Das Streaming- und Download-Portal Qobuz lädt die Besucher der High End ein, sich rund um die Themen Hi-Res-Streaming und -Download zu informieren und das ganze Spektrum der Musikplattfrom reside zu erleben – vom neuen Digitalmagazin hin bis zum Qobuz Club.
Am 20. Mai wird Wolfgang Haffner, bekannter deutscher Jazz-Schlagzeuger und Komponist, sein neuestes Album in zwei von Qobuz organisierten Hi-Res Hörsitzungen vorstellen. Durch die Kooperation mit Yamaha Music Europe und dem Label ACT Music bekommen Besucher die Möglichkeit, dieses reside und in Anwesenheit des Künstlers in Hi-Res-Auflösung anzuhören. Um teilzunehmen, ist eine Anmeldung erforderlich.
Dieses Jahr bekommen außerdem alle Besucher drei Titel des weltweit bekannten Jazz Gitarristen Al Di Meola, der Markenbotschafter der High End 2023 ist, free of charge zum Download geschenkt. Hinzu kommt ein Gewinnspiel mit exklusiven Preisen am Qobuz-Stand.
There is a enjoyable new sixtieth anniversary reissue by legendary singer and composer Peggy Lee now streaming from the oldsters at Universal Music and Capitol Records that’s actually fairly fascinating, a time capsule actually. I believed a few of you Dear Readers of AudiophileReview who prefer to stream excessive decision audio may take pleasure in it.
Some background perspective to contemplate from the official press launch for this album: “Originally launched in March 1963, I’m A Woman spent 26 weeks on the Billboard album chart. Now perennially related to Peggy Lee, the title monitor and album’s first single, “I’m A Woman,” spent 9 weeks on Billboard’s Hot 100 and garnered Lee a 1962 GRAMMY nomination for Best Solo Vocal Performance, Female. A second GRAMMY nomination adopted in 1963 for Best Vocal Performance, Female”
If you’re a comparatively new or informal fan of Peggy Lee’s music — as I’m — it actually helps to get your self within the mindset of the time and place that this music was made to completely respect it. Specifically, mid century America… that’s submit World War II… submit Korean War… in the midst of the Cold War with Russia… and with the Vietnam War sneaking up simply as some of us have been beginning to attempt to sit back a bit…
It is 1963… Elvis is within the films after popping out of the military. Be Bop is lengthy over and Jazz generally is beginning to odor humorous to some (paraphrasing Frank Zappa, if you’ll). Buddy Holly, The Big Bopper, Richie Valens and Eddie Cochran are gone. Rock and roll is sort of over save for Phil Spector’s productions and The Beatles haven’t actually taken off fairly but as a world phenomenon (Capitol’s Meet The Beatles was launch in January 1964). President John F. Kennedy was nonetheless alive and nicely when Peggy Lee’s I’m A Woman was initially launched.
Picture your self for a second in an ideal suburban snapshot of the American dream… like that also gorgeous opening scene of David Lynch’s Blue Velvet, all technicolor and vivid greener-than-green lawns, redder-than-red firetrucks, whiter-than-white picket fences….blissfully glad Wonder Bread Moms and a pair of.5 children per family working across the yards. Amidst all of the darkness underlying that blissful dream state, there was a lot want for escapism and softer themes. For the children who grew up within the 40s by the Nineteen Sixties many have been now younger mother and father and nicely on their option to turning into the older era in want of sunshine escapist leisure that wasn’t Mitch Miller and possibly a little bit headier than Lawrence Welk.
Peggy Lee’s I’m A Woman crammed not less than half-hour of the enjoyment America wanted at that second in time.
Curiously, the Women’s’ liberation motion hadn’t fairly taken off by this level as a mass motion so the title monitor’s lyrics — written by the legendary male hit songwriting duo Leiber & Stoller (“Hound Dog,” “Kansas City,” “Yakety Yak,” and so on.) — are a double edged sword. Here, Peggy particulars in mock-bluesy splendor all of the issues a girl might do higher and quicker than a person might — however solely largely citing home tasks and residential chores as examples! So this isn’t the fashionable twenty first century girl Peggy is championing right here — the enterprise homeowners, engineers and scientists who do way more along with simply being relegated to the position of glad home-maker placed on earth to serve men-kind.
