Tag Archives: Producer

Falling Tree Destroys Ronan Chris Murphy’s Studio

Noted producer/engineer Ronan Chris Murphy's studio was destroyed when a massive tree fell and cut the building in half.
Noted producer/engineer Ronan Chris Murphy’s studio was destroyed by a large tree that fell on the constructing.

Pine Mountain Club, CA (March 17, 2023)—Following days of utmost climate, the studio of famous recording, mixing/mastering engineer and producer Ronan Chris Murphy was destroyed late at night time final Friday, March 10, when a large tree fell on his home.

Murphy, recognized for his Recording Boot Camp coaching programs and work with Gwar, King Crimson, Terry Bozzio, Steve Morse, Ulver and others, in addition to video video games together with Assassin’s Creed Brotherhood, Yoku’s Island Express and Mafia III, was woke up by the crashing sound. He rapidly found that his studio had been cleaved in half by the uprooted tree and his home had been completely destabilized.

“We had a triple whammy of 5 toes of snow, then two days of heat temperatures and rain, after which 65 mile-an-hour winds,” stated Murphy, who lives in a small, unincorporated neighborhood within the mountains of Tejon Pass, about 90 miles north of downtown Los Angeles.

“The studio is the entire second ground of the home—and it was cut up in half,” he continued. One-half of the home, constructed within the Eighties solely a decade after Pine Mountain Club was initially developed as a trip retreat, was largely unaffected, he reported. “The different facet was a warzone.”

Authorities decided that the construction isn’t protected sufficient to help the crew that was ready to cowl it with tarpaulins, so it now stays open to the weather.

With the structure now deemed unsafe for crews to cover, Murphy's studio and home remains wide-open to the elements.
Now deemed unsafe for crews to cowl, Murphy’s studio and residential stays wide-open to the weather.

Much of the studio gear that Murphy amassed when he beforehand labored out of his Veneto West facility in Santa Monica CA, was destroyed by the falling tree.

“My major mastering audio system are gone,” he reported. “They have been from an organization known as FAR in Belgium; improbable, however one-of-a-kind, boutique audio system, and the man who invented them and ran the corporate is lifeless.” One-half of a pair of smaller FAR screens Murphy had as a backup was additionally destroyed.

“I misplaced all my keyboards—my Fender Rhodes and an previous organ—and all my guitar pedals,” he added, additionally noting that his cellphone, too, had been smashed and had to get replaced.

“The excellent news is that I used to be capable of get out greater than I anticipated,” he added. “I used to be capable of save numerous necessary gear.” Much of that gear is at the moment dispersed throughout the local people after neighbors helped haul away and retailer something that might be salvaged.

“The neighborhood has been superb; I’ve obtained stuff in locations throughout city,” he stated. “Everybody’s been so cool and so good—and we’ve had a number of dozen affords: ‘Hey, come keep at our place, we’ve obtained a spare bed room’ or ‘You can have our Airbnb free of charge.”

Fortunately, a pro-audio business colleague has provided his close by home as a long-term rental, offering Murphy and his accomplice with a base whereas they recuperate. “I feel in lower than a month, as soon as I get some gear changed, I’ll be purposeful and capable of make a residing once more,” he stated.

Murphy estimates that the cost of demolishing the building, which he also lived in, will cost upwards of $40,000.
Murphy estimates that the price of demolishing the constructing, which he additionally lived in, will price upwards of $40,000.

Murphy and his accomplice had home and contents insurance coverage insurance policies, which can defray a few of their prices, however there’s an extended street to restoration forward. “Within six months, we now have to demolish the constructing, which can in all probability be wherever between $30,000 and $40,000—and that’s not coated underneath the insurance coverage coverage,” he stated.

To increase some cash within the quick time period, Murphy has arrange a particular “pay-what-you-want” sale on his 12-hour drum recording course at drumrecordingbootcamp.com. His good good friend, scoring mixer John Rodd, has additionally arrange a GoFundMe. “It has the potential to have a large constructive affect on our lives and getting us again on our toes,” Murphy stated.

