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Tag Archives: Music

Clash of the Analog Titans: Impex Records’ 1STEP Nightclub LP Takes on All Challengers!

Abey Fonn, President of Impex Records, all the time likes a great problem. But Impex Records’ newest mission required Abey to dip deep into her bag of tips to give you the final word vinyl model of Patricia Barber’s Nightclub. Nightclub was Barber’s sixth, to not point out, considered one of her best-selling albums with gross sales peaking at 200,000… Read More »

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Paul Paray Post-Mercury – Liszt, Les Préludes; Mephisto Waltz

Liszt, Les Préludes; Mephisto Waltz; Orpheus; Mazeppa. Monte Carlo Opera Orchestra/Paul Paray. Festival Classique FC 416 (LP). TT: 51.54 My “retrospective” opinions have often coated compact discs of—ahem—a sure classic. But I do know some audiophiles nonetheless favor vinyl over digital codecs—I’ve by no means given up my very own vinyl, although, with age, I’m trying to pare down the sprawling… Read More »

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Paul Paray Post-Mercury – Liszt, Les Préludes; Mephisto Waltz

Liszt, Les Préludes; Mephisto Waltz; Orpheus; Mazeppa. Monte Carlo Opera Orchestra/Paul Paray. Festival Classique FC 416 (LP). TT: 51.54 My “retrospective” critiques have often lined compact discs of—ahem—a sure classic. But I do know some audiophiles nonetheless favor vinyl over digital codecs—I’ve by no means given up my very own vinyl, although, with age, I’m trying to pare down the sprawling… Read More »

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The 2023 AXPONA Show: Jeff Wilson on the Music

There’s a motive AXPONA is so fashionable. After all, how typically do you’ve a possibility to listen to, for 3 days in a row, high-end stereo tools made by producers from world wide? That’s why over 9,000 folks converged to a suburb in Illinois for the 2023 occasion, and that’s why, for 3 days, the elevators had been full of audiophiles working their method from room to room. Two hundred rooms is usually a bit daunting for one weekend, however attendees did their finest to cowl as a lot floor as attainable.

While tools could also be the primary attraction at AXPONA, it isn’t the one recreation on the town. That would change into clear to you if, like me, you had been standing round shortly earlier than the Record Fair formally opened on Friday morning. There will need to have been 100 folks ready for these doorways to open.

And you may’t blame them, as AXPONA presents a splendid alternative to get your paws on what are very often extraordinarily restricted editions of audiophile LPs, deluxe editions, uncommon vinyl, and new vinyl, together with imports. Some titles had been launched that very same week, and in lots of circumstances solely the early birds had been in a position to seize these titles earlier than they had been gone. Buying records at AXPONA can truly prevent some cash, as the choice for most individuals means buying LPs on-line, which provides transport prices—and by the point you find yourself with a tall pile of wax (as many individuals did) you’ve saved your self so much moola. Below you’ll see the multi-tasking Chad Kassem from Acoustic Sounds on the far proper, attempting to carry court docket and promote bunches of records shortly after the Record Fair opened its doorways. He’s a very good multitasker.

I returned to the Record Fair a number of occasions in the course of the occasion, and when issues slowed down a bit I had an opportunity to talk with totally different distributors. Lisa Rothe from Direct Audio instructed me that vinyl is turning into more and more fashionable with followers of mainstream nation, and an early chicken bought all of the present nation LPs from her, and presumably for resale. Lisa additionally knowledgeable me that MoFi’s 1-Step of Michael Jackson’s Thriller has been certainly one of her best-selling titles:

Lisa Rothe from Direct Audio

Tyson Hall from Music Direct instructed me that though they stocked the heck out of the brand new 2-LP 45rpm vinyl of Warren Zevon’s Excitable Boy, ultimately they offered out of all their copies. Also scorching off the press was MoFi’s 1-Step of Elvis Presley’s From Elvis In Memphis, a 1969 launch that noticed Elvis as soon as once more in high type.

