Tag Archives: Broadcast

Full Sail University Trains Students with Calrec Consoles

The school has several audio control rooms outfitted with Calrec consoles including two Brio audio consoles
The faculty has a number of audio management rooms outfitted with Calrec consoles together with two Brio audio consoles.

Winter Park, FL (May 9, 2023)—To practice college students for careers in audio, Full Sail University is utilizing a wide range of Calrec consoles and bringing in audio professionals to speak to the scholars at occasions on and off campus.

As a part of the coaching, the college has a number of audio management rooms outfitted with Calrec consoles together with two Brio audio consoles and a Summa in its Education division and one other two Brio consoles and an Artemis in its Events Department.

The coaching builds on the college’s historical past of educating AV and broadcast programs throughout a number of diploma applications, primarily the Show Production, Film, and Sportscasting Degrees.

Vince Lepore, a graduate of the college who beforehand served because the director of occasion technical operations, oversaw Full Sail occasions each on and off campus. His group managed two of the college’s on-campus dwell occasion manufacturing amenities together with its flagship performing arts venue, Full Sail Live, and the biggest collegiate esports enviornment within the nation, The Full Sail University Orlando Health Fortress.

“At Full Sail, our applications are centered on real-world expertise and offering our college students with project-based work in skilled environments using skilled expertise,” Lepore mentioned. “This permits us to offer our college students with an opportunity to expertise what it’s like out within the business even earlier than they graduate. I prefer to suppose that we’re all the time out on the forefront of accessible expertise.”

Students are engaged on all these consoles day-after-day. “Our relationship with Calrec is a good instance of Full Sail recognizing that Calrec is extensively recognized and utilized within the skilled business,” Lepore defined. “By familiarizing our college students with Calrec tools on the pupil stage, Full Sail is working to assist put together them to enter the printed workforce.”

Lepore added that every system has Dante, MADI, AES, SDI, Waves Soundgrid and Calrec’s proprietary Hydra2 connectivity. “There’s a lot for college kids to study simply in that Calrec ecosystem alone between all the assorted I/O choices, router core choices, and console surfaces,” he mentioned.

In addition to the audio setup, Full Sail thought it might be a good suggestion to reveal college students to professionals with careers in audio and extra particularly, what it’s actually prefer to be an A1. With this in thoughts, they known as upon veteran A1 Florian Brown, who had labored with some Full Sail college students previously after they graduated and who had constructed a relationship with the college. “We actually wished college students to listen to instantly from knowledgeable out working within the business,” Lepore mentioned.

Brown has labored on many high-profile audio occasions together with Wimbledon, the US Tennis Open, and the ABC NFL Draft. “The finest a part of being an A1 is rarely figuring out simply how your day goes to unfold. Some days are simple, some are tougher, however it’s all the time attention-grabbing and it’s definitely by no means boring! You get an actual jolt of exhilaration each time you go dwell, plus an actual sense of accomplishment after the present,” Brown commented.

With the Calrec Artemis readily available there on the University, Brown spent a full day with greater than 50 college students discussing the alternatives in audio broadcast and the profession ins and outs of being a working A1. Brown lined all of the totally different jobs accessible in audio, video, EVS, enhancing and extra. He mentioned what traits the crewing division and on-site administration are searching for and dug into the nitty gritty of manufacturing audio for dwell sports activities and the approach to life that comes with that.

Alan Parsons Master Class Records, Mixes Contest Winner in Atmos

“Full Sail University is a good venue to be speaking to media college students about future careers as a result of the college has many of the gear that we at present use within the subject,” Brown mentioned. “With the Artemis console, I wished to indicate the scholars that what an A1 does isn’t a lot totally different from present to indicate or sport to sport, with the thought being to take a few of the thriller out of the method. For instance, with the Artemis you possibly can arrange a unfastened default setting that may be your baseline for nearly each sports activities broadcast. Calrec is the premier console for audio in American sports activities and the Artemis, particularly, is extensively used on this business. It is prevalent within the business, and it made sense to make use of the audio console that I believe college students will encounter probably the most of their careers.”