Alan Parsons Master Class Records, Mixes Contest Winner in Atmos

(l-r): Producer Alan Parsons, singer Brandi Rose, songwriter Jeff Morris, songwriter Steffie Antony Tjandra, engineer Noah Bruskin at the March 2023 ASSR Master Class.
(l-r): Producer Alan Parsons, singer Brandi Rose, songwriter Jeff Morris, songwriter Steffie Antony Tjandra, engineer Noah Bruskin on the March 2023 ASSR Master Class.

Santa Cruz, CA (March 15, 2023)—Learning from the professionals in any occupation is useful, however within the recording business, it’s a time-honored custom that has made recording schooling occasions like famend producer and engineer Alan Parsons’ ASSR Recording Master Classes so widespread. The most up-to-date version, held in Santa Barbara, CA in early March on the engineer’s ParSonics Studio, noticed the engineer behind numerous traditional rock albums not solely share his information but in addition report the profitable entry of a global track contest—and blend it in Dolby Atmos.

Attendees of the March 2023 ASSR Master Class listen to the mix in Dolby Atmos.
Attendees of the March 2023 ASSR Master Class hearken to the combination in Dolby Atmos.

A faculty mission by 19-year-old Full Sail Music Production pupil Steffie Antony Tjandra received the competition and have become the main target of the weekend Master Class. “I usually simply write music,” stated Steffie afterward. “This is the primary time I’ve written the melody and the lyrics as properly.”

Inspired by the rom-com What If, her moody R&B ballad “I Don’t Want To Fall” was produced for the occasion. Parsons known as it “an important track” and went on to reward TJandra’s studio etiquette after she flew to the grasp class from Orlando, courtesy of Full Sail.

A Hydrophone from Cetacean Research Technology.
A Hydrophone from Cetacean Research Technology.

“She was at all times decisive about what labored and what didn’t,” stated Parsons, “and was very delicate and complimentary to the vocal carried out by the wonderful Brandi Rose. The end result wouldn’t have been the identical with out her presence on the Master Class.”

Interview: Alan Parsons on George Martin, Dark Side of the Moon and the Art and Science of Sound Recording

ASSR’s long-established courses present attendees with perception into how records are made, with a Neve 5088 console and a dwell monitoring session aiding Parsons’ manufacturing, with Pro Tools programming expertise tackled by his studio sidekick, Noah Bruskin. The session, combined in Dolby Atmos, additionally featured ambisonic recording utilizing a Rode NT-SF1 mic and an underwater hydrophone mic from Cetacean Research Technology.

Green Room at Alan Parsons’ ParSonics Studio in Santa Barbara, CA during the March 2023 ASSR Master Class
Green Room at Alan Parsons’ ParSonics Studio in Santa Barbara, CA through the March 2023 ASSR Master Class

The track search was open to Master Class alumni spanning the occasion’s 10-year historical past, plus college students enrolled in ASSR’s on-line recording course and college students taking the ASSR video curriculum at Full Sail. In all, 84 submissions had been made, from college students to music professionals.

Legendary Punk Producer Glenn “SPOT” Lockett, Dead at 71

SPΘT, recording Big Boys "Fun Fun Fun" at Third Coast Studio, Austin Texas;March 14 1982. PHOTO: Photobill/Bill Daniel; used with permission.
SPOT, recording Big Boys “Fun Fun Fun” at Third Coast Studio, Austin Texas; March 14 1982. PHOTO: Photobill/Bill Daniel; used with permission.

Sheboygan, WI (March 6, 2023)—Glenn “SPOT” Lockett, who helmed most of the most-influential records popping out of California’s early punk scene, died March 4, 2023 in Sheboygan, Wisconsin. Diagnosed with fibrosis in 2021, Locket was awaiting a lung transplant when he suffered a stroke three months in the past from which he by no means correctly recovered. A documentarian of the nascent Nineteen Eighties Los Angeles punk world by way of his pictures and music manufacturing work, Lockett was answerable for capturing a number of the earliest efforts by now-revered acts like Black Flag, Hüsker Dü, Misfits, Subhumans, Redd Kross, Meat Puppets, Minutemen and others. He was 71.