I imply, try the primary verse lyrics:
“I can wash out 44 pairs of socks and have ’em hangin out on the road I can starch & iron 2 dozens shirts ‘fore you may depend from 1 to 9 I can scoop up a fantastic massive dipper stuffed with lard from the drippins can Throw it within the skillet, exit & do my procuring, be again earlier than it melts within the pan ‘Cause I’m a girl! W-O-M-A-N, I’ll say it once more”
Nina Simone would have in all probability cringed if she heard a few of these lyrics!
Anyhow, all that apart on I’m A Woman right here we discover Peggy in all probability backed by some nice Wrecking Crew musicians recorded in Hollywood. One of the stuff you don’t get with streaming is authentic liner notes so I needed to look on-line and discover a picture of the unique again cowl (thanks Discogs!). There are some nice gamers on this together with drummer Stan Levey, pianist Mike Malvoin, guitarists Al Hendrickson and John Pisano in addition to the legendary Max Bennett (who seven years later performed on Zappa’s Hot Rats!). The nice Benny Carter conducts on a number of tracks together with the title opus.
She tackles Tony Bennett’s signature “I Left My Heart In San Francisco” as a form of slow-mambo for shut dancing. Here Peggy covers Ricky Nelson’s “I’m Walking” in a form of awkward quasi-rock ’n roll vibe that might enable you so sway your hips with out spilling a drop of your excellent Manhattan. There is a splendidly awkward tongue-in-cheek samba take of Kurt Weill’s “Mack The Knife” which is very shiny and sunny in marked distinction to the lyrics that are a couple of assassin.
I’m A Woman was made again within the early 60s — in all probability Capitol Records’ then state-of-the-art studios in Hollywood — so these are little doubt very good sounding, excessive constancy recordings. The reissue’s producers have presened this music in a comparatively uncompressed method, providing streams as much as 96 kHz, 24-bits. Thehigh decision stream sounds glorious, remarkably heat and wealthy, crisp and quiet.
These are early Stereo mixes, so go into this count on excessive separation, with at occasions drums and strings on one channel with vocals and bass on the opposite. That is a part of the mid-century appeal of those recordings.
There can also be a CD-quality expanded version of the album which sounds fairly good for the primary twelve songs however once you get to the bonus tracks the sound will get a bit brighter at occasions (some tracks are in Mono). There you’ll hear some enjoyable outtakes just like the swinging “Close Your Eyes” and the bluesy model of “Try A Little Tenderness” (sure, this is similar tune that Otis Redding become a rock ’n soul epic some 5 years later; it was initially written in within the Thirties!)
Its fantastic listening to Ms. Lee on an unreleased duet-of-a-sort with Bobby Darin on “Jealous” who was a scorching star of the occasions who had signed to Capitol Records; I gained’t spoil it however their frivolously spirited banter earlier than the tune is enjoyable.
You can leap to I’m A Woman on Tidal in 16-bit, 44.1 kHz MQA format by clicking right here. To hear it in 96 kHz, 24-bit constancy, head over to Qobuz Hi Res (click on right here) and whereas there you may as well hear the “Expanded Edition” (CD Quality, click on right here). It can also be on Apple Music () if you happen to use that platform.
So what are you ready for? Pour your self a martini, sit down in your sofa, put your toes up on the espresso desk and for a second take a little bit journey into one other time and place with Peggy Lee’s I’m A Woman.
There is a enjoyable new sixtieth anniversary reissue by legendary singer and composer Peggy Lee now streaming from the oldsters at Universal Music and Capitol Records that’s actually fairly fascinating, a time capsule actually. I believed a few of you Dear Readers of AudiophileReview who wish to stream excessive decision audio would possibly get pleasure from it.