Lepore additionally known as upon veteran audio skilled Tom Sahara, senior vp of manufacturing expertise operations for Quintar, Inc., which is a startup creating augmented actuality expertise for sports activities leagues and creators.

Sahara has an illustrious profession in skilled audio that started within the Eighties. He has labored on many high-profile occasions and earlier than becoming a member of Quintar, he served as Chairman of the DTV Audio Group from 2010 to 2016 and as SVG Advisory Board Chairman from 2013 to 2019. He retired from Turner Sports in 2021 after almost 24 years because the VP Technology and Operations.

Sahara gave a video presentation of profession alternatives in broadcast and manufacturing for the scholars. The presentation described the various positions behind the digicam that college students could discover extra in keeping with their pursuits and skills. “The suggestions from college students has been great,” Sahara mentioned. “Not solely did they study in regards to the preparations that an audio mixer goes by for an occasion. They have been uncovered to the various different technical positions, audio associated and non-audio which might be part of each manufacturing. Many college students had no thought that there have been so many alternative positions and areas of experience the place they may develop their careers in broadcast manufacturing.”

“While there may be many job alternatives for college kids coming into the dwell manufacturing business, it may be robust to sift by every part,” added Lepore. “With two veteran audio execs on the helm, this session gave our college students a targeted have a look at broadcast and tv manufacturing from business professionals who’re working within the enterprise day-after-day.”

As for recommendation that Brown would give younger folks seeking to enter the printed audio workforce, he cites punctuality and a optimistic perspective as key attributes, however expertise is essential. “Do your finest to get onto a crew — both as a cable puller or a runner. The expertise you’ll get working on-site will probably be invaluable. Sports broadcasting wants new, younger, contemporary expertise. The downside is that not many people know that these professions exist.”

“Start familiarizing your self with audio GUIs, Dante, AzEdit, Waves and Unity,” he mentioned. “It’s no secret that IP is the best way of the longer term; take into consideration networking and IP administration. I additionally counsel visualizing what you need to your future. Have a plan about the place you need to be and what you need to do. For instance, if you wish to work on the Super Bowl sometime, an effective way to try this is to start out working in school soccer first.”

This story beforehand appeared on TV Tech at https://www.tvtechnology.com/information/full-sail-university-trains-students-with-calrec-consoles

2023 Daytime Emmy Awards’ Audio Nominations Announced

2023 Daytime Emmy awards

Los Angeles, CA (April 27, 2023)—Nominations for the fiftieth Annual Daytime Emmy Awards have been introduced, together with the 2 classes for audio—”Sound Mixing and Sound Editing” and “Outstanding Live Sound Mixing and Sound.”

The awards presentation is damaged into separate ceremonies and telecasts—this yr’s Daytime Emmy Awards telecast shall be broadcast reside, Friday, June 16, at 9PM on CBS,.

Next up, the Daytime Creative Arts & Lifestyle Emmy Awards shall be offered on Saturday, June 17 and streamed on the NATAS OTT. Both occasions will happen on the Westin Bonaventure Los Angeles.

All awards are judged by a pool of greater than 1,000 peer professionals from throughout the tv business, whose confidential ballots are then tabulated by the unbiased accounting agency of Lutz & Carr, LLP.

2022 Creative Arts and Lifestyle Emmy Awards’ Sound Winners Announced

And the nominees are:

SOUND MIXING AND SOUND EDITING

Car Masters: Rust to Riches, Netflix

Down to Earth with Zac Efron, Netflix

The Hidden Lives of Pets, Netflix

Home, Apple TV+

Island of the Sea Wolves, Netflix

Wild Babies, Netflix

 

OUTSTANDING LIVE SOUND MIXING AND SOUND

Days of our Lives, NBC | Peacock

The Ellen DeGeneres Show, SYNDICATED

The Jennifer Hudson Show, SYNDICATED

The Kelly Clarkson Show, SYNDICATED

The Young and the Restless, CBS

2023 Daytime Emmy Awards’ Audio Nominations Announced

2023 Daytime Emmy awards

Los Angeles, CA (April 27, 2023)—Nominations for the fiftieth Annual Daytime Emmy Awards have been introduced, together with the 2 classes for audio—”Sound Mixing and Sound Editing” and “Outstanding Live Sound Mixing and Sound.”