Lockett was born July 1, 1951 in Los Angeles, the son of Claybourne Lockett, a former fighter pilot with the Tuskegee Airmen in World War II. Initially raised in Hollywood, the youthful Lockett realized guitar at age 12, and developed a ardour for jazz and improvisational music that led to his as soon as auditioning for Captain Beefheart. Moving to Hermosa Beach within the mid-Nineteen Seventies, Lockett thrust himself into the realm’s thriving arts scene, capturing all of it along with his music, digicam lens and, quickly, recording tape, as he took up engineering after serving to construct a facility, Media Art Recording Studio on Pier Avenue.

Crane Song Founder / Designer Dave Hill, Dead at 68

Steve Mackey, Alternative Rock Producer/Bassist, Dead at 56

While discovering his approach round a studio, Lockett started utilizing the pseudonym SPΘT—stylized in all-caps with a dot within the middle of the “O”—when he wrote freelance jazz document opinions for native weekly newspaper Easy Reader. Nonetheless, he primarily labored as a waiter in a vegetarian restaurant and it was there that he met fellow musician Greg Ginn. The two musicians usually jammed, and Lockett briefly performed bass in Ginn’s band, Panic, which might in the end evolve into Black Flag. When Ginn determined to start out his personal document label, SST Records, it was solely a matter of time earlier than Lockett turned deeply concerned as its in-house producer/engineer.

In the years that adopted, SPOT might frequently be discovered within the credit of the label’s releases as he recorded, combined and produced or co-produced most SST acts between 1980 and 1985. As a consequence, he had a hand in a number of the seminal punk releases of the period, together with Descendents’ debut album, 1982’s Milo Goes To College; Hüsker Dü’s acclaimed 1984 assortment, Zen Arcade; the primary three Meat Puppets albums; the primary two albums and an EP by Saint Vitus; and a half-dozen Black Flag releases, amongst others.

Most of these acts have been recorded at Hermosa Beach’s then-fledgling Total Access Recording Studios, nonetheless owned and operated at this time by producer/engineer Wyn Davis. Former Hüsker Dü frontman Bob Mould recalled the period in a Tweet memorializing SPOT, noting, “From 1982 to 1984, Hüsker Dü recorded 4 initiatives with SPOT. We labored at Total Access in Redondo Beach, CA, largely throughout the discounted in a single day hours. SPOT all the time inspired free expression and experimentation, at the same time as these recordings have been made as expeditiously as potential.” He added, “SPOT was an exquisite soul who cherished making music, documenting the scene, and unconditionally supporting all of the initiatives that bear his title. Thank you, SPOT. You gave a lot to all of us.”

While initially intently related to SST, SPOT produced, engineered and/or dealt with technical duties on numerous releases on by way of the 2000s for different labels, together with Touch And Go, Rykodisc, New Alliance, Homestead, Taang! and PVC, notably co-producing 1983’s Earth A.D./Wolfs Blood, the final Misfits album to function co-founder Glenn Danzig, which was launched on the singer’s personal Plan 9 label. Ultimately, SPOT would go on to supply greater than 100 records.

Fed up with Los Angeles, SPOT moved to Austin, Texas within the mid-Nineteen Eighties, the place he launched quite a few his personal solo, lo-fi experimental recordings through the years, earlier than ultimately transferring to Sheboygan, the place he printed a pictures assortment, Sounds of Two Eyes Opening—Southern California Life: Skate/Beach/Punk 1969-1982 (2014), amassing his work documenting the Los Angeles subscultures he ran in.

Former SST co-owner Joe Carducci introduced SPOT’s passing on Facebook, praising the producer’s recording type that he felt utilized “the primacy of dwell jazz taking part in into recording bands towards prevailing makes an attempt to melt or industrialize a back-to-basics arts motion in sound.” He added that SPOT had been writing a novel in recent times, Decline and Fall of Alternative Civilization, adapting a 10-hour on-line audio drama he had produced and narrated in 2016.

Steve Mackey, Alternative Rock Producer/Bassist, Dead at 56

Steve Mackey in a still from the promo video for “Mis-Shapes” from 1995’s Different Class. Photo: Island Records.
Steve Mackey in a nonetheless from the “Mis-Shapes” promo video from 1995’s Different Class. Photo: Island Records.

