with two UK mains shops, and EU or US shops.

Power twine? Nein danke

There’s no energy twine supplied with AC-2K; Connected Fidelity is primarily a cable firm so upsell alternatives can be found. The take a look at unit was provided with a brand new cable simply added to the vary, the Chronos 2 (£840). It’s based mostly on a braided weave of cryogenically handled multistrand UP/OCC copper and silver-plated copper wires, totalling 12 sq. millimetre for every of the 2 energy strains, terminated with Furutech IEC and MS HD Power UK plugs.

Inside the field, safety circuitry on the balanced output facet is specified as two residual present circuit breakers with overcurrent safety (RCBO). On the enter facet is a soft-start relay change to cut back switch-on surge. The toroidal transformer is mounted on a compliant anti-vibration assist plate, with transit screws to safe the mass when packed for delivery. And in a bid to extract the perfect efficiency from this transformer, it undergoes deep cryogenic remedy previous to set up in AC-2K, cycled by a business specialist right down to –195 °C in a course of that’s mentioned to profit the ferrous core of the transformer by rising the proportion of martensite and lowering austensite within the metal’s crystalline construction. And because the toroid is handled full with its copper wiring, there could also be optimistic results of chilly annealing on the first and secondary windings.

Cryogenic remedy can be marketed for the inner fuse and wiring in addition to the PCB and its elements, however not the Chtai mini circuit breakers or Songle soft-start relay, which might not safely survive a deep-freeze remedy.

In use the AC-2K remained blissfully silent, with no hint of background hum from its transformer. Nor did it journey the patron unit on switch-on, which I’ve encountered with different balanced mains options. Inspired by professional models just like the Equitech Model Q, there’s a voltage output show, fortunately switchable and stored off for listening, with even the corporate admitting it has an influence on sound high quality. Referenced to different voltage meters it additionally appeared not significantly correct both, constantly studying over 4V too excessive. There is a bare-bones ‘Studio’ model of the AC‑2K (£1,995) with out the chocolate teapot read-out though this model additionally lacks the circuit breaker security options and decoupled transformer mounting.

Sound high quality

While finding out the ability provide to a system is important for good sound, there are many mains remedy merchandise that subtract as a lot from efficiency as they add. Excessive or the fallacious form of mains filters, for instance, that add networks of resistors, capacitors and inductors within the curiosity of eradicating noise, could accomplish that on the expense of ‘slowing’ down the sound, robbing dynamics or slam as they go. They could exist, however equally, in my expertise I’ve not discovered a shielded mains cable that has accomplished something apart from collapse the drama and dynamics from the music both.

This balanced mains provide is altogether totally different, and regardless of my finest efforts to fallacious foot it, the important timing and dynamics remained intact – whereas the general sound was in respects displaying the form of night-and-day variations that makes comparisons swift and decisive.

Limited by the solitary UK mains outlet, the AC-2K was first wired into the system with a six-way distribution board, a Nordost QB6 with V2 mains cable, which serves a Chord SPM 1200C energy amp and Rothwell Signature One phono stage. Playing vinyl from Clearaudio Innovation, the most important transformation was the way in which that instrumental color was fleshed out, making a return to unbalanced mains seem as gray and flatter in timbre. Working by means of an previous favorite of the Peddlers’ Birthday album, the classical guitar that unusually offers the primary accompaniment within the opening monitor ‘Where Have All the Flowers Gone?’ appeared extra important, extra within the room and now fairly naturally positioned in its house. A shimmer of tambourine was unveiled brisker and cleaner, and together with Roy Philips’ vocals, was now clearly being fed by means of some traditional plate reverb for that 70s manufacturing. Image peak was shifted upwards, together with the sense of air as you discover as noise flooring are lowered. Playing the subsequent monitor ‘Little Red Rooster’ with Philips behind his signature Hammond B3, the drawbars appeared to discover a new place, one I’d have to explain because the rippling-funky-gospel setting.

Given some solo piano recordings, adjustments had been maybe not so manifest, and whereas Kempff’s taking part in of the Beethoven Pathétique didn’t so simply showcase the adjustments there was undeniably extra delicacy and nuance. A change again to straightforward mains now confirmed a flatter depth perspective and a way that quick finger runs that punctuate the primary motion weren’t so fluently performed. And that’s one of many treasures of bettering the standard of sound copy – as constancy is elevated, so too could be the standard of musicianship as appreciated by the listener.

The AC-2K was acquitting itself of the same old sins of mains remedy – the robbing of tempo, slewing of timing or subtraction of micro-details – however with my system a minimum of there was a small matter of addition, and that was in bass richness. While it could hold the tempo ticking alongside from prog rock to journey hop, I felt it might tickle up the mid-bass with a contact of euphony.

Played at appropriate live performance quantity, the Floyd dwell CD efficiency of The Wall stored the architectural solidity from the rhythm part basis, with added focus to vocal elements, and within the background acoustic of a extra convincingly cavernous Earls Court.

Happy hogging

This closing end result was solely after attempting numerous wiring mixtures of DAC and upsampler plugged into both the identical distribution board as the ability amp from AC-2K; on their very own direct from the wall; or with simply the digital supply elements on the balanced provide. As steered in earlier trials, the Chord DAC/upsampler combo, with their pesky laptop computer SMPS provides, don’t make straightforward mains-sharing bedfellows with the amp and different analogue electronics, so had been as soon as once more relegated to their very own shops with out the blessing of balanced mains. Or to place it one other manner: the Chord SPM 1200C energy amp was at its happiest when hogging the AC-2K alone.