The awards presentation is damaged into separate ceremonies and telecasts—this 12 months’s Daytime Emmy Awards telecast can be broadcast dwell, Friday, June 16, at 9PM on CBS,.

Next up, the Daytime Creative Arts & Lifestyle Emmy Awards can be introduced on Saturday, June 17 and streamed on the NATAS OTT. Both occasions will happen on the Westin Bonaventure Los Angeles.

All awards are judged by a pool of greater than 1,000 peer professionals from throughout the tv trade, whose confidential ballots are then tabulated by the impartial accounting agency of Lutz & Carr, LLP.

2022 Creative Arts and Lifestyle Emmy Awards’ Sound Winners Announced

And the nominees are:

SOUND MIXING AND SOUND EDITING

Car Masters: Rust to Riches, Netflix

Down to Earth with Zac Efron, Netflix

The Hidden Lives of Pets, Netflix

Home, Apple TV+

Island of the Sea Wolves, Netflix

Wild Babies, Netflix

 

OUTSTANDING LIVE SOUND MIXING AND SOUND

Days of our Lives, NBC | Peacock

The Ellen DeGeneres Show, SYNDICATED

The Jennifer Hudson Show, SYNDICATED

The Kelly Clarkson Show, SYNDICATED

The Young and the Restless, CBS

SMPTE President Renard T. Jenkins to Present Keynotes

SMPTE President Renard T. Jenkins
SMPTE President Renard T. Jenkins.

White Plains, NY (March 9, 2023)—SMPTE president Renard T. Jenkins will function the keynote speaker for each the inaugural Public Media Technology Summit (PMTS) previous the 2023 NAB Show and the 2023 NAB Show’s Broadcast Engineering and IT (BEIT) Conference throughout its opening session.

Slated for April 13-14 on the Renaissance Las Vegas Hotel, the PMTS will embody periods on RF, IT and common know-how follow and administration — notably as they intersect with ATSC 3.0/NextGen TV, IP-based services, cloud-based manufacturing, and the associated enterprise and repair alternatives that assist public media’s distinctive mission.

Jenkins, who’s senior vp of manufacturing integration and inventive know-how providers at Warner Bros. Discovery, beforehand served as vp of operations, engineering and distribution at PBS. While at PBS, Jenkins based the group’s Advanced Format Center and was liable for the strategic route, know-how improvement, engineering and operational administration of PBS’ whole media provide chain. He will current his keynote handle on the primary day of the Public Media Technology Summit.

The BEIT Conference, a part of the NAB Show, will concentrate on content-delivery ecosystems and infrastructures via displays and in-depth discussions. Jenkins will communicate throughout the BEIT Conference Opening Session, scheduled for 10-11 a.m. on Saturday, April 15, within the Las Vegas Convention Center’s West Hall (W219-W221). The session additionally will embody the official BEIT Conference welcome and the presentation of the NAB Best Paper Award.

NAB Show to Feature 1,000-Plus Exhibitors

Jenkins and his groups have earned quite a few awards, together with two Emmy Awards, an Innovator of the Year Award and a 2020 Broadcasting and Cable Technology Leadership Award, for his or her work in movie and tv manufacturing, postproduction, and analysis and improvement. He is a SMPTE Fellow and a board member for MovieLabs, the Hollywood Professional Association, the UltraHD Forum, and the Content and Entertainment Council in addition to a member of the Microsoft and Oracle advisory boards.

A champion and advocate for inclusion, variety, fairness and accessibility within the know-how and media industries, Jenkins is a strategic advisor to the board of administrators of the Washington, DC, chapter of the National Association for Multi-Ethnicity in Communications; chair of the Warner Bros. Discovery Technology and Operations Equity and Inclusion Council; chair of the SMPTE Global Inclusion Working Group; and co-chair of HPA ALL, which advocates for and promotes variety, higher fairness and elevated inclusion and accessibility within the media and leisure business.