New York, NY (March 2, 2023)—U.Okay. various rock producer Steve Mackey has died on the age of 56. After first breaking into the music enterprise because the bassist for Nineties Britpop cornerstone Pulp, Mackey went on to carve out a formidable second act as a producer and songwriter, working with the likes of Florence + the Machine, Arcade Fire, Spiritualized, Willy Moon, M.I.A., The Pastels and Marianne Faithful, amongst many others. His passing was introduced on his Instagram account by his spouse, Katie Grand, who famous he had been within the hospital for 3 months with an undisclosed sickness.

Born November 10, 1966, in Sheffield, Mackey began out enjoying in storage bands and following Pulp from a distance because the native indie heroes recorded two albums to some discover within the mid-80s. Asked to hitch the group in 1989, he obliged and shortly Pulp’s third album, 1991’s Separations, did effectively sufficient that the act was scooped up by Island Records, paving the best way for its profession highpoint throughout three well-received albums—1994’s His’n’Hers; 1995’s Different Class, which spawned the hit single “Common People” and gained the 1996 Mercury Music Prize; and 1998’s This Is Hardcore. The group disbanded following its final album, We Love Life, in 2001, however reunited a number of occasions over time.

Steely Dan/David Lynch Engineer John Neff Passes at 71

While Mackey grew to become more and more concerned within the group’s sound throughout his tenure, post-Pulp, he moved into manufacturing for others, co-writing and producing tracks for Florence + the Machine on that group’s first album, 2009’s Lungs, in addition to producing Arcade Fire’s 2017 assortment, Everything Now and Spiritualized’s 2018 effort, And Nothing Hurt. Outside of the recording trade, his manufacturing work could possibly be present in museums, too, as he created set up sound designs at The Louvre in Paris, MOMA in New York and the Minsheng Art Museum in Shanghai.

When Pulp introduced final fall that it will reunite for a summer season 2023 tour, Mackey bowed out, wishing his bandmates effectively (he had labored repeatedly with frontman Jarvis Cocker within the intervening years for the reason that band’s preliminary finish). Mackey leaves behind his spouse, stylist/journalist Katie Grand; son Marley; dad and mom Katherine and Paul Mackey; and sister Michelle.

Juno Awards Name Production Nominees

Juno Awards

Edmonton, Canada (February 1, 2023)—Canada’s highest musical honors, the Juno Awards, will return March 13, 2023, with the 52nd edition taking place in Edmonton. Nominees for all this year’s awards were announced Monday including the production categories—Recording Engineer of the Year and, named after the noted producer, Jack Richardson Producer of the Year.

38th Annual TEC Award Nominations Announced

This year’s nominees for the Junos’ Recording Engineer of the Year Award are:

Derek Hoffman: “My Body,” Lili-Ann De Francesco; “Stronger Than you Know,” the East Pointers.

George Seara: “Hell/Heaven,” Keshi; “It’ll Be Okay,” Shawn Mendes.

Gus van Go: “Grow Up Tomorrow,” the Beaches; “What Feels Like Eternity,” Metric.

Jason Dufour: “She Don’t Know,” Jade Eagleson; “The Old Me,” Ria Mae.

Serban Ghenea: “That’s What I Want,” Lil Nas X; “Unholy,” Sam Smith feat. Kim Petras.

 

This year’s nominees for the Junos’ Jack Richardson Producer of the Year Award are:

Akeel Henry: “For Tonight,” Giveon (co-producers Sevn Thomas, Jahaan Sweet); “Splash,” John Legend (co-producer Tone, Kevin Ekofo).

Banx & Ranx: “Ctrl + Alt + Del,” Rêve; “Dynamite feat. Sia,” Sean Paul (co-producers Greg Kurstin, Jason Jigzagula Henriques).

Kaytranada: “dog food,” IDK; “Iced Tea,” Joyce Wrice and Kaytranada.

Mike Wise: “10 Things I Hate About You,” Leah Kate; “Yuck,” Charli XCX.

Murda Beatz: “California Breeze,” Lil Baby (co-producer Marcel Korkutata); “Have Mercy,” Chlöe (co-producers Chlöe, BoogzDaBeast, Fnz, Joseph L’Etranger).

Book of the Month – Goldie All Things Remembered

“Bloodied and bruised […] concussive, a bit chilling and thoroughly infectious – just like the music [it] celebrates” – Guardian

This is the full, uncensored memoir of Goldie, one of Britain’s most influential DJs, producers, promoters, and record-label owners, whose contributions to the UK rave scene in the 1990s helped define the genres jungle and drum and bass. He is also a respected graffiti artist and actor.

Born Clifford Joseph Price in Walsall in 1965, Goldie was put up for adoption and raised in a succession of child-care homes and foster families. By his early teens, he had become part of the burgeoning UK breakdance scene, performing in crews around Wolverhampton, and had started to make his name as a graffiti artist, the success of which led to a brief residence in the US.

But it was Goldie’s involvement with the UK rave scene that really brought him into the public eye. In 1991, he was introduced to the emerging jungle scene by his girlfriend DJ Kemistry, and in 1992 he released his breakout track, “Terminator”, under the name Metalheadz. It was a massive underground hit and pioneered the time-stretching technique which characterised much of ’90s breakbeat. The Metalheadz record label soon followed, as did the infamous Sunday night Metalheadz sessions at the Blue Note in Hoxton Square where, alongside DJs Kemistry and Storm, he established the frenetic, inclusive template of urban rave.

A constant innovator – “[he] revolutionized jungle not once but thrice”, according to Simon Reynolds – Goldie went on to become one of the most respected artists of the past three decades. He has also enjoyed a successful acting career in film and TV, has exhibited his art in London, Ibiza, and Berlin, and in 2016 he was awarded an MBE for services to music and young people.

Review

“A fabulous, whirling kaleidoscope of music, memory and trauma. Top highlights: when Goldie’s boa constrictor decides to try to eat him after he staggers home from the pub smelling like a kebab; and when his favourite piece of custom-made jewellery is stolen – right from under his nose – by dodgy Russian airport officials. Magical and cautionary.” – Nicola Barker

Available via Amazon or other leading retailers

The post Book of the Month – Goldie All Things Remembered appeared first on Decoded Magazine.

Alt. Rock Producer Paul Fox Passes at 68

Los Angeles, CA (January 3, 2023)—Producer/keyboardist Paul Fox, known for his work with some of the biggest names in Eighties R&B and Nineties’ Alternative Rock, died peacefully on December 25, 2022. For the last 10 years, he had suffered from Early-Onset Alzheimer’s disease, which he was first diagnosed with in 2012. Fox was 68.

Born May 22, 1954 in Valley Stream, New York, Fox moved to the West Coast, first entering the San Francisco jazz scene before moving to Los Angeles, where he quickly became an in-demand session keyboardist, playing on tracks for Rod Stewart, The Commodores, Patti LaBelle, Natalie Cole, Danny Elfman, Jeffrey Osborne, Vanity, Kim Wilde, 5 Star, Krokus, Edie Brickell & New Bohemians, Thelma Houston, Matthew Wilder, The Tubes, Josie Cotton and Mötley Crüe, among many others.

However, arguably it was his work on keyboards throughout the Pointer Sisters’ mid-80s peak that paved the way for his production career. Tackling Emulator duties for the trio’s 1983’s triple-platinum Break Out and then other synths for 1985’s platinum-selling follow-up, Contact, Fox returned to play keyboards but additionally earned associate producer credits on four tracks for 1986’s Hot Together. During this time, he also started to land production credits on tracks with other R&B hitmakers of the era, including The Commodores, Princess and Chico DeBarge, all of which led to his big production break, helming XTC’s classic double-album of psychedelic pop, 1989’s Oranges & Lemons.

The 1990s saw Fox’s production career explode in the emerging alternative rock world, as he produced the likes of The Wallflowers, Phish, The Sugarcubes (Björk), Gene Loves Jezebel, Robyn Hitchcock and the Egyptians, Victoria Williams, Edwin McCain, Ziggy Marley, Semisonic, Sara Hickman, 10,000 Maniacs, Texas, Too Much Joy, Grant Lee Buffalo, Phantom Planet, Sixpence None The Richer, Meredith Brooks, Yes, They Might Be Giants, Boy George and many more.

Following his diagnosis with Early-Onset Alzheimer’s in 2012, Fox and his wife, Franne Golde—a multi-platinum award-winning songwriter in her own right, having worked with Diana Ross, Heart, Celine Dion, Pat Benatar, Whitney Houston, Selena and others—became involved in lobbying both state and national legislators for increased governmental research funding and improved access to care for those afflicted with the disease. In the years that followed, the couple were on the boards of both the Alzheimer’s Association and Music Mends Minds. Fox is survived by Golde and their son, Syd.

Al Schmitt, Legendary Engineer, Passes at 91

Los Angeles, CA (April 27, 2021) — Al Schmitt, arguably the most successful recording engineer ever, died Monday, April 26, at the age of 91. Over the course of a 70-plus-year career, Schmitt worked with multiple generations of music superstars, capturing some of the best-known songs and albums of his lifetime. The recipient of 20 Grammy Awards, Schmitt also won two Latin Grammys and a Recording Academy Lifetime Achievement Award, was honored with a star on the Hollywood Walk of Fame (the first ever for an engineer), and had more than 160 Gold and Platinum recordings to his credit. Just some of the artists Schmitt worked with included Frank Sinatra, Henry Mancini, Paul McCartney, Barbra Streisand, Dr. Dre, Lady Gaga, Bob Dylan, Sam Cooke, Toto, Diana Krall, Steely Dan, Luis Miguel, Norah Jones, George Benson, Natalie Cole, Quincy Jones, Jackson Browne, Neil Young, Tony Bennett, Bing Crosby, The Andrews Sisters and Jefferson Airplane.

Born in New York City, Schmitt grew up around recording, often visiting his uncle’s facility in Manhattan, Harry Smith Recording, as a child. With that influence, it was unsurprising that after serving in the US Navy, he became apprentice engineer at 19, working under producer Tom Dowd at Apex Recording in NYC. Learning on the job, Schmitt was only entrusted with recording the occasional demo acetate until Duke Ellington and his big band—which included greats like Billy Strayhorn and Johnny Hodges—showed up unexpectedly to record on a quiet weekend in 1949. As the only engineer on hand, Schmitt tried to make the most of the eight inputs available, setting up mics using sketchy placement diagrams he’d hastily drawn while assisting on other sessions. He told Ellington “I’m not qualified” so often that eventually the jazz great had to calmly reassure him that he could do it.

Al Schmitt engineered some of the Peter Gunn soundtrack
Al Schmitt recorded the small combo tracks on the famed Peter Gunn soundtrack, paving the way for an extensive run of recording Henry Mancini soundtracks

After moving around New York studios for nearly a decade, Schmitt headed west to Los Angeles in 1958, initially working at Radio Recorders in Hollywood, where he first collaborated with Henry Mancini, recording small combo tracks on the composer’s 1959 The Music from Peter Gunn soundtrack. It was the start of a fruitful working relationship, as Schmitt went on to record numerous Mancini soundtracks, including Mr. Lucky, Charade, Breakfast at Tiffany’s (for which he got a Grammy nomination) and Hatari, which landed Schmitt his first Grammy Award.

Schmitt moved to RCA as a staff engineer in 1963 and was soon promoted to staff producer. While there, he produced the likes of Sam Cooke, Eddie Fisher, Ann-Margaret and Jefferson Airplane among others, but the endless 16-hour days and lack of support from upper management led to him quitting in 1966 to go independent. Over the next few years, he continued to produce Jefferson Airplane and added Jackson Browne, Neil Young, Al Jarreau and others to his discography, but found he missed engineering, as union rules of the era forbade producers from touching the console. As the 1970s wore on, he returned to mostly engineering, which he greatly preferred.