Some background perspective to contemplate from the official press launch for this album: “Originally launched in March 1963, I’m A Woman spent 26 weeks on the Billboard album chart. Now perennially related to Peggy Lee, the title observe and album’s first single, “I’m A Woman,” spent 9 weeks on Billboard’s Hot 100 and garnered Lee a 1962 GRAMMY nomination for Best Solo Vocal Performance, Female. A second GRAMMY nomination adopted in 1963 for Best Vocal Performance, Female”
If you’re a comparatively new or informal fan of Peggy Lee’s music — as I’m — it actually helps to get your self within the mindset of the time and place that this music was made to completely recognize it. Specifically, mid century America… that’s put up World War II… put up Korean War… in the midst of the Cold War with Russia… and with the Vietnam War sneaking up simply as some of us had been beginning to attempt to relax a bit…
It is 1963… Elvis is within the motion pictures after popping out of the military. Be Bop is lengthy over and Jazz typically is beginning to scent humorous to some (paraphrasing Frank Zappa, if you’ll). Buddy Holly, The Big Bopper, Richie Valens and Eddie Cochran are gone. Rock and roll is sort of over save for Phil Spector’s productions and The Beatles haven’t actually taken off fairly but as a world phenomenon (Capitol’s Meet The Beatles was launch in January 1964). President John F. Kennedy was nonetheless alive and nicely when Peggy Lee’s I’m A Woman was initially launched.
Picture your self for a second in an ideal suburban snapshot of the American dream… like that also beautiful opening scene of David Lynch’s Blue Velvet, all technicolor and vivid greener-than-green lawns, redder-than-red firetrucks, whiter-than-white picket fences….blissfully comfortable Wonder Bread Moms and a couple of.5 children per family operating across the yards. Amidst all of the darkness underlying that blissful dream state, there was a lot want for escapism and softer themes. For the children who grew up within the 40s by the Nineteen Sixties many had been now younger dad and mom and nicely on their solution to changing into the older technology in want of sunshine escapist leisure that wasn’t Mitch Miller and possibly slightly headier than Lawrence Welk.
Peggy Lee’s I’m A Woman stuffed at the very least half-hour of the enjoyment America wanted at that second in time.
Curiously, the Women’s’ liberation motion hadn’t fairly taken off by this level as a mass motion so the title observe’s lyrics — written by the legendary male hit songwriting duo Leiber & Stoller (“Hound Dog,” “Kansas City,” “Yakety Yak,” and so on.) — are a double edged sword. Here, Peggy particulars in mock-bluesy splendor all of the issues a lady may do higher and sooner than a person may — however solely largely citing house responsibilities and residential chores as examples! So this isn’t the trendy twenty first century girl Peggy is championing right here — the enterprise house owners, engineers and scientists who do rather more along with simply being relegated to the function of comfortable home-maker placed on earth to serve men-kind.
I imply, try the primary verse lyrics:
“I can wash out 44 pairs of socks and have ’em hangin out on the road I can starch & iron 2 dozens shirts ‘fore you’ll be able to depend from 1 to 9 I can scoop up an awesome large dipper stuffed with lard from the drippins can Throw it within the skillet, exit & do my procuring, be again earlier than it melts within the pan ‘Cause I’m a lady! W-O-M-A-N, I’ll say it once more”
Nina Simone would have most likely cringed if she heard a few of these lyrics!
Anyhow, all that apart on I’m A Woman right here we discover Peggy most likely backed by some nice Wrecking Crew musicians recorded in Hollywood. One of the belongings you don’t get with streaming is authentic liner notes so I needed to look on-line and discover a picture of the unique again cowl (thanks Discogs!). There are some nice gamers on this together with drummer Stan Levey, pianist Mike Malvoin, guitarists Al Hendrickson and John Pisano in addition to the legendary Max Bennett (who seven years later performed on Zappa’s Hot Rats!). The nice Benny Carter conducts on a number of tracks together with the title opus.