Radio Kol Rega Upgrades with DHD.audio Desks

DHD SX2 console feeding wall-mounted configuration display.
DHD SX2 console feeding wall-mounted configuration show.

Jerusalem, Israel (March 9, 2023)—Lower Galilee-based Radio Kol Rega just lately up to date its studios with a brand new DHD.audio-focused set up dealt with by Jerusalem-based methods integrator Broadcast Design Ltd.

“Radio Kol Rega transmits throughout northern Israel from its studios at Beit Keshet,” says Micha Blum, founder and CEO of Broadcast Design. “It produces and transmits two channels, one in Hebrew and one in Russian, comprising music, discuss applications and regional information. The station commenced broadcasting in 1996. A DHD audio manufacturing system was chosen for the Russian-language channel when that went on air in June 2020. DHD gear proved a really profitable selection and inspired the community to exchange its previous analog desk with DHD digital consoles when the time got here to refurbish the principle channel.”

The major channel has one primary studio, one backup studio, one information sales space studio and one other analog studio; because it was time to refurbish the principle studio and the information sales space, the general goal was emigrate to a brand new expertise and structure whereas preserving the analog studios ‘as is.’

DHD.audio TX2 Multitouch Compact Mixer Debuts

All stakeholders opted for an built-in system centered round DHD merchandise and Dante audio-over-IP. A 16-fader DHD SX2 console with a DHD TX versatile contact panel was chosen for Studio 1 and a four-fader SX2 with I/O-Core for the information studio, each with Dante modules. Broadcast Design designed and manufactured customized panels with on/off button, talkback button and headphone degree management for each host and visitor, connecting on to the GPIO and DHD ACI modules.

He added, “Global assets comparable to off-air receivers, codecs and studio-to-transmitter hyperlinks have been linked to analog, AES3 and Dante converters. Every analog studio has an interface that makes it IP appropriate. Migrating to IP expertise simplifies the structure, provides connectivity and fixes lot of the noise and disturbance that have been skilled with the older system.”

DHD’s SX2 is a modular mixing console primarily based on a four-fader central module (52-5614). Each SX2 unit is a standalone table-top machine which will be chained with others to create a single mixing desk. The central module offers entry to crucial audio inputs and outputs. A microphone enter and headphone output are additionally included. Loudspeakers will be linked on to the unit.

Audio-Technica BP3600 Immersive Audio Microphone Launches

Audio-Technica BP3600 Immersive Audio Microphone
Audio-Technica BP3600 Immersive Audio Microphone

Stow, OH (February 27, 2023)—After months of sneak-peeks at commerce exhibits, making it one of many extra hotly anticipated immersive mics, Audio-Technica has formally launched its BP3600 Immersive Audio Microphone, meant for capturing three-dimensional sound beds at sporting occasions, concert events, festivals, film units and extra.

At AES 2022: Audio-Technica BP3600 Immersive Audio Microphone.
Audio-Technica previewed its BP3600 Immersive Audio Microphone at a number of commerce conventions final 12 months, together with the AES 2022 present in New York.

The microphone has eight compact capsule assemblies with high-frequency traits built-in into the physique, whereas remaining compact and light-weight sufficient for single-operator usability. Direct routing can be doable, with out requiring extra decoding or latency processing with 5.1.4-channel speaker layouts.

Designed to be used as a broadcasting answer, the BP3600’s eight microphone modules lengthen from the physique to type a dice with 15 cm (5.9 inches) between every microphone meeting. Each microphone meeting within the eight-channel near-coincident array is supplied with a 12-mm (0.47-inch) hypercardioid capsule to supply separated, discrete alerts and ship immersive audio experiences.

When utilized in a typical 5.1.4 immersive state of affairs, the 4 higher microphone channels may be assigned to the higher speaker channels, and the 4 decrease channels may be assigned to the decrease speaker channels.

The BP3600 and accessories shown in case.
The BP3600 and equipment proven in case.

