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Tag Archives: Golden Ear

2022 Golden Ear: DS Audio DS 003 Optical Phono Cartridge

DS Audio DS 003 Optical Phono Cartridge

$2500 ($6000 with matching equalizer)

After setting new standards of fidelity in the ultra-high end with his POY-winning $15,000 Grand Master optical cartridge (and $45k, two-box Grand Master equalizer), DS Audio’s ingenious Tetsuaki “Aki” Aoyagi has turned his attention to the rest of us.  The $2500 DS 003 ($6k with its matching DS 003 equalizer) is a “trickle-down” masterpiece. Using many of the technical innovations first found in the Grand Master (such as a dual-mono optical generator with independent LEDs and photo detectors for each channel and a beryllium “shading plate,” which reduces moving mass to 1/10th that of a typical moving-coil cartridge), the “third-generation” 003 sounds almost exactly like a slightly less finely detailed, slightly less spacious Grand Master. Every bit as standard-settingly quiet, explosively dynamic, and robustly rich in color as its big brother, the DS 003 makes opting (or optical’ing) for a new-tech oc a lot easier (and a lot less of a trade-off) than it once was. With channel separation measurably approaching 33dB in the midrange and tracking that is as smooth and glitch-free as that of the far pricier Grand Master, the DS 003 does not compromise soundstaging and trackability in the ways that earlier-gen, “affordable” DS Audios did. If you’ve longed to sample a top-line oc but haven’t had the moolah to do so, now’s your chance. The DS 003 opens the door—and opens it wide—to a new world of noise-free, tape-like playback, with bass response and treble sweetness and bloom that you could previously only get with reel-to-reel. Another sure-fire nominee for a 2022 TAS Product of the Year Award.

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2022 Golden Ear: Polk T50 Loudspeaker

Polk T50 Loudspeaker

$298

The tiny Polks benefit from EQ’ing (a 1/3-octave analog EQ device will be fine for this)—to remove a peak at around 1kHz and pull the treble down above 5kHz. This done, these inexpensive floorstanding speakers will produce a surprisingly accurate and musical sound with a good top end, adequate dynamic range, convincing bass extension beyond the scope of mini-speakers. If you must have even deeper bass extension, you could add a subwoofer (ideally multiple subwoofers—the best way to get ideal bass in actual rooms (for which, see my Golden Ear 2021 Award to the Audio Kinesis Swarm). But if you can live without the bottom octave, with bass adequate for almost all music, these speakers, properly EQ’d, will give you remarkable sound for minimal money.

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2022 Golden Ear: Totem Acoustic Element Fire V2 Loudspeaker

Totem Acoustic Element Fire V2 Loudspeaker

$7500/pair

For a modest-sized monitor that plays much bigger than it looks, it’s hard to do better than the second generation of Totem Acoustic’s Element Fire stand-mount. Though the enclosure measures only 8.8″ x 16.6″ x 11.7″, the Fire’s given LF specification is a quite believable 30Hz. Plus, the speaker packs considerable dynamic punch. This may relate to the robust 7″ Torrent driver in this 2-way ported design. The woofer’s motor structure is machined from a single piece of aluminum alloy with the finished device weighing in at close to 10 pounds—Totem proudly notes a 17Hz free-air resonance with the potential for a 1″ cone excursion. The tweeter is a 1″ titanium dome. The two drivers are coupled via a simple first-order high-pass filter. No low-pass filter is required, and the Torrent woofer operates full-range. With rock and pop recordings played at enthusiastic levels, with symphonic music, and even with pipe organ spectaculars, the diminutive Fires will satisfy most over the long haul, though the judicious integration of a good subwoofer can further increase the enjoyment of these genres. The Fire V2s deliver the goods expected from a smaller loudspeaker—detail, spatial expansiveness, and tonal accuracy. A real overachiever.