Balanced mains from the AC-2K should rely as a kind of one-way dems, the place the sonic advantages make switching again to the previous regular an unwelcome journey. It provides cleaner, extra extremely resolving sound together with a mid-band declutter, with none basic cramping of tempo and dynamics.

Technical specs

  • 2.0 kVA screened balanced transformer
  • 4 x rubber isolation mounts
  • UP/OCC inner wiring
  • Deep cryogenic remedy for transformer, fuse, wiring and PCB
  • Input socket 16 A IEC C20, gold-plated
  • Output socket UK 3-pin, gold-plated
  • Soft-start relay and resettable RCBO
  • Dimensions 230 × 185 × 330 mm (whd)
  • Weight 17.3 kg
  • Price £2,890

Manufacturer

Connected Fidelity

connected-fidelity.com

UK Distributor

Air Audio

airaudio.co.uk

+44 (0)1491 629629

Back to Reviews

The submit Connected Fidelity AC-2K Reference appeared first on Hi-Fi+.

Siltech Royal Double Crown Interconnects and Loudspeaker Cables

Siltech is positioned within the Netherlands, the place it started manufacturing audio merchandise in 1983. They embody the Siltech SAGA System amplification, which was reviewed by Jonathan Valin in 2014, and the mighty Symphony loudspeaker, launched in 2021. But the corporate might be greatest recognized for its interconnects and speaker cables, each for his or her hefty value and stellar efficiency. Its chief designer, Edwin van der Kley Rynveld, who invented a singular silver-gold alloy in 1997, enjoys a excessive status within the audio trade. When Rich Maez, previously of Boulder Amplifiers now the American distributor for Siltech, instructed that I evaluate its new line of cables, I used to be greater than recreation.

The packaging for the Royal Double Crown Series that I obtained, one step from the very high of the road, may hardly have been extra placing—the darkish blue containers containing these gems have been festooned with giant golden royal crowns. The aristocrat of cables? After prying the containers open, I found a passel of pretty hefty-looking interconnects, speaker cables, and energy cords, whose building appeared to be meticulous. The cables are properly shielded—a dual-layer insulation of DuPont Kapton and Teflon coupled with a Hexagon air insulation is meant to decrease inductance and capacitance. Nestled inside all this shielding are Siltech’s S10 monocrystal silver-wire conductors. The connectors are constructed from pure silver, as properly. The build-quality seems to be impeccable.

What did the cables sound like? Abandon all preconceptions about silver cables being harsh or rebarbative or vibrant. Fiddlesticks. Those days appear to be long gone relating to the highest audio producers, who make use of silver for its pace and purity. Whatever annealing course of Siltech is using—and it’s clearly a superb one—proper out of the field the cables sounded darned good. Indeed, the Royal Crown cables produced a lustrous sound that was tough to neglect. Instruments emerged from about as black a background as I’ve ever heard. Forget that. It was obsidian. Take the Scottish Fantasy by Max Bruch performed by Joshua Bell with the venerable Academy of St. Martin-in-the-Fields, a fascinating orchestral work that I’ve been listening to fairly a bit. Through the Wilson WAMM loudspeakers and darTZeel NHB-468 amplifiers, it was a supremely velvety sound. Not just like the notorious “Dockers” time period that my new colleague Michael Fremer likes to make use of as a disparaging phrase for tools that’s too relaxed and mellow, this was one thing else altogether—refined, wealthy, and rewarding. The first motion, which relies on the music “Through the Wood Laddie,” was an actual pleasure to pay attention by way of the Siltech cables. They conveyed the sonority and sheen of the string part with marvelous constancy, permitting Bell’s rubatos to emerge with tender poignancy. Throughout, there was no trace of any stridency within the treble. Instead, there was a lifelike high quality to the sound. It was virtually just like the inside glow of tubes, besides that there was (gulp) nary a tube within the system.

The soothing character of the Siltech was all to the great on “hotter” recordings corresponding to Count Basie’s traditional Chairman of the Board, launched in 1959. This kick-ass recording was one of many late David Wilson’s favorites–a showstopper, loaded with nifty numbers corresponding to “H.R.H.” and “Segue in C” which can be assured to focus on the spectacular qualities of a great full-range stereo. One of the enjoyable issues about this recording is that the songs typically start with Count Basie plunking away, quietly accompanied by a bass, then the remainder of the orchestra joins in, one after the other, till the joint really is leaping. Such is the case on “Segue in C”; the Siltech cables simply dealt with the super dynamic surge on this quantity. Also spectacular was the panache with which the cables locked down the varied sections of the orchestra, starting from the muted trumpets on the far proper to trombones on the left. All nuances and particulars have been absolutely obvious, together with these within the bass line. Indeed, I might be remiss if I didn’t single out the bass efficiency of the Siltech cables for particular commendation.

Siltech Royal Double Crown Power Connector

Put bluntly, they laid down the regulation proper from the second I inserted them. John Giolas of DAC producer dCS in Great Britain not too long ago visited me to hearken to the brand new Vivaldi Apex CD/SACD gear in my system and launched me to James Blake’s album Friends That Break Your Heart. Giolas and the album didn’t. Nor did the playback on “Famous Last Words.” Right from the outset, the Siltech cables virtually appeared to plunge into the sonic depths, delivering a type of deep propulsive character to the synthesized bass. Immediately obvious, as properly, was the creamy sound of the treble. Blake’s falsetto sounded ethereal, and feminine vocals have been only a trace extra detailed than I’m accustomed to by way of the WAMM.