She tackles Tony Bennett’s signature “I Left My Heart In San Francisco” as a type of slow-mambo for shut dancing. Here Peggy covers Ricky Nelson’s “I’m Walking” in a type of awkward quasi-rock ’n roll vibe that might enable you so sway your hips with out spilling a drop of your good Manhattan. There is a splendidly awkward tongue-in-cheek samba take of Kurt Weill’s “Mack The Knife” which is particularly vibrant and sunny in marked distinction to the lyrics that are a few assassin.
I’m A Woman was made again within the early 60s — most likely Capitol Records’ then state-of-the-art studios in Hollywood — so these are little question very good sounding, excessive constancy recordings. The reissue’s producers have presened this music in a comparatively uncompressed method, providing streams as much as 96 kHz, 24-bits. Thehigh decision stream sounds glorious, remarkably heat and wealthy, crisp and quiet.
These are early Stereo mixes, so go into this count on excessive separation, with at occasions drums and strings on one channel with vocals and bass on the opposite. That is a part of the mid-century appeal of those recordings.
There can be a CD-quality expanded version of the album which sounds fairly good for the primary twelve songs however whenever you get to the bonus tracks the sound will get a bit brighter at occasions (some tracks are in Mono). There you’ll hear some enjoyable outtakes just like the swinging “Close Your Eyes” and the bluesy model of “Try A Little Tenderness” (sure, this is identical tune that Otis Redding was a rock ’n soul epic some 5 years later; it was initially written in within the Thirties!)
Its great listening to Ms. Lee on an unreleased duet-of-a-sort with Bobby Darin on “Jealous” who was a sizzling star of the occasions who had signed to Capitol Records; I gained’t spoil it however their flippantly spirited banter earlier than the tune is enjoyable.
You can leap to I’m A Woman on Tidal in 16-bit, 44.1 kHz MQA format by clicking right here. To hear it in 96 kHz, 24-bit constancy, head over to Qobuz Hi Res (click on right here) and whereas there you may also hear the “Expanded Edition” (CD Quality, click on right here). It can be on Apple Music () for those who use that platform.
So what are you ready for? Pour your self a martini, sit down in your sofa, put your toes up on the espresso desk and for a second take slightly journey into one other time and place with Peggy Lee’s I’m A Woman.
A couple of years again, proper on the onset of the disagreeable COVID-19 affair, I had the chance to spend time with a fairly exceptional pair of audio system: the LSA Statement 20s, which have been full- vary […]
Der seit 2021 bestehende Deutsche Jazzpreis wird am 27. April 2023 im Metropol Theater in Bremen erneut verliehen; der französische Streaming- und Musik-Download-Anbieter Qobuz ist nun Partner der Veranstaltung. Als Teil dieser Partnerschaft will Qobuz unter anderem passende Magazin-Artikel veröffentlichen, sowie eine Playlist, die hier verfügbar ist. Zusätzlich kündigt Qobuz an, unter seinen Nutzern 10 Karten für die Preisverleihung inklusive Konzert zu verlosen, bei der in 31 Kategorien Preise verliehen werden. Qobuz betont außerdem, wie wichtig Jazz für die Plattform sei, und, dass Jazz das Genre mit den zweitmeisten Streams auf der Plattform in Deutschland ist.
It’s official. With the exception of my full set of AudioQuest DragonFlies, I’ve now spent extra time listening to the Lab12 DAC1 Reference than every other digital-to-analog converter. Does that portend good issues for this […]
March 2023 – Qobuz, the music lovers’ top quality music streaming and obtain service, is launching a brand new group platform designed to attach audiophiles and music lovers world wide: Qobuz Club. The interactive discussion board will permit Qobuz customers to convene with like-minded listeners on subjects like music discovery and suggestions, in addition to {hardware} and Hi-Fi recommendation.
As a part of their general give attention to creating the very best music expertise attainable, Qobuz is launching Qobuz Club so as to add an much more social, human aspect to that have for each informal listeners and critical audiophiles alike. While algorithms and A.I. might help with customized suggestions, on their very own they lack the emotional and social context that makes discovering music in a group setting so exhilarating – enter Qobuz Club. And along with providing customers the skills to attach on the music they love, Qobuz Club additionally facilitates an area for audiophