Tag Archives: MBL

MBL präsentiert Netzwerkspieler C41

Das Roon-taugliche Gerät im für diese Serie der Berliner Edelschmiede typischen Outfit bietet einfachen Zugriff auf die Streaming-Dienste Spotify, Tidal und Qobuz, verarbeitet PCM- wie DSD-Datenströme und soll laut Hersteller über einen „State of the Art“-D/A-Wandler verfügen.

Das VFD-Display zeigt vielerlei Informationen wie etwa Titelnamen an. Dank der integrierten Pegelregelung lässt sich der C41 direkt mit Endstufen respektive Aktivlautsprechern verbinden und kostet 8960 Euro.

2022 Golden Ear: MBL 126 Loudspeaker

MBL 126 Loudspeaker

$12,900 ($1390, stands)

It only takes one look—MBL Radialstrahler loudspeakers are one of the great conversation starters in all high-end audio. Everyone I know remembers where they were the first time they heard them. Perhaps the most startling entry in the MBL line is the 126, a three-way omni-directional stand-mount. It is MBL’s most petite speaker, but what it offers is anything but diminutive. First, there’s musicality and transparency in abundance. On top of that is astounding spatiality—sonics that can only be characterized as sweeping in ambience retrieval, with 3D-like immersion and seamless top-to-bottom response. As only an omni can, the MBL 126 approaches the complex relationship between imaging, soundstaging, and envelopment in ways direct-radiating transducers hint at but rarely attain. Orchestral music assumes a naturalism and spine-tingling immediacy akin to the real thing. Low-level resolution and sensitivity to dynamic gradients abound. It’s the superb, carbon-fiber, radial mid and tweeter drivers that spin the sonic silk—both are grainless, airy, and harmonious. Crafted and finished with precision and taste, though small of footprint the MBL 126 makes a grand statement.

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2022 Golden Ear: MBL 101 X-treme MkII Omnidirectional Loudspeaker

MBL 101 X-treme MkII Omnidirectional Loudspeaker

$325,000

These truly remarkable omnidirectional loudspeakers have been awarded Golden Ears from me for the past three years (and an Overall Product of the Year Award from TAS in 2019), but since they remain the most realistic-sounding loudspeakers I’ve ever heard, I’m awarding them another GE in 2022. Comprising two Radialstrahler columns and two outboard, powered subwoofer stacks, the 101 X-tremes are giants. Expensive giants. But until you find a speaker system that sounds more like the real thing (on every kind of music) for less money…well, you’re gonna have to settle for second best. As good as drivers-in-a-box speakers have gotten to be (see the Stenheim Alumine 5 SE above), nothing else, dynamic or planar, sounds like these gargantuan Radialstrahlers, because very little else projects its energy, from top to bottom, throughout a true 360 degrees, like instruments themselves do. As a result, the 101 X-tremes simply own the third dimension. And now in this year’s MkII version, the X-tremes have been substantially updated (at a substantial rise in price), with new DSP’d subwoofers and other extensive tweaks and improvements. (I will be reviewing the latest versions as soon as they are available.) As I said in my original review of the X-tremes a decade ago, listening to every other transducer is like going to a movie of a concert; listening to the 101 X-tremes is like going to the live event. If you’ve got the dough (and the space) and are looking for the closest approximation of the real thing, these are the transducers to own. 

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