Adding within the Siltech energy cable solely intensified these attributes. On the Proprius recording Cantate Domino, I used to be taken by the deep bass these cables helped to provide on the music “O Helga natt.” The sound grew to become even hotter and extra fulsome. The sense of refinement and palpability additionally went up one other notch. They additionally go deep into the corridor—on “Silent Night” on the Proprius recording, the cavernous sound of the church was overwhelming. If I needed to describe the cables in plain stereo tools phrases, it will be as a single-ended-triode sound.

The composure and tranquility of the Double Crown cables most likely gained’t enchantment to listeners searching for extra razzle-dazzle or sizzle. These cables are in one other realm altogether. There is one thing greater than somewhat spooky in regards to the degree of element coupled to the refinement they provide. On Murray Perahia’s imaginative recording of Beethoven’s Moonlight Sonata for Deutsche Grammophon, for instance, the cables provided a type of rhythmic stability that made it even simpler to observe his use of the piano pedal. Ditto for a Rolf Smedvig recording for Telarc with the Scottish Chamber Orchestra of Torelli’s Trumpet Concerto. Once once more, I heard the uncanny rhythmic solidity of trumpet and orchestra with unprecedented accuracy. There was no sense of slippage. The notes popped out of the piccolo trumpet. The transient assaults, in different phrases, have been lifeless on. On the Berlin Academy for Ancient Music’s recording of Bach’s Brandenburg Concertos for Harmonia Mundi, the precision of the rhythm rendered the accents of the string devices immediately understandable, once more to a level that I’m undecided I’ve hitherto skilled. It gave the much-beloved third concerto, as an example, an pressing character that swept alongside all the things in its path with complete musical conviction.

The absence of grain together with the superior bass management and picture solidity of the Royal Double Crown be sure that it ranks among the many aristocrats of high-end cables. It could not have the identical supersonic pace because the Nordost Odin 2 or the heft of the Transparent Magnum Opus, nevertheless it brings its personal set of virtues to the desk. Nothing is brummagem in regards to the efficiency of the Double Crown. Quite the opposite. These cables deserve each accolade that will get showered upon them. Anyone searching for efficiency match for a king would do properly to contemplate them.

Specs & Pricing

Royal Double Crown interconnect: $18,100/1 meter
Royal Double Crown loudspeaker cable: $37,500/2 meter
Royal Double Crown energy wire: $15,300/2 meter

MONARCH SYSTEMS LTD. (U.S. Distributor)
16 Inverness Place E, Building B
Englewood, CO 80122
(720) 399-0072
monarch-systems.com

The put up Siltech Royal Double Crown Interconnects and Loudspeaker Cables appeared first on The Absolute Sound.

Ansuz PowerSwitch D2 Review & Interview | In Conversation w/ Michael Børresen

Lee Scoggins provides his ideas and impressions on the Ansuz Power Switch D2 adopted by an interview with Audio Group Denmark (Ansuz, Aavik and Boerresen) co-founder Michael Børresen.

The put up Ansuz PowerSwitch D2 Review & Interview | In Conversation w/ Michael Børresen appeared first on The Absolute Sound.

VooDoo Cable Air Phoenix, Air Dragon V, Air Tesla AC Power Cords

Reviewing energy cords is comparable in some ways to reviewing crew socks. We want them, and we don’t take into consideration them. One pair does pretty much as good a job of stopping the sneakers from rubbing in opposition to our ft as one other, and that’s about it. Then once more, it’s possible you’ll choose tube or heeled. You may have them for jogging or for snowboarding. Cotton or wool? You might choose ankle-high, or calf-, or presumably even knee-length. Many insist socks are socks, whereas others received’t accept something apart from forest-green, calf-high crew socks made out of the hair of Tibetan llamas shorn on the sixth cycle of a pink moon.

Where am I going with this? Ah, energy cords….. Yes, the unimportant connection. Power is energy, and energy cords are the concentrated extract of high-end snake oil. Those who agree, please cease studying now and spend your time productively purchasing on-line for white-cotton, crew tube socks.

Ok. Are they gone? Then allow us to speak about some rattling good energy cables, individuals!

May I lower to the chase? With presumably the good names in energy cords immediately, the VooDoo Cable Air Phoenix, Air Dragon V, and Air Tesla jumped into my system like a bull right into a China store. They had been there and made rattling certain I knew they had been there. Yet, they bombastically introduced their presence in essentially the most uncommon of the way—by astonishingly turning my programs efficiency as much as 11, whereas hiding behind the bushes guffawing at my dumbfounded expression. Boy, had been they there! But in addition they weren’t there in any respect. Stage wider, bass deeper, timbre extra pure, harmonics extra complicated, dynamics extra wow, engagement extra “Oh, my.” They did what my earlier energy cables did, ramping it as much as ludicrous. Hyperbole? Absolutely. But well-earned hyperbole.

Fabricated like a advantageous British tailor would customized make a go well with for his royal shopper, they arrive in hard-shell circumstances and are introduced to their new proprietor as should you had been being handed the keys to your new Bentley. VooDoo energy cords should not the product of mass-production factories and cable mills. They are what Bruce Richardson, proprietor and designer, perceives as a bespoke resolution for these able to expertise all that their system has the capability to convey.

VooDoo Air Phoenix

What did Bruce ship me, you ask? A little bit of this, a splash of that. Five energy cables and a USB cable (to which I cannot commit an unlimited period of time apart from to say that it outperformed what I had, and what I had was excellent. But it is a energy twine assessment, and I’ve already put an excessive amount of inside these parentheses). Five energy cords to fulfill my system’s wants. Five cords to rule all of them. An Air Phoenix, fabricated from what seemed to be Unicorn hair, took on the accountability of powering my DAC, two Air Tesla energy cords with huge rectangular modules of their facilities offered electrons to my dual-mono stereo amplifier. And two Air Dragon V cables offered the juice for my music server and preamp.