Tyson Hall from Music Direct

Kevin Berg from Elusive Disc stated a very fashionable title was Saturday Night in San Francisco, which that was recorded the night time after 1981’s Friday Night in San Francisco however solely launched final 12 months on the Impex label. Song-wise there’s no overlap between the 2 nights, and Saturday options, amongst different issues, a scorching efficiency of “Meeting of the Spirits,” a John McLaughlin composition that initially appeared on the primary Mahavishnu Orchestra LP, The Inner Mounting Flame. Quite merely, Saturday Night in San Francisco is a will need to have.

Kevin Berg from Elusive Disc

It’s all the time good to see Delmark Records on the occasion, as they’re a historic label with previous and new blues and jazz titles and they hail from Chicago. The CEO of Delmark, Julia Miller is seen right here holding a reel-to-reel tape of the Junior Wells basic, Hoodoo Man Blues.

Julia Miller from Delmark Records

AXPONA additionally presents an opportunity to fulfill musicians and advertising and marketing reps. Jazz singer and pianist Anne Bisson wore each of these hats this 12 months, performing a well-attended and well-received reside live performance on Friday night time and signing copies of her audiophile vinyl in the course of the day.

Anne Bisson

Along with taking part in harp, Isabeau Corriveau offered copies of her records within the foyer. Singer-songwriter Amber Rubarth carried out on Saturday night time. Also, Bob James signed copies of his reside trio album Feel Like Makin’ Live, on the Hong Kong-based Evosound label.

The founding father of Impex Records, Abey Fonn, held some talks the place, together with Nick Getz, the son of Stan Getz, she mentioned an upcoming 1-Step of Getz/Gilberto. Abey was additionally a part of a panel dialogue with Shane Boettner from Intervention Records, Julia Miller from Delmark, Chad Kassem from Acoustic Sounds/Analogue Productions, and Michael Fremer. The group mentioned the do’s and don’ts of remastering—and they need to know, as they’re all within the trenches.

The sorts of discussions and experiences described right here actually helped spherical out AXPONA, as, in the long run, it’s our love for music that makes us wish to hear recordings on great-sounding stereos.

The put up The 2023 AXPONA Show: Jeff Wilson on the Music appeared first on The Absolute Sound.

Results from NativeDSD’s Expanded Catalog

You may have seen that NativeDSD recently decided to expand its catalog offerings to now offer albums originally recorded in PCM 88.2kHz, 96kHz, 176.4kHz, and 192kHz rates in addition to the DSD/DXD recordings they have always featured. See the announcement HERE. So, after a month under the new policy, I’ve been watching to see what… Read More »

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HDTT Adds LP Transfers with Excellent Sound Quality

Bob Witrak’s High Definition Tape Transfer (HDTT) has lengthy been recognized for its wonderful transfers from analog reel-to-reel tape. Both Dr. David and I’ve written many articles about Bob’s very positive digital releases of classic classical and jazz recordings, lots of which sound higher than the digital reissues from the key labels.  And now… Read More »

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David Carroll’s rePercussion

Chicago primarily based conductor and arranger David Carroll (1913 – 2008) made a variety of records for Chicago primarily based Mercury Records. As he additionally held an government producer place at Mercury, I believe that a few of his LPs, EPs, and singles have been organized and carried out by any individual else. Also, in the event you shopped for classic LPs throughout… Read More »

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Gerber: (Mostly) Solo Piano Music

Steven Gerber (1948–2015) was an American composer and pianist who—like lots of his era—started writing in an atonal, pointillist idiom however progressively adopted extra conventional assets. This new assortment of his piano and piano-violin music reveals simply how good his works in each modes are. His 8-minute Variations for Piano is as rocky and disjunct because it will get, however the diamond-hard brilliance of the work (and of Gerber’s unimaginable efficiency of it) is dazzling even when the idiom stays inscrutable. His much-more approachable 1982, 15-minute, three-movement Piano Sonata opens with a “fantasy” in homage to Aaron Copland and is solid in large, sonorous, chunks set off by quick-leaping staccato rockets that recall its dedicatee’s additionally spacious, big-boned piano works. The Sonata concludes with a quick intermezzo adopted by one other large-scale motion, a somber passacaglia-like adagio that involves the ear as a fervent, wordless prayer. Also from the early Eighties, Gerber’s Duo in Three Movements for violin and piano is a glowing showpiece of intricate weavings as the 2 devices dart, trill, tease, coo, and sigh like infatuated songbirds. It’s performed by violinist Fulkerson and pianist Rinehart with magical perfection, and convincingly captured by Albany’s you-are-there sonics.

