Dave Way (left) and Brandi Carlile (proper) mentioned manufacturing and extra throughout their TEC Tracks session on the NAMM Show.
Anaheim, CA (May 9, 2023)—TEC Tracks classes are all the time among the many highpoints of the annual NAMM Show in Anaheim, CA, however this 12 months’s version noticed nine-time Grammy winner Brandi Carlile take to the stage to not carry out however to share hard-won insights into music manufacturing, as she mentioned how she approaches producing different artists and making certain that songs underscore an artist’s authenticity.
The session, “Brandi Carlile on Producing and Uncovering the Artist within the Studio,” discovered Carlile joined by four-time Grammy-winning producer/engineer Dave Way. NAMM CEO and President Joe Lamond launched the pair and welcomed attendees to the session.
Way interviewed Carlile to debate her method to file manufacturing. Both the artistic and organizational points of manufacturing had been lined, with Carlile increasing on the completely different steps taken and selections made to convey out the “magic” within the course of. The subjects of track choice and band-building had been additionally a spotlight, with Carlile discussing what she appears to be like for in a track for every explicit venture and what it takes to collect the correct studio ensemble. In each circumstances, Carlile mentioned she prefers these selections to venture the authenticity of the artist initially, moderately than enjoying it secure to generate a by-the-numbers product.
“I’m simply searching for the songs that reveal the artist most authentically, the place it doesn’t sound like they got here out of a employees writing room, or it doesn’t sound like they aren’t being revealed authentically within the track for no matter cause,” said Carlile. “I all the time ask artists to not ship me produced demos. I all the time ask for only a voice memo in your cellphone, a guitar and vocal. Not as a result of I wish to have an overbearing end result on how the track seems, however simply because I don’t need me or that artist to get pulled in a single path in too sturdy of a method, to depart room for the second, the second that’s rock ’n’ roll within the studio.”
Carlile additionally shared knowledge, strategies and insights she has discovered from working with different acclaimed producers, together with T Bone Burnett, Rick Rubin, Dave Cobb and Shooter Jennings, and he or she mentioned variations between producing her personal music versus different artists’ work.
Aside from the manufacturing of her personal work, Carlile has more and more been a file producer for different artists in recent times, helming albums by Tanya Tucker, Lucius, The Secret Sisters and Brandy Clark. The 2019 Tanya Tucker album, While I’m Livin’, which Carlile co-produced with Shooter Jennings, received the Grammy for Best Country Album (Carlile’s first manufacturing Grammy for work with one other artist). Her manufacturing work continues in earnest this 12 months, with a number of high-profile initiatives within the pipeline, together with the upcoming self-titled Brandy Clark LP, Tanya Tucker’s just lately introduced June launch, Sweet Western Sound, and others.
Some of the dialogue was devoted to Carlile’s latest collection of collaborations with songwriting legend Joni Mitchell, together with Mitchell’s 2022 return to the stage on the Newport Folk Festival after a prolonged health-related hiatus and the ensuing upcoming reside album produced by Carlile. At the TEC Tracks session, Carlile performed two preview tracks (“A Case of You” and “Both Sides Now”) from the upcoming Mitchell reside album for the gang, together with further cuts from Tish Melton (“Michele” and “The Chase”), Tanya Tucker (“Bring My Flowers Now” and “Kindness”) and Brandy Clark (“Buried” and “Ain’t Enough Rocks”).
21 drivers and a five-way crossover match inside Ultimate Ears Pro’s new flagship mannequin, the UE Premier.
Anaheim, CA (April 26, 2023)—Ultimate Ears Pro launched its new UE Premier in-ear displays at this 12 months’s NAMM Show, instantly grabbing the pro-audio business’s consideration due to the jaw-dropping 21 drivers loaded into every IEM. Naturally, we crammed a pair into our ears on the earliest alternative to get an early scorching tackle them.
As is perhaps gathered from the title, UE Premier is a premium monitor, and whereas it’s equally meant for reside sound, in-studio and audiophile use, the brand new mannequin is now UE Pro’s flagship product. Sporting a five-way passive crossover, the UE Premier IEMs characteristic a frequency vary of 5 Hz-40 okayHz; breaking down these 21 drivers, there’s 4 Dual Diaphragm Mid-Lows in parallel to 2 Dual Sub-Lows; a Quad Mid driver offers element; and Knowles’ proprietary Quad High Super Tweeter and UE Pro’s proprietary True Tone deal with the high-end.