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2022 Golden Ear: MBL 126 Loudspeaker

MBL 126 Loudspeaker

$12,900 ($1390, stands)

It only takes one look—MBL Radialstrahler loudspeakers are one of the great conversation starters in all high-end audio. Everyone I know remembers where they were the first time they heard them. Perhaps the most startling entry in the MBL line is the 126, a three-way omni-directional stand-mount. It is MBL’s most petite speaker, but what it offers is anything but diminutive. First, there’s musicality and transparency in abundance. On top of that is astounding spatiality—sonics that can only be characterized as sweeping in ambience retrieval, with 3D-like immersion and seamless top-to-bottom response. As only an omni can, the MBL 126 approaches the complex relationship between imaging, soundstaging, and envelopment in ways direct-radiating transducers hint at but rarely attain. Orchestral music assumes a naturalism and spine-tingling immediacy akin to the real thing. Low-level resolution and sensitivity to dynamic gradients abound. It’s the superb, carbon-fiber, radial mid and tweeter drivers that spin the sonic silk—both are grainless, airy, and harmonious. Crafted and finished with precision and taste, though small of footprint the MBL 126 makes a grand statement.

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2022 Golden Ear: Topping D90SE DAC

Topping D90SE DAC

$899

Topping has emerged from China as one of their most technically advanced and internationally competitive audio firms. Topping’s most expensive DAC, the D90ES ($899), ranks as having some of the best digital performance specifications of any DAC, regardless of price or technology. The D90SE would not exist except for the fact that Topping’s previous flagship, the D90MQA, used a top-of-the-line AKM DAC chip. AKM had a catastrophic fire in its factory, which curtailed all its DAC-chip production. Topping had no choice but to redesign its DACs to use ESS DAC chips. While it is indisputably true that the D90SE is a Johnny-come-lately offering from a Chinese manufacturer with a limited track record with audiophiles here in the United States, the Topping D90SE delivers on all its promises. Its goal is to sound like the ultimate, straight, clean, no-added-romance, high-resolution DAC. After extensive listening, I found the D90SE to be exactly what it purported to be—a well-designed digital audio converter that performs on a par with reference DACs I have used in the past.

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2022 Golden Ear: Magnepan 1.7i Loudspeaker

Magnepan 1.7i Loudspeaker

$2795

I was hooked. It was roughly 1973, I was a 17-year-old budding audiophile and had just heard Cat Stevens’ “Morning Has Broken” played back over a pair of three-paneled Magneplanar Tympani 1’s. Whatever that model’s imperfections were, to my ears they were seriously overshadowed by that magical sensation that the music wasn’t coming from boxes, which of course it wasn’t, but being conjured in that very room.

Not having the space or coin for those unwieldly four-feet wide beasts, I wound up purchasing a pair of Magnepan’s more manageable, but still magical MG IIs.

Over the ensuing years I’ve owned various Maggie models, sold a fair share during my days in retail audio, and continue to recommend them to friends. So, when my 1.7s decided to give up the ghost after a dozen years of hard service, it wasn’t difficult for me to stick with what I know and love by ordering a pair of that model’s updated version, the 1.7i.

What I was unprepared for, however, was just how much better the “i” edition is from what I’d lived with for so long. In classic Magnepan fashion (via deadpan Marketing Director Wendell Diller), the technical differences between plain old 1.7 and 1.7i versions are…elusive. Both are three-way “quasi-ribbon” designs and so on, but the latest model is more coherent still, offers better bass, a richer midband, and even more of that disappearing act that we Maggie lovers are so drawn to. Moreover, these remain one of the finest values in audio. In fact, they are steals.

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2022 Golden Ear: Magnepan 1.7i Loudspeaker

Magnepan 1.7i Loudspeaker

$2795

I was hooked. It was roughly 1973, I was a 17-year-old budding audiophile and had just heard Cat Stevens’ “Morning Has Broken” played back over a pair of three-paneled Magneplanar Tympani 1’s. Whatever that model’s imperfections were, to my ears they were seriously overshadowed by that magical sensation that the music wasn’t coming from boxes, which of course it wasn’t, but being conjured in that very room.

Not having the space or coin for those unwieldly four-feet wide beasts, I wound up purchasing a pair of Magnepan’s more manageable, but still magical MG IIs.

Over the ensuing years I’ve owned various Maggie models, sold a fair share during my days in retail audio, and continue to recommend them to friends. So, when my 1.7s decided to give up the ghost after a dozen years of hard service, it wasn’t difficult for me to stick with what I know and love by ordering a pair of that model’s updated version, the 1.7i.