Bruce defined that “just like the acoustic resonance of a finely made stringed instrument, the supplies used and the development of {an electrical} conductor are the ingredient that attenuate and improve the resonance of the electrons passing by way of that conductor. The designs of the Air Dragon V, Air Tesla and Air Phoenix are fairly distinct from one another but are based mostly upon related design rules. Each energy twine is a composite of conductors fabricated from choose high-purity silver, copper, and proprietary alloys which might be cryogenically handled in our deep-immersion cryo course of. We make use of varied ranges of line-capacitance- and velocity-matched dielectric power within the induction area to create the signature resonance for every energy twine. But the outcomes of every design should not achieved by bench measurements. Trial-and-error listening and testing with varied audio parts are equally if no more essential to the event of our energy cords.”

So how about some tech specs? Cryogenically handled, Air Phoenix, designed for analog or digital sources, makes use of pure-silver, single-crystal, continuous-cast, Ohno eight-gauge conductors and rhodium-plated-over-tellurium copper connectors, individually insulated with velocity-matched Teflon dielectrics and closely braided silver-plated copper shielding, lined with woven static-resistant Nomex mesh. Also cryogenically handled, Air Tesla, designed for high-current energy amps and conditioners, makes use of six-gauge alloy conductors which might be individually insulated with velocity-matched Teflon dielectrics, and a inflexible buss-bar “reservoir” that “holds present within the type of line capacitance.” It is roofed with woven static-resistant Nylon mesh and has rhodium-plated-over-tellurium copper connectors. Once once more cryogenically handled, Air Dragon V, designed to extract essentially the most from any part, makes use of six-gauge silver and single-crystal copper conductors lined with individually insulated, velocity-matched Teflon dielectrics lined by woven static-resistant Teflon mesh. Connectors are, as soon as once more, made out of rhodium-plated-over-tellurium copper.

The VooDoo energy cords had been stiffer than the Shunyata Z-Tron Sigma NR V1 loom they changed, however not by quite a bit. I used to be simply capable of join them securely to my tools and the wall. My system has a devoted circuit panel fed immediately from the road, a devoted grounding rod, and 10-gauge braided-copper wiring from the panel to my wall shops (Furutech GTX-D-NCF Rhodium, cryo-treated shops with carbon-fiber plates). I make the most of Environmental Protections’ EP-2750 floor filters on every devoted circuit (one breaker for every outlet) and a single EP-2050 surge-protection/waveform-correction unit on the panel. My energy is clear and clear, and after I progressed to a sure stage of energy twine, I discovered that including conditioning had diminishing returns. So, I run all my tools immediately into my Furutech shops. That mentioned, I’d nonetheless like to check out a Stromtank battery system, if given the chance.

VooDoo Air Tesla

Bruce was form sufficient to ship me pre-broken-in energy cords, and I used to be capable of begin listening after a 2–3 day settling interval. I started my periods intensely within the temper for Natalie Merchant’s “Peppery Man,” difficult the brand new energy cables with a style of these great deep Fairfield Four vocals and Ms. Merchant’s sultry singing, mixed with a twangy guitar, Shawshank harmonica, and baritone sax and tuba oompah. There was instantly extra breath within the vocals and extra textural complexity to the brass. An general naturalness appeared to be there that was not there earlier than. A fast flip of the finger, and “The Blind Man and The Elephant” changed Mr. Peppery Man. If you could have by no means heard this monitor, hit your streamer of alternative up and take a hear. It’s an incredible music and a cute anecdote. It begins out with this nice, low-note baritone sax after which treats the listener to simply the correct mixture of clarinet, metal guitar, percussion, and storytelling. The clarinet will get fairly Klezmer-like with a contact of Bavarian and blues. The result’s a music of the best diploma—and a newly skilled expression of the best fashion. These energy cords washed away a proton-thick layer of “you’ll be able to’t have that” and freed my system to challenge a efficiency with the “I’m there”-knob turned up 15-20%.

Let us strive Mussorgsky’s Dance of the Persian Slaves. The decision and separation of devices had been immediately obvious. As I listened longer, I started to equate the enhancements, partly, to a lowered noise flooring and improved conveyance of pace and articulation. In addition, my electronics appeared to get a lift in channel separation. Take your palms and maintain them collectively in entrance of you, arms absolutely prolonged. Now unfold them aside shortly as extensive as you’ll be able to whereas saying out loud, “Fwuahhhh.” That’s what occurred to my soundstage.

“Down within the Hole” by John Campell is a superb monitor with a mixture of rhythmic bass guitar, haunting reverb, and John’s deep, phlegmy voice. That expansive stage was nearly intoxicating. The improved sense of resonance and timbre within the backside finish clearly comes from that lowered noise flooring together with what I detected to be an enchancment in part coherence—which I can neither perceive nor clarify however swear was there to be heard. At no time did I detect the music was taking part in louder, but it surely unquestionably had extra dynamics and authority. The air between devices appeared extra current, and the general aura of the stage was simply extra current.

I take into account it true serendipity that I used to be requested to assessment this loom, as I used to be fairly pleased with what I had and thought of that portion of my system finished and finished. Clearly, it was not. This expertise leaves me questioning what the astronomically costly energy cables can supply. I don’t suppose I wish to know.