Al Schmitt Grammy Award for Aja
The 1977 Grammy Award for Best Engineered Recording (Non-Classical) went to Al Schmitt, Roger Nichols, Elliot Scheiner and Bill Schnee for Steely Dan’s “Aja”

It wasn’t a bad career decision—during the 1970s and 80s, Schmitt won a slew of Grammys for his work engineering George Benson’s Breezin’; Steely Dan’s staple Aja and stand-alone single “FM (No Static At All)”; and Toto’s comeback album, Toto IV. In the decades that followed, he would take home Grammys for work on multiple Diana Krall albums; Natalie Cole’s Unforgettable…with Love; albums with Quincy Jones, Luis Miguel, Chick Corea and Dee Dee Bridgewater; a pair of Grammys for Paul McCartney’s Kisses on the Bottom; and a jaw-dropping five trophies for Ray Charles’s 2004 album, Genius Loves Company.

In 2014, Schmitt was honored by the Hollywood Walk of Fame with his own star, located outside the iconic Capitol Records building—home to Capitol Studios, where he spent countless hours recording over the decades. In the mid-2000s, Schmitt was a founding member of METAlliance, a group of top engineers who regularly hold recording workshops around the globe; Schmitt often shared his insights and knowledge with Pro Sound News readers through the METAlliance’s recurring column.

In 2018, he teamed with Maureen Droney, managing director of the Recording Academy’s Producers & Engineers Wing, to write his autobiography, Al Schmitt On the Record: The Magic Behind the Music, which shared not only much of his technical knowledge and wild recording session tales, but also career advice on what’s required on a personal level to stay at the top of one’s game for decades. Earlier this year, he collaborated with software company Leapwing to release a signature Leapwing Al Schmitt Signature plug-in.

At press time, the cause of Schmitt’s death is undisclosed, but a Facebook memorial page has been created in his name. His family released a statement April 27, noting,

“Al Schmitt’s wife Lisa, his five children, eight grandchildren, and five great grandchildren would like his friends and extended recording industry family to know that he passed away Monday afternoon, April 26. The world has lost a much loved and respected extraordinary individual, who led an extraordinary life. The most honored and awarded recording producer/engineer of all time, his parting words at any speaking engagement were, “Please be kind to all living things.”

Loved and admired by his recording colleagues, and by the countless artists he worked with, from Jefferson Airplane, Sam Cooke, Ray Charles, Neil Young, Paul McCartney, Diana Krall, Dr. John, Natalie Cole and Jackson Browne to Bob Dylan—and so many more—Al will be sorely missed. He was a man who loved deeply, and the friendships, love and admiration he received in return enriched his life and truly mattered to him. A light has dimmed in the world, but we all learned so much from him in his time on earth, and are so very grateful to have known him.

Legendary Metal Producer/Engineer Michael Wagener Retires

Michael Wagener - WireWorld Studio - Eve Audio
Michael Wagener in his studio, WireWorld 2.0, in an undated promotional photo for Eve Audio. Eve Audio

Nashville, TN (April 26, 2021)—Michael Wagener, the ears behind some of the biggest albums in metal history, announced his retirement Sunday, April 25—his 70th birthday. More than 90 million albums sold feature his name in the credits, as he worked with the biggest names in hard rock and heavy metal, including Metallica, Poison, Megadeth, Ozzy Osbourne, Skid Row, X, Mötley Crüe, Great White, Plasmatics, White Lion, Alice Cooper, Extreme, Dokken, Stryper, W.A.S.P., Overkill, .45 Grave, Accept, Testament, Helloween, Keel and more, as well as artists in other genres such as Janet Jackson and Muriel Anderson.

Taking to Facebook to make the announcement, Wagener wrote,

I have now been active in the music business for over 50 years and I think it’s time to retire and get out and catch up on some vacations. I have sold the studio and Double Trouble Productions does no longer exist as an official company.

I had an amazing time and met a ton of wonderful people and I am thankful for having been able to work with such great musicians and create such wonderful music.

Now it’s time to see some more of the world.

This site will eventually disappear. No more mixes, productions and workshops. The studio has been sold and except for some guitars, amps and minimal studio gear there is not much left here.

I want to thank you all for allowing me to live a great life and to do what I love. I am looking at a future of lots of traveling; it has been a great trip so far.