The total unit is designed with color-coded and numbered channel indicator rings that enable for clear identification of channels. Each microphone meeting incorporates a lock that ensures repeatable positioning and prevents unintentional removing. The connector locks moreover defend the microphone terminals from the weather, together with rain. Also included is a security strap that may be linked to drop-prevention wires when used above spectators in stadiums, auditoriums, or different venues.

The finish of the microphone’s grip features a LEMO 2B multi-pin output connector for attaching the included LEMO-to-XLRM (x8) breakout cable for routing the eight channels to a mixing console or audio interface. LEMO-to-LEMO 2B multi-pin connector extension cables can be found individually to be used between the microphone and the breakout cable to extend the cable run size. Phantom energy (48 VDC) is required for every channel.

Mix Tech: Personal Audio Interface Round-Up

The BP3600 comes customary with eight devoted windscreens and a microphone stand clamp with a 5/8″-27 to three/8″-16 threaded adapter. The microphone may be disassembled and positioned within the included case for cover throughout storage or transportation. Additional equipment, together with Rycote BBG Windshields for elevated noise safety and Rycote BBG Windjammer artificial fur covers to attenuate excessive wind noise, are offered individually.

Mix Live Blog: New Year’s Eve Live…Or Is It?

New Year's Eve in Times Square. Photo: Anthony Quintano / CC BY 2.0.
New Year’s Eve in Times Square. Photo: Anthony Quintano / CC BY 2.0.

Like many people, I turned on the tube on New Year’s Eve to bounce between a number of “countdown” entertainment shows. As has always been the case, these shows offered performances from popular recording artists. Notice I didn’t say “live performances.”

This year, depending upon which show you dropped in on, you had the option to see a wide variety of artists, such as New Edition, Farruko, Dolly Parton, Miley Cyrus, j-hope, Jax, REO Speedwagon, Tenacious D, Duran Duran, Sia, Liily, Rae Sremmurd, Latto and Patti LaBelle. Some of these artists were performing “on-location” at sites like Times Square in NYC, while others performed off-site with audio and video tie-ins (Usher, for example, who performed live from his residency in Las Vegas).

Mix Live Blog: ‘Bombshell’

Hanging out with my family to watch these shows is always a bit of an adventure because I like to gauge their opinion of whether it’s live or Memorex. Inevitably, someone will ask me if I think a particular artist is performing live and the answer is often “definitely not.” Then comes the discussion of why an artist would make an appearance on a nationally televised show and not actually perform. Here are some top reasons:

  1. The Artist Is Actually Not. Some pop acts are simply manufactured in a corporate boardroom. A group of good-looking kids singing catchy pop songs is bound to capture the hearts of adoring fans worldwide and make plenty of money for the record label. This goes back to the Mesozoic Era, long before The Archies sang “Sugar, Sugar.”
  2. Gotta Do Those Dance Moves. Given some of the amazing choreography displayed by pop groups, it may not be possible for them to sing and perform the dance moves at the same time. This is also the reason that superstar pop artists who dance their way through a show may have a recorded backing track at the ready to double or replace their lead vocal if they get winded.
  3. The Artist Has Seen Better Days. Some artists just don’t have it anymore and can’t sing their hits, so they rely on a recorded performance. This makes me sad.
  4. Hostile Environment. It’s tough enough to poke your head outside the door when it’s minus 10 degrees in January, let alone sing your hit song while the snow comes down. Cold, dry weather increases voice fatigue.
  5. Everyone Has a Bad Night Now and Then. Would you really want a massive audience to hear you sing on a night when you had a sore throat?
  6. Lead Singer Calls Out Sick. Not an option.
  7. Too Much at Stake. There are times when an artist simply cannot afford to turn in a bad performance because the audience is so vast. NYE broadcasts and that Big Football Game at the beginning of February are two examples of such career-critical events.
  8. The Band Wasn’t Invited. “Just send the lead singer, please.” Ouch. Stereo backing tracks are way easier and faster to deal with than 40 inputs on a live stage.
  9. The Record Was Epic, The Band Is Not. Who knows what instruments lurk in a band’s recording. Horn sections? Choirs? Full orchestras? Intricate parts requiring mega-chops? Arrangements of such magnitude are often not practical (or cost-effective) to pull off on a live stage. Back in the 1970s, even Queen—with all that talent—knew better than to try and perform live the operatic intro and middle sections of “Bohemian Rhapsody.” It would have taken a cast of a thousand. For the record, Queen is epic, regardless.
  10. There’s No Time. Given the scheduling of many of these shows, there’s little time for soundcheck or rehearsal, so you may see the band miming their instruments while the singers actually sing.
  11. The Lead Singer Is a Loose Cannon. Yikes. Alcohol or drugs may be part of the equation. Do you really want that unstable lead singer to have a live microphone at midnight on national TV? Sad.
  12. Sounds Just Like the Record. Some artists can achieve this. Alas, others cannot.