In the tip, I used to be so impressed with the build-quality and efficiency of the VooDoo energy cords, and the modifications they produced in my system, that I informed Bruce to ship me an bill relatively than return transport labels. I’m not keen to surrender what these carry to the desk. To say that the VooDoo energy cables resulted in a profound enchancment in nearly each side of my system is flat truth—incontrovertible and astounding—though what they changed had bettered something I had heard in my room to that time. The VooDoo cables are dearer and make the most of dearer supplies than the Shunyata NR Sigma I had been utilizing, which had been the older V1 variations. I feel the Omega sequence of energy cords could be a fairer comparability. I work with and revel in what I’m provided to assessment, and I pay for what I maintain. (I put my cash the place my reviewing mouth is.) All I can say is, give the VooDoos a strive. In my opinion they’re a no brainer step ahead on our path to absolutely the sound. Is “no-brainer really useful” greater than “extremely really useful”? I feel it’s.

Now I would like to determine why I’ve an intense need to go sock purchasing.

Specs & Pricing

Air Phoenix: $4700
Air Dragon V: $3250
Air Tesla: $2900 (all costs 6′ size)

VooDoo Cable LLC
2020 Dennison Street, Suite 113
Oakland CA 94606-5242
(510) 535-9464
voodoocable.internet

The submit VooDoo Cable Air Phoenix, Air Dragon V, Air Tesla AC Power Cords appeared first on The Absolute Sound.

The ALTAIRA Grounding Hub | In Conversation w/ Shunyata Research CEO Caelin Gabriel

Shunyata Research founder and CEO Caelin Gabriel discusses the beginnings of Shunyata, researching noise reduction and grounding technology and the development of their new ALTAIRA grounding hub.

The post The ALTAIRA Grounding Hub | In Conversation w/ Shunyata Research CEO Caelin Gabriel appeared first on The Absolute Sound.

Synergistic Research SRX Speaker Cables, Interconnects, and Power Cords

Better than a decade-and-a-half ago, Synergistic Research’s chief cook and bottle washer, Ted Denney, came out with a cable the likes of which I’d never seen or heard before. It was called the Galileo System. Physically, what set this wire apart was the use of strands of different metals (copper/silver alloy, pure silver, pure gold, and pure platinum) that weren’t twisted or bundled together, as they are in every other brand of wire I’m familiar with, but separated into what Denney called “air strings.” In part because these individually jacketed strands of wire weren’t interwoven into massive braids, crosstalk was reduced, capacitance and inductance lowered, skin effects diminished, and transparency to sources greatly increased. The sonic superiority of its unique materials and geometry made the Galileo System a benchmark. It was the best wire I’d heard at that time and remains one of the most innovative products I’ve reviewed.

Synergistic Research’s new top-line SRX cable is the latest descendant of Denney’s extraordinary original, and it, too, is very special. Like Galileo, each SRX speaker cable uses thin, individually jacketed air strings (two made from a monocrystal silver-copper alloy, four from 14AWG silver, and four from mono-filament silver), that are separated from one another by perforations in an evenly spaced series of carbon-fiber discs, through which the strands run without physically contacting each other (or walls, shelves, and flooring). Where the air strings in Galileo cable were routed, via LEMO connectors, into and out of free-standing electromagnetic power-conditioning/active-shielding junction boxes (called “Active Mini EM Cells”) that themselves were plugged into “quantum tunneled” Mini Power Coupler power supplies (wall-wart-like devices that provided the DC current for the active shielding and EM power conditioning of the cells and the precious-metal “strings” attached to them), the SRXes are, blessedly, simpler in construction. Their air strings run out of and into a pair of barrel-shaped carbon-fiber tuning modules—passive devices which, in addition to providing conditioning and shielding, have two plugs (one each for the positive and negative legs of the cable) that allow you to attach cylindrical gold and silver “tuning bullets” to further voice the system. This provision for voicing, which is very nearly unique to Synergistic Research products, unquestionably works—and works in the ways that SR claims it does, with the gold bullets adding warmth and body to the sound and the silver bullets resolution and extension. For anyone with a difficult room or picky componentry or a marked preference for acoustic or electric music, SRX’s “tuneability” can be a blessing.

Like the speaker cable, SRX interconnect uses thin, individually jacketed air strings (one of 10AWG monocrystal silver-copper and five of monocrystal silver), each separated from the others by perforated carbon-fiber discs. In addition to a provision for attaching tuning “bullets,” the interconnects have another set of wires that can be plugged into Synergistic’s active Galileo SX Ground Block—to improve shielding and further lower noise.

The only item in the SRX lineup that superficially resembles products from other manufacturers’ cable lines is the power cord, though even here looks are deceiving. Though it does not make use of “air strings,” each cord comprises a nine-gauge composite of silver conductors for hot and neutral runs, including a long, flat, silver-ribbon EM (electromagnetic) cell and two folded EM cells for what SR claims amounts to a “pure-silver line conditioner in an AC cable format.” Like the cable and interconnect, the power cords can be voiced via Synergistic’s tuning “bullets,” and like the interconnect it can be connected to an SX Ground Block for lower noise and better shielding.

A few months ago, I reviewed Crystal Cable’s very pricey, top-of-the-line Art Series Da Vinci cable, interconnect, and power cords, which for me set new standards of fidelity. Since then, I’ve been able to audition a complete loom of SRX in my upstairs MBL reference system, and while the Crystal and the Synergistic aren’t sonically identical, they do sound an awful lot alike, clearly sharing a property that is key to their excellence. To wit, they are both extremely low in noise (and high in resolution).