What I was unprepared for, however, was just how much better the “i” edition is from what I’d lived with for so long. In classic Magnepan fashion (via deadpan Marketing Director Wendell Diller), the technical differences between plain old 1.7 and 1.7i versions are…elusive. Both are three-way “quasi-ribbon” designs and so on, but the latest model is more coherent still, offers better bass, a richer midband, and even more of that disappearing act that we Maggie lovers are so drawn to. Moreover, these remain one of the finest values in audio. In fact, they are steals.

The post 2022 Golden Ear: Magnepan 1.7i Loudspeaker appeared first on The Absolute Sound.

2022 Golden Ear: Meze Elite Headphone

Meze Elite Headphone

$4000

Meze headphones hail from Romania. Its products are the result of a unique design collaboration between Meze and Rinaro Isodynamics. During the last 30 years, Rinaro has focused all its design efforts on perfecting planar-magnetic transducers. The Rinaro Parus planar diaphragm achieves an extremely low mass by utilizing an ultra-thin, biaxially oriented, semi-crystalline film. This film is produced through a special process that involves stretching it in transverse directions at high temperatures. Instead of one unified voice coil the Elite uses a dual-driver system. The switchback coil, located in the upper section of the planar diaphragm, is more efficient on lower frequencies. While the spiral coil, located in the lower section, is more efficient on middle and upper frequencies. Meze has also developed a unique headband design that originated on its Empyrean headphones to increase the Elite’s wearability. Instead of the standard U-shaped curve to the leather lower part of the headband, the Elite’s is almost W-shaped, which spreads the headphones weight over a larger portion of your head, making them more comfortable. The Elite is an open-back design whose sonic attributes reflect that. It produces a huge soundstage that is comparable to other reference headphones with a similar backless design, such as the Warwick Sonoma system. The Meze Elite is, in every way, a reference-quality headphone that earns its flagship status and justifies its price. The Meze Elite is the kind of headphone that quickly and conclusively elevates listening to the point that after some time spent with it, it’s hard to go back to headphones that are merely extremely good.

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2022 Golden Ear: CH Precision L10 Dual Monaural Linestage Preamplifier and M10 Two-Channel Reference Power Amplifier

CH Precision L10 Dual Monaural Linestage Preamplifier and M10 Two-Channel Reference Power Amplifier

$76,000 (two-chassis L10), $132,000 (four-chassis dual monaural L10); $104,000 (stereo M10), $198,000 (per pair of M10 monoblocks)

CH Precision’s L10 preamplifier and M10 power amplifier are the highest realization of the Swiss company’s technology, build-quality, and musical aesthetic. They combine unprecedented set-up flexibility and control with simply stunning sound quality. For example, the two-chassis stereo power amplifier can be configured for stereo operation (300Wpc), or in two different monoblock configurations, or for passive bi-amplification or active bi-amplification (the latter with the addition of a plug-in board). The ability to independently adjust the amount of local and global feedback from the listening seat through CH’s control app allows the amplifiers to be precisely dialed-in for your loudspeakers. Sonically, the 10 Series has a pristine rendering and exquisite resolution of fine detail without sounding analytical. The highly detailed rendering for which CH Precision is known is there, but accompanied by body, timbral warmth, and dense tone color—a compelling combination. These electronics let you hear every nuance of musical expression and interaction between musicians in a way that is simply thrilling. A tour de force in amplification and my reference electronics.

CH Precision M10 Two-Channel Reference Power Amplifier

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2022 Golden Ear: Empirical Design Cables

Empirical Design Cables

Prices Vary

Empirical Design is probably the most under-the-radar, over-the-top-performing high-end cable company in existence. It’s been my reference for nearly 20 years, along the way winning two previous Golden Ear Awards. But those were back in the aughts. It’s worth noting that, through constant incremental evolution, these cables and power cords have retained what originally set them apart: top-notch parts-quality, straightforward topologies, hand-built construction, and a price roughly one-tenth that of cables of comparable merit. Recently, two events reminded of these cables’ unique attributes. First, the sonics of a review component were transformed—no exaggeration—by the insertion of a $240 Empirical Design power cord. Second, some fancy-pants speaker cable recommended by the speaker’s manufacturer was shown up by the far more neutral ED wire. At prices in the hundreds rather than the thousands, these cables are a no-brainer investment for most systems.

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