Given all these concerns, it’s no wonder that many of the artists mentioned earlier lip-synched their performances. If you look at the ones who did perform live, you often find that they are well-established artists with a proven track record, those who’d rather take the chance of turning in a less-than-perfect live performance as opposed to being safe and singing to a recorded track.

I’ll take the latter, thank you. Warts and all.

Shure Launches Axient Digital ADX5D Portable Receiver

Shure Axient Digital ADX5D Portable Receiver
Shure Axient Digital ADX5D Portable Receiver

London, UK (June 14, 2021)—Shure has introduced its new Axient Digital ADX5D Portable Receiver, expanding its flagship digital wireless line with a dual-channel, portable wireless slot receiver—a new portable form factor that makes the line more applicable to film and TV production.

While to date the Axient Digital line has been primarily used onstage in event and tour production, the new ADX5D is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)—all of which rely on location sound.

The ADX5D uses true digital diversity technology, aiming to prevent signal fades and dropouts, while offering AES-256 encryption and 2 ms latency from the mic transducer to the analog output. A wide tuning band ensures reliable operation in any environment.

Shure Updates SLX-D Digital Wireless System

The ADX5D’s form factor is intended to make it an on-the-go wireless receiver, allowing it to slot inside and connect directly to the audio inputs of a professional broadcast camera. The portability is also intended to aid film and TV sound mixers who often have discrete powering, audio-routing, and/or RF-distributing gear in their portable recording bags.

ADX5D incorporates Shure’s ShowLink technology, which allows for real-time control of transmitter parameters, interference detection and avoidance. Intended for remote, hybrid, or on-location sound environments, ShowLink aids use of back-up frequencies, provides remote control directly to linked transmitters and is compatible with Shure’s Wireless Workbench software.

“The ADX5D Portable Receiver is an incredible tool to have at my disposal while on set,” said Jon Ailetcher, CAS, Production Sound Mixer on Chicago PD. “We move very fast on our show, and with ADX5D, I can easily transition from my cart to my bag, whether we’re on location or in the studio, without affecting my workflow.”

ADX5D is shipping globally this summer.

Shure • www.shure.com

Remote-Mixing an Event 1,400 Miles Away

Passionate Women’s Conference
Passionate Women’s Conference

Wellington, New Zealand (May 10, 2021)—New Zealand has one of the lowest incidences of COVID-19 in the world, with only 2,644 cases to date. As a result, large-scale events have resumed in the island nation, including the recent annual Passionate Women’s Conference—the country’s largest event for Christian women. Australian sound engineer Rich Bryant usually travels to Wellington to mix the event broadcast, but due to travel restrictions, he wound up mixing a broadcast feed from his studio in Sydney just over 1,400 miles away.

The event, held in the Michael Fowler Centre in Wellington, included music, worship and spoken word presentations, so Bryant had his hands full. Conferring with Andrew Crawford at Australian A&H distributor TAG about how to approach a remote mix, he opted to work with Wellington-based Lampros Sound, which provided an Allen & Heath dLive DM64 MixRack at the venue that Bryant could control remotely from his Sydney studio. The DM64 was fitted with a Dante card for interfacing with the onsite AV network, plus a Waves card for virtual soundcheck and additional output processing.