As Robert and I have said in print (and Alan Taffel talks about in his Metronome DSC review in this issue), the lowering of noise is, across the board, the chief improvement in today’s high-end offerings. For examples, the elimination of RF in DS Audio’s optical cartridges, the lowering of jitter, phase, and quantization errors in DACs from Wadax, MSB, Soulution, Berkeley Audio, etc., the reduction of EMI, IM, TIM, and THD in high-bandwidth solid-state electronics from Soulution, CH Precision, darTZeel, etc., the use of aluminum, carbon-fiber, stone, acrylics, and other non-resonant materials in speaker cabinets from companies like Magico, Stenheim, Estelon, Rockport, YG, etc., and the application of carbon fiber, synthetic diamond, ceramic, and other low-resonance/high-stiffness substances in dynamic-driver diaphragms have, independently and together, reduced distortions and colorations that we simply took for granted in the old days, elevating what I’ve called “completeness” and “neutrality” to new heights.

This does not mean that pieces of high-end gear are without sonic “characters” of their own—i.e., that all of today’s components sound alike. What it does mean is that the differences in sonics among the best high-end products are, for the most part, less marked than they once were and that rather than reflecting unique distortion profiles they are the results of deliberate decisions about parts, materials, layout, manufacture, and voicing. As similar in sound as they are in many ways, the presentations of amps from Soulution, CH Precision, and Constellation are still easily distinguishable from each other, but that is not because one or the other of the trio has more (or less) THD.

This same paradigm holds true for Da Vinci and SRX cabling. Where Crystal’s top-of-the-line achieved its astonishing vanishing act primarily through metallurgical advances, Synergistic SRX earns its laurels primarily through the unique geometries I’ve discussed above. This is not to say that either cable shortchanges the other’s areas of strengths, just that their designers’ foci are slightly different, including their respective ideas about what best constitutes a replica of the absolute sound. Crystal’s Edwin Rynveld has what I would call a “fidelity to sources” (or accuracy-first) mindset. For him, the object is to lower noises that alter and obscure the original signal, and measurable differences are his primary standards of comparison. Synergistic’s Ted Denney has more of an “as you like it” (or “musicality-first”) slant. As his provisions for markedly different voicings show, his intent is to provide the listener with a sound that can accommodate individual tastes, rooms, and ancillary gear. Ironically, perhaps, both approaches end up in the same sonic ballpark, which, to reiterate, means that Da Vinci and SRX sound more alike than different—especially on an initial audition. Over time, however, each reveals its own character. Which of them you’ll prefer may be more a matter of taste (and pocketbook) than across-the-board sonic superiority.

For example, Da Vinci has a density of tone, particularly through the low end, midbass, and power range, that I simply   haven’t heard to the same lifelike extent from any other wire. Like Soulution amplification, there is a timbral richness and three-dimensional solidity to its bottom octaves that is quite natural and appealing. I should note, however, that (as with Soulution electronics) this exceptional low-end color and weight tend to give Da Vinci a slightly “bottom-up” tonal balance, a bit of a “darker” overall character (though, as you will see, nothing is scanted in the midband or on top).

Though voicing with gold bullets can bring the SRX quite a bit closer to Crystal’s darker, more granitic presentation, the Synergistic wire is fundamentally less bottom-up in character than the Crystal Cable offering. This is not to say that SRX is anything like “thin” sounding; it is not. Indeed, its bass and power-range timbre are downright gorgeous; its focus and grip in the bottom octaves may even be very slightly higher than that of the Crystal Cable. As a result, details about Fender guitar performance-technique—picking, fingering, plucking, and slapping—are (sometimes) a bit clearer.

There is an irony to this, actually, because up until Denney’s last generation of Galileo from several years back, Synergistic cable, too, had a “bottom-up” tonal balance, a slightly “dark” overall character. Not anymore. Indeed, “unvoiced” (without bullets) it is the most neutral wire that Denney has yet produced—and certainly, as noted, the lowest in noise and coloration and highest in resolution. I’m not going to claim that it outdoes Da Vinci in this last regard, but it is, as I’ve said, a bit more tightly focused, which (minus the somewhat fuller power-range/bass weight of Da Vinci) tends to clarify transient detail.

In the midband there is little to choose between these two remarkable wires. They are both exceedingly realistic sounding, capable (with the best sources) of fooling you into thinking you are in the presence of actual musicians. Not only do they reproduce timbre with lifelike density; they also reproduce the dynamic/harmonic envelope (from starting transient through steady-state tone to decay) with lifelike duration, without adding, for instance, “zip” or ringing to hard transients, sibilance to frictatives of higher pitch or amplitude, or smearing to decays. This is the very essence of “completeness”—and the reason why you can not just readily visualize singers like Sinatra on Sinatra at the Sands through both wires; you can also tell the way he is using his mic (like that geisha fan he compared it to) to shape, punctuate, and convey the emotional power of his delivery.

On top, the Synergistic and the Crystal Cable are, once again, very similar. With the best sources, both are extremely finely nuanced. When two things come this close to identity, it’s hard to distinguish one from the other. Having said this, I would guess that Da Vinci (or Crystal’s also superior Ultimate Dream) is just a smidgeon softer and sweeter at the very top, and that Synergistic’s SRX is just a bit airier and more extended.

Both are superb imagers and soundstagers; both reproduce the dynamic range of recordings with high accuracy; both are astonishingly realistic sounding with great tapes, LPs, and streams; and both lower noises and colorations to unprecedented levels.

So…where does that leave you?