As a teenager in Germany, Wagener was the first guitarist for the band that would eventually become Accept, but had to quit when he was drafted into the army at 18. In 1972, he began working for a Hamburg, Germany company called Stramp that produced equipment for studios and stage use; during that time, he earned a degree in electronics engineering. By the late 1970s, he had built a 16-track studio in Hamburg, Tennessee Tonstudio, where he learned studio production and maintenance. While there, he met American guitarist Don Dokken, who was touring Germany at the time, and the two became fast friends. When the self-named group Dokken was signed two years later, Wagener produced its first album, Breaking The Chains, which went gold in the U.S.

With that success, Wagener became busy over the next few years primarily as an engineer and mix engineer, as the then-burgeoning metal movement exploded. He teamed with lifelong friend and leader of Accept, Udo Dirkschneider, to form a production company, Double Trouble Productions, and during that time, also mixed debut albums for Mötley Crüe and Great White. With the U.S. hungry for metal, Wagener moved to Los Angeles in 1984, soon producing X’s Ain’t Love Grand and Stryper’s Soliders Under Command.

Yes, Even Guitars

Over the ensuing years, he mixed noted albums like Metallica’s Master of Puppets, Megadeth’s So Far, So Good…So What, Ozzy Osbourne’s No More Tears and Poison’s debut, Look What The Cat Dragged In. Meanwhile, he took on the producer mantel for Skid Row’s triple-platinum self-titled debut, Alice Cooper’s Raise Your Fist and Yell, Extreme’s commercial breakthrough Pornograffitti, Warrant’s Dog Eat Dog and others, while also netting a top-10 single with Janet Jackson’s pop-metal track, “Black Cat.”

While continuing to work with hard rock and metal acts throughout his career, Wagener moved to Nashville in 1996 and built his own digital recording facility, WireWorld Studio, which evolved to become a fully digital 5.1 surround production facility.

Bob Porter, Noted Jazz Producer/Radio Host, Passes at 80

Bob Porter
Bob Porter WBGO

New Jersey (April 22, 2021)—Bob Porter, who made his mark on jazz as a reissue producer and syndicated blues, soul, jazz and R&B radio DJ on NPR, died April 10 of esophageal cancer. Over the years, Porter was nominated for five Grammy Awards and won two, recognizing just some of his efforts across a career that saw him involved in the creation of hundreds of jazz and blues albums.

Born June 20, 1940 in Wellesley, MA, Porter made his mark across jazz and blues with his archival work for a number of labels, overseeing compilations and reissues, first for the Prestige label in the Sixties, then later for Savoy Records (1975-1980) and Atlantic Records (1986-1991). Curating and re-contextualizing the work of then-underappreciated artists who would come to be acclaimed by ensuing generations, Porter often chose which artists’ work to reintroduce to new audiences, arguably creating a blueprint as to how history now regards the mid-20th Century oeuvre of both genres.

Rapper/Producer Shock G, AKA ‘Humpty Hump,’ Dead at 57

As part of his reissue work, Porter wrote liner notes for hundreds of albums for numerous labels—an effort that was rewarded when he won his first Grammy in 1980 for his commentary that accompanied The Complete Charlie Parker on Savoy. Six years later, he took home his second trophy, for best historical album, as the reissue producer of the mammoth box set, Atlantic Rhythm and Blues 1947-1974, Vols. 1-7. An archivist at heart, Porter discovered while compiling the set that numerous masters had been lost in a fire, so he tracked down pristine original pressings to preserve the music and expose it to a wider audience through the project.

Porter’s career as a producer was not solely defined by reissues, however. Over the decades, he produced more than 170 jazz and blues albums, working with artists like Illinois Jacquet and Big Joe Turner. Porter also served nine times as the governor of the New York chapter of NARAS (today known as the Recording Academy), and additionally a member of the nominating committee of the Rock N Roll Hall of Fame.

Despite these industry efforts, Porter likely was best-known for proselytizing on behalf of jazz and the blues in mass media. Beyond writing liner notes, he wrote for Jazz Times, Down Beat, Cash Box and others; blogged at his own site, Jazzetc.net, authored the book Soul Jazz: A History of jazz in the Black Community-1945-1975, and most prominently spent 40 years in radio, hosting syndicated radio shows such as Keeping The Blues Alive (for which he won a WC Handy Award in 1986), Saturday Morning Function, Portraits in Blue, Beale Street Caravan and more.

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