The DM64 was connected to a dLive S7000 control surface in Sydney via a secure VPN connection, managed by Riverbed’s SD-WAN service, using the integrated network ports on both units. Luke Sheaves of Riverbed was on hand to provide IT and network support in Sydney, with Alistair Lambie of Lampros Sound monitoring the connection on the New Zealand end.

Australian sound engineer Rich Bryant used an Allen & Heath dLive S7000 in his Sydney studio (seen here) to mix the event 1,400 miles away.
Australian sound engineer Rich Bryant used an Allen & Heath dLive S7000 in his Sydney studio (seen here) to mix the event 1,400 miles away.

Audio and video monitoring of the broadcast feed in Sydney was provided via an SRT stream to Bryant’s iPad, arriving with under 150 ms of latency. Another tool put to use was Audiomovers software, fed by the Waves card in the DM64, which was used to monitor the Solo/PAFL bus with a latency of 200ms. The Intercom Unity app, running on a second iPad, was used to handle comms between Bryant and the technical team in the venue.

Back onsite in Wellington, another DM64 – configured for multi-surface operation – was used to handle both FOH and MON duties, with a pair of S7000 control surfaces deployed for engineers Andrew Forde (MON) and Simon Faisandier (FOH). Two DX168 expanders were added to feed performer IEMs and provide additional AV I/O, with Waves and Dante cards utilized for audio transport and additional processing.

“What started as an ambitious endeavor ended as a resounding success” reflects Rich. “It was a truly ground-breaking weekend, and we couldn’t have done it without the dLive, and the support provided by TAG, Lampros Sound and Riverbed.”

Allen & Heath • www.allen-heath.com

Mixing X Factor Colombia

Freelance audio engineer Richard Cardenas handled live mixing duties for the show inside RCN Televisión’s studios in Bogotá.
Freelance audio engineer Richard Cardenas handled live mixing duties for X Factor Colombia inside RCN Televisión’s studios in Bogotá. EL_CHAMO

Bogotá, Columbia (March 10, 2021)—Like many TV shows, X Factor Colombia 2020 was interrupted by the pandemic last spring, part way into production. The show resumed after eight months, however, returning last October with strict precautions in place that ran throughout the rest of the season, which wrapped up at the end of the year. Throughout it all, freelance audio engineer Richard Cardenas handled live mixing duties for the show inside RCN Televisión’s studios in Bogotá.

Cardenas opted for an Allen & Heath dLive mixing system on the show, centered around a CDM48 MixRack controlled from a 36-fader S7000 surface. He managed all the contestants’ IEM mixes, plus FOH and monitor mixes for the contestants, judges and audience. The audio configuration in the studio consisted of an LR stereo matrix out, a matrix mono sub out, stereo aux mixes feeding side fills, a mono floor wedge setup and a stereo aux mix for the judges’ side-fill. For the earlier recordings, an audience PA mix was also fed to a stereo matrix. A DX012 12-output expander was employed to provide additional AES feeds to a 96 kHz loudspeaker management system. Cardenas also used a Dante 64×64 card to feed the broadcast desk using dLive’s tie lines feature, plus a superMADI card for backup recording to a Pixel Power system.

Allen & Heath Adds to Expanders’ Dante I/O Capabilities

Cardenas first encountered the system at a festival in 2019, where he mixed multiple Latin Grammy winners a few months before being approached to work on the TV show. “With dLive, I really felt like I was mixing rather than trying to figure out how to operate the desk,” he said, “so when I had the opportunity to work on X Factor Colombia, I asked RCN Television for a dLive system. We only had two weeks between delivery and rehearsals, but I had excellent support from Allen & Heath’s specialist in Colombia, Ivan Sanchez.”

All that allowed Cardenas to streamline his system for the broadcasts: “The DEEP processing emulations are excellent and sound very close to the real thing. The same goes for the FX. The EQs and preamps also sound excellent and dLive’s very low latency and 96kHz processing set it apart from the rest.”

Allen & Heath • www.allen-heath.com