Well, to begin with you’ve got to be rich to afford either one of these extraordinary looms of wire. However, for what it is worth, SRX is a good deal less expensive than Da Vinci (e.g., an eight-foot pair of SRX speaker cable costs $29,995; a two-meter pair of Da Vinci speaker cable is a staggering $46,500). If a $16.5k difference means anything to you (and if it doesn’t, my congratulations), then I’d certainly opt for the SRX. If, on the other hand, you’re rolling in dough and have a near-psychotic lack of self-control when it comes to spending it, well…Da Vinci is a hair richer in the bass and power range.

One difference that isn’t a matter of taste or guesswork is convenience. Because of its simpler geometry and lighter weight, Da Vinci is easier to set up and use (and less space-consuming) than SRX. There are no voicing bullets on Da Vinci, no grounding plugs, no multiple strands, no perforated carbon-fiber discs. It is what it is, with no provisions to adjust its sound.

Which brings us to a crux. As I’ve already noted, Edwin Rynveld perfects his products by measurement. The lower the calculable noise floor, the more he feels he’s succeeded. Though he also tests his creations extensively (see the interview to the left), Ted Denney makes his products for real-world users, whose varied systems and musical tastes he attempts to accommodate with voicing options. It’s kind of like the difference between a Soulution amplifier and an amplifier from CH Precision. The former comes with no provision for changing its sound; the latter can be “tuned” to taste via adjustments in feedback, gain, and other variables. Depending on your room, gear, and musical preferences, SRX’s tuneability (which, ideally, requires the assistance of a knowledgeable dealer for setup) may be a real plus.

Assuming you’ve got the moolah (and a spouse without a power of attorney), I can’t tell you which of these sonically similar but physically and functionally different cables to buy. Both Synergistic Research SRX and Crystal Cable Da Vinci are honest-to-God great—along with Crystal’s Ultimate Dream (which the Da Vincis replaced), the best wires I’ve heard. What I can say is this: Denney has long claimed to be able to build cables, interconnects, and power cords that will equal or exceed those of the competition for half the money. In this instance, he has proven his point. Co-winner of TAS’ Cable of the Year Award in 2022, Synergistic Research’s SRX is one of my references—and a worthy successor to Denney’s original, standard-setting Galileo.

Specs & Pricing

Synergistic SRX
Speaker Cable: $29,995 per 8′ pair
Interconnect: $12,995 per meter pair
Power cable: $10,000 per 6′

SYNERGISTIC RESEARCH
synergisticresearch.com

JV’s Reference System
Loudspeakers: MBL 101 X-treme, Stenheim Alumine Five SE, Estelon X Diamond Mk II, Magico M3, Voxativ 9.87, Avantgarde Zero 1, Magnepan LRS+, MG 1.7, and MG 30.7
Subwoofers: JL Audio Gotham (pair)
Linestage preamps: Soulution 725, MBL 6010 D, Siltech SAGA System C1, Air Tight ATE-2001 Reference
Phonostage preamps: Soulution 755, Constellation Audio Perseus, DS Audio Grand Master
Power amplifiers: Soulution 711, MBL 9008 A, Aavik P-580, Air Tight 3211, Air Tight ATM-2001, Zanden Audio Systems Model 9600, Siltech SAGA System V1/P1, Odyssey Audio Stratos, Voxativ Integrated 805
Analog source: Clearaudio Master Innovation, Acoustic Signature Invictus Jr./T-9000, Walker Audio Proscenium Black Diamond Mk V, TW Acustic Black Knight/TW Raven 10.5, AMG Viella 12
Tape deck: Metaxas & Sins Tourbillon T-RX, United Home Audio Ultimate 4 OPS
Phono cartridges: DS Audio Grandmaster, DS Audio Master1, DS Audio DS-003 Clearaudio Goldfinger Statement, Air Tight Opus 1, Ortofon MC Anna, Ortofon MC A90
Digital source: MSB Reference DAC, Soulution 760, Berkeley Alpha DAC 2
Cable and interconnect: CrystalConnect Art Series Da Vinci, Crystal Cable Ultimate Dream, Synergistic Research SRX, Ansuz Acoustics Diamond
Power cords: CrystalConnect Art Series Da Vinci, Crystal Cable Ultimate Dream, Synergistic Research SRX, Ansuz Acoustics Diamond
Power conditioner: AudioQuest Niagara 5000 (two), Synergistic Research Galileo UEF, Ansuz Acoustics DTC, Technical Brain
Support systems: Critical Mass Systems MAXXUM and QXK equipment racks and amp stands and CenterStage2M footers
Room treatments: Stein Music H2 Harmonizer system, Synergistic Research UEF Acoustic Panels/Atmosphere XL4/UEF Acoustic Dot system, Synergistic Research ART system, Shakti Hallographs (6), Zanden Acoustic panels, A/V Room Services Metu acoustic panels and traps, ASC Tube Traps
Accessories: DS Audio ION-001, SteinMusic Pi Carbon Signature record mat, Symposium Isis and Ultra equipment platforms, Symposium Rollerblocks and Fat Padz, Walker Prologue Reference equipment and amp stands, Walker Valid Points and Resonance Control discs, Clearaudio Double Matrix Professional Sonic record cleaner, Synergistic Research RED Quantum fuses, HiFi-Tuning silver/gold fuses

The post Synergistic Research SRX Speaker Cables, Interconnects, and Power Cords appeared first on The Absolute Sound.

The New Series of Power Distributors – The Ansuz Mainz8 Generation 3

The following is a press release issued by Ansuz.

January 2023 – Ansuz has made quantum leaps in the development and design of innovative and unconventional audio technologies that have revolutionized the quality standards of high-end music reproduction. High time, then, to integrate all these groundbreaking advances into a new series of power distributors – namely, the new Ansuz Mainz8 Generation 3, a series of power distributors, which sets absolutely new benchmarks for maximum noise reduction and resonance control.