Heard briefly on the NAMM present flooring, the brand new IEMs made an incredible first impression (no pun supposed) when worn with customary/non-custom suggestions; presumably, they’ll supply further nuance with custom-molded fashions. Despite the less-than-ideal, noisy environment, it was clear that the UE Premiers have been serving up crisp sound; a broad, detailed soundstage; and an unusually strong presentation of low finish when tried with this author’s go-to check music (The Gary Katz-produced “Jocelyn Square” by Love & Money). While the UE Premier fashions appeared barely bigger than, say, UE 11s—presumably to accommodate the numerous drivers—they didn’t look like heavier and had a pleasantly tight, comfy match.
Watch Mix for an upcoming full evaluate of UE Premier in-ear displays quickly. In the meantime, the IEMs can be found beginning May 15, 2023, with a 25-day turn-around window, and run $2,999.
The Roswell Pro Audio Aztec multipattern tube mic.
Anaheim, CA (April 18, 2023)—Roswell Pro Audio added a brand new flagship to its roster of boutique condenser microphones on the 2023 NAMM Show: the Roswell Aztec multipattern tube mic.
The mic incorporates a single-triode topology, edge-terminated K251 capsule and custom-wound European T14 transformer. Rather than clone a classic design, Roswell has reimagined the mic with new options and upgrades, together with a high-pass filter change meant to scale back proximity for shut mic placements and a second change enabling an attenuation pad to extend headroom for high-SPL sources. A management on the ability provide gives 9 discrete polar patterns.
The mic’s energy provide is totally regulated and “excessively filtered.” It consists of quite a few part upgrades distinctive to the Aztec: NOS tantalum resistors, a Swiss-made sample management, and Roswell’s personal electrolytic filter capacitors, which have been specifically designed for audio. The fuse and fuse holder are upgraded to gold-plated German-made components.
The microphone incorporates what the corporate describes as “an extremely clear NOS military-spec enter capacitor” and a copper-foil output capacitor made particularly for this microphone. Both the mic and PSU signify two years’ price of R&D, throughout which quite a few elements have been auditioned, or in some instances, customized and manufactured.
Roswell ships the Aztec, energy provide, shockmount, Gotham/Neutrik XLR7 cable, and AudioQuest IEC energy wire (accessible for US/Canadian NEMA 5-15P shops, UK/Ireland IEC ‘Type G’ shops, and EU IEC ‘Type E’ shops), in an aluminum flight case.
Pictured L-R, prime row: George Massenburg and Chuck Ainlay; backside row: Kelly Pribble and Sarah Jones.
Anaheim, CA (April 4, 2023)—Iron Mountain Entertainment Services (IMES) has introduced an all-star TEC Tracks panel, “Preserving and Future-Proofing Your Creative Content,” on the upcoming NAMM Show on the Anaheim Convention Center in Anaheim, CA on Friday, April 14, 2023.
The panel will happen within the Audio Room (202A) from 10:00 to 10:50 a.m. PDT on April 14. The all-star panel contains George Massenburg (multi-Grammy Award-winning producer, engineer, educator, inventor and designer), Chuck Ainlay (multi-Grammy, ACM, CMA, and TEC Award-winning producer/engineer) and Kelly Pribble (director of media restoration know-how at IMES). Sarah Jones (famous business journalist and committee member for the Recording Academy’s requirements doc Delivery Recommendations for Recorded Music Projects) will function moderator.
The announcement notes: “Whether your newest inventive work was recorded on analog tape or digitally to a tough drive, preserving your recordings is paramount for future playback. Analog tape has its personal issues, however we’re shifting into an age the place mainly each bit of data for the reason that Nineteen Nineties in the end lives someplace on laborious drives. And these laborious drives will, inevitably, fail.
“What this implies is there’s a sure chance that some or all of our info will basically evaporate and be misplaced ceaselessly. There is an actual concern that we are going to encounter what is known as a “digital black gap” of media from, say, the late Nineteen Nineties by way of the early 2010s, when extra creators grew to become wiser and fewer careless about their backup routine. This session will take a look at the sensible and technical issues for long-term archiving, numerous media storage strategies, finest practices and future catalog monetization.”
Carlsbad, CA (January 25, 2021)—The annual NAMM Show went virtual this year with its Believe in Music Week online gathering last week, and along with that, the annual TEC Awards, honoring the best in professional audio and sound production, also went online. As always, the annual event recognized efforts in Technical Achievement (pro audio equipment and services) and Creative Excellence (music making, live performances, video games, television and films).
“Despite the global pandemic, the industry continued to innovate, creating one of the largest collectives of product Nominees in the 35-year history of the awards. And given the world engaged in virtual interaction on an unprecedented level, the products honored helped connect us all by delivering music and sound across the world,” shared Eric Geer, TEC entries & nominations supervisor.