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Elgar: Viola Concerto. Bloch: Suite for Viola and Orchestra

Edward Elgar wrote his final main work, the Cello Concerto, within the dispirited, grey temper of post-World War One England in 1919, and practically a decade because the demise of the wonderful Edwardian age, for which he basically wrote the soundtrack. Not surprisingly, the work is magnificently darkish, but in addition tinged with moments of playful nostalgia. The rating was reworked as a viola concerto, in 1929, by the nice British violist Lionel Tertis, with the composer’s blessing. It is a remarkably profitable association, which is primarily because of the capability of the instrument to imitate the sound of the sung human voice. Of course, this impact is solely depending on the ability of the soloist, and Timothy Ridout is just beautiful, enjoying with a nimble, lyrical expressiveness that lends an improvisatory movement to the music. That virtuosity is much more on show within the suite that Swiss born composer Ernest Bloch wrote nearly the identical time that Elgar was composing his Cello Concerto. This colourful, even playful work, impressed by Asian melodic patterns, is brilliantly introduced off by Ridout and his BBC colleagues. The recording is vividly lifelike. In all, a really thrilling launch.

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An Evening with Yes: 1972 Set Captures the Band in Fine Form

The new Yes launch that got here out on Record Store Day presents a whole live performance the British progressive rock band carried out on November 15, 1972. A 3-LP set, Live at Knoxville Civic Coliseum, Knoxville, Tennessee captures a interval of transition for Yes. Right after the band spent months squeezing in recording periods through the Fragile tour as a way to file Close to the Edge, it was time to go on tour once more. However, there was one main complication: Bill Bruford, who had been the drummer for the group for the reason that first album (CTTE was the fifth), determined to hitch forces with King Crimson.

Replacing Bruford offered an fascinating problem for the brand new drummer, Alan White, who handed away on May 26, 2022. White needed to study, at warp pace, songs that had been extraordinarily advanced. Knoxville presents a present from early within the tour, and the band is in high-quality type. Bruford was a superb drummer, however White’s heavier sound and extra aggressive assault appeared to suit the bigger venues the band was beginning to play throughout this tour. Already an aggressive bass participant, Chris Squire grew to become that rather more animated, and the band as an entire rocked significantly more durable than earlier than whereas retaining their epic sweep.

Almost all the things on Knoxville stems from The Yes Album, Fragile, and Close to the Edge. With their excessive use of dynamics, songs like “Heart of the Sunrise,” “I’ve Seen All Good People,” “Roundabout,” “And You And I,” and “Yours Is No Disgrace” begged to be performed dwell, and what you hear on these tracks (and likewise heard on Yessongs, which was principally recorded later within the tour) is the sort of dwell power that’s can’t be captured in a studio. A particular spotlight is “And You and I.” On the CTTE model, Howe principally sticks to acoustic guitar (plus some metal guitar when issues get epic), however the ringing sound of his electrical guitar has its personal attraction right here. (Howe’s solo acoustic performances of “Clap” and “Mood for a Day” are additionally a deal with.) The dramatic use of dynamics in “Heart of the Sunrise” additionally packs a punch dwell—and total, the music from this era of Yes was a grasp class in dynamics.

My favourite efficiency right here is “Yours Is No Disgrace,” which is longer than the Yessongs model. For Yes, there are factors throughout this efficiency when the gamers really sound a bit unfastened, in case you can think about that, with Rick Wakeman sneaking in some honky-tonk riffs on acoustic piano whereas Steve Howe throws in a couple of twangs on electrical guitar. Eventually, although, the noodling offers technique to some huge, bombastic guitar chords from Steve Howe whereas Alan White kilos the skins aggressively. Suddenly the band is rocking in an unconventional method, as soon as making it clear that these progsters had been totally ready to tackle the arenas.

The publish An Evening with Yes: 1972 Set Captures the Band in Fine Form appeared first on The Absolute Sound.

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