The new Ansuz Mainz8 Generation 3 series is equipped with Ansuz most sophisticated and most advanced noise reduction, resonance control, and dither technologies. In developing this new generation of power distributors, Ansuz was able to draw on their latest research findings on specific material properties and leverage the acoustic effects of innovative composite materials. This new generation of power distributors opens up an ultra-fine, very authentic and natural resolution of the entire sound spectrum from the extremely high pitch to the deepest bass and creates a jaw-dropping holistic soundstage that defies any further description.

Clean power supply

Ansuz Mainz8 power distributors have been developed with the aim of providing a very clean power supply for all hi-fi components of your audio system. Equipped with the most advanced Ansuz audio technologies, the new Mainz8 power distributors offer the lowest grounding impedance, ensuring that virtually no noise is transmitted from the power distributor to the individual power cables feeding the individual hi-fi components. The extreme purity of the power supply paves the way for an unadulterated naturalness and lightness of music.

3rd generation analog dither technology

Analog dither technology has its origin in radar, where it provides a stronger signal and thus a longer range. Active Tesla coils send pulsating signals with precisely defined frequencies. These signals are sent in antiphase. Ansuz has adopted that principle into its audio technology. This significantly amplifies the music signal and eliminates background noise. Ansuz has further developed and refined this technology for high-end audio applications, and only recently ushered in a third generation of analog dither technology. This third generation is also integrated in the top-of-the-line loudspeaker series, the Børresen M1, and in Aavik’s flagship 880 Amplifier model. It goes without saying that the new generation of Ansuz Mainz8 power distributors also features the latest version of Ansuz analog dither technology.

The cabinet – composite cabinet material on a natural basis

The cabinet of the Mainz8 Generation 3 series has been designed to eliminate sonic distortion. The disturbing sound influence emanating from the material the cabinet is made of – usually aluminum – results from its mechanical resonances.

To eliminate this sound distortion, Ansuz uses an innovative, natural-based composite material that reduces mechanical influence, particularly hysteresis. The sonic result is clearly audible and reflects another distinctive cornerstone in Ansuz’s quest for the ultimate musical experience.

Internal resonance control

Ansuz Darkz resonance control devices are designed to provide a significantly better mechanical grounding of the cabinet. To optimize musical performance, the Mainz8 Generation 3 is equipped with Ansuz Darkz inside the cabinet.

Sandwich bottom plate

Inspired by the design of the Børresen M1 speaker, the top-of-the-line model of this new series, the Ansuz Mainz8 DT-C3 Supreme, is equipped with a sandwich bottom plate. The aim is to reduce to an absolute minimum any vibrations that might be absorbed by the electronics and circuitry, and to ensure that audible resonances are perceived as a natural and organic part of the overall sound. The cabinet is connected to this base plate, which is constructed as a sandwich solution. The base material is a heavy, compact laminate panel with titanium layers on the top and bottom. The base plate is also equipped with Ansuz Feet to mount Ansuz Darkz and best support the elimination of interfering resonances.

Ansuz Star Grounding Technology

Voltage carries disturbing noise that has negative effects on the electronics of audio components. Ansuz Star Grounding technology prevents this noise from ‘bleeding’ into the electronics of all audio components connected to the power distributor. Ansuz Star Grounding technology is built around a well-defined area, called the star point, within the power distributor that has the lowest possible grounding impedance. It ensures that no voltage is transferred from the power distributor to the power cables of the individual audio components. Since this star point has the best grounding impedance, all sockets in the power distributor are grounded from here. The system can be further optimized by the use of Ansuz Mainz Power cables. They complement the power distributor with a strong grounding conductor and various shielding and interference suppression technologies.

The Tesla coil technology

The main operating principle of the Ansuz Tesla coil is that two coils are wound in opposite directions – one coil and one counter coil. In Ansuz’s words, this is called a “double inverted coil.” The two coils both carry voltage, and when one of the Tesla coils encounters a voltage spike, a counter coil is activated to eliminate the noise. Since these noise spikes are pure voltage carrying virtually no charge, the cancellation is quite good, but not perfect. Connecting more Tesla coils in parallel will further enhance this noise cancelling effect. The perceived blackness in the music becomes much more palpable, as does the purity and clarity of the sound. Different types of Tesla coils are used in the Ansuz Mainz8 Generation 3, as their individual properties ideally complement and reinforce each other.

Active Zirconium Anti-Aerial Resonance Tesla Coil

Ansuz equipped the new power distributor Mainz8 generation 3 series with the latest, most advanced version of Tesla coil technology – the Ansuz Active Zirconium Anti-Aerial Resonance Tesla Coil.

An impressive improvement of Ansuz anti-aerial resonance coil technology is based on the company’s inexhaustible curiosity to learn more about the specific properties of different materials. This explains why Ansuz has incorporated a zirconium rod into the design of the anti-aerial resonance coil.

The properties of this zirconium rod allow for an unprecedented high level of resonance control, resulting in outstanding musical sophistication that creates a natural soundstage unmatched in its purity, precision and attention to musical detail.

Don‘t miss out on the opportunity of auditioning this series of truly outstanding power distributors and find out for yourself the amazing impact it has on redefining the standards for high-end music reproduction. Please visit our website to find a dealer near you. Contact your dealer or contact us at [email protected] – we would be delighted to arrange a personal appointment for you.

The post The New Series of Power Distributors – The Ansuz Mainz8 Generation 3 appeared first on The Absolute Sound.

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