Additionally, the TEC Awards added five historical audio products to the TECnology Hall of Fame: Western Electric 639A Ribbon Microphone (1938); RCA Mark II Sound Synthesizer (1957); 3M M56 16-Track Recorder (1968); Constant Directivity Horn, Don Keele (1975), and the Near Field Monitoring, Ed Long (1977).
Anaheim, CA (January 13, 2021)—John Storyk, founding partner of architectural/acoustic design firm WSDG (Walters-Storyk Design Group), and Dr. Peter D’Antonio, creator of RPG Diffusor Systems, will present a new wave-based, small room design tool on Jan. 21 during the NAMM Show.
NIRO (Non-Cuboid Iterative Room Optimizer) is a SaaS (software as a service) developed over the past two years by REDI Acoustics. The wave-based, computer-modeling tool is reportedly capable of facilitating predictive, iterative analysis necessary to optimize small room design — for studios, home theaters, audiophile rooms, and the like.
D’Antonio and Storyk are part of the founding team of REDI Acoustics, a recently formed research company dedicated to high-performance audio and acoustic analysis.
NIRO’s developmental software platform consists of three modules, which automatically and iteratively optimize any size or shape critical listening room, both below and above the transition frequency from wave to geometrical acoustics. One or all of the modules may be engaged to address specific acoustic requirements for the high-performance listening environment.
The Geometry Module optimizes the room’s dimensions and the positions of all loudspeakers and listeners, by searching for the flattest modal response.
The Damper Module designs and optimally locates all low frequency corrective treatments now referred to as Acoustical Parametric Equalizers (APEQs.)
The Specular Reflection Module optimizes the room’s reflection free zone; identifies disturbing mid and high frequency response anomalies; and addresses specific degrees of acoustic envelopment.
The NIRO presentation is set to premiere at 3:25 EST on Thursday, Jan. 21 on NAMM’s Believe In Music virtual event platform (registration necessary). It will then be available on-demand for five weeks following that date.
Carlsbad, CA (September 17, 2020)—Despite the pandemic, the 36th annual TEC Awards will be held as scheduled in January, and now the nominees have been announced across all 22 Technical Achievement and seven Creative Achievement TEC Award categories. The industry awards recognize individuals, companies and technical innovations behind the sound of recordings, live performances, films, television, video games, and multi-media.
According to the TEC Awards committee, more than 1,000 products and projects were nominated this year. Nominees that made the cut to the final list include products and technologies from the likes of Avid, JBL, Native Instruments, Pioneer, Roland, Yamaha, Spitfire Audio, Soyuz Microphones and United Studio Tech.
The TEC Awards will join Believe in Music Week, held the week of January 18, 2021, where the winners of each category will be announced and honored. Other notable changes include the discontinuation of the Audio Education Technology category, with entries moving to either the Audio Application or Software categories, and a temporary pause to nominations for the Tour Event Sound Production category until live touring can resume.
Individuals that will be honored with the Les Paul Innovation Award and induction into the NAMM TEC Hall of Fame will be named at a later date. Voting for the 36th TEC Awards will begin November 19, 2020.
Carlsbad, CA (August 10, 2020)—With the Covid-19 pandemic continuing to rage on, NAMM has shifted gears in regard to its annual NAMM Show convention, which was scheduled to take place in January, 20201. The in-person convention will not be held, but instead replaced by “Believe in Music Week,” a week-long online music event kicking off January 18, 2021.
The organization expressly states the event will not be a virtual tradeshow, but rather a panoply of programming and professional education, presented alongside “an interactive marketplace to connect buyers and sellers.” In an announcement for Believe in Music, NAMM emphasized educational offerings aimed at all segments of the MI, pro audio and retail industries that would provide thought leadership, raising the possibility of its trademark NAMM University presentations typically given at the annual trade show. Nonetheless, the organization fully plans to also provide B-to-B opportunities for product announcements, brand initiatives, customer engagement and more.
“While it remains unsafe for us to gather in person in January, Believe in Music week will use new, intuitive technology to connect us all to harness the incredible energy that happens when we come together,” Joe Lamond, NAMM President and CEO, said in a statement. “Believe in Music week will be a critical step for our industry to help us prepare for the new year and new opportunities.”
While The NAMM Show will not be taking place, many of its tent-pole events, such as the TEC Awards and Top 100 Dealer Awards will be held during Believe in Music Week. Aa always, the 36th TEC Awards will recognize individuals, companies and technical innovations behind the sound of recordings, live performances, films, television, video games and multimedia. Accordingly, the TEC Awards’ annual call for entries remains open through August 31 at www.TECAwards.org.
The event will be accessible at https://believeinmusic.tv, and NAMM plans to announce more details of events, receptions and other activities in the weeks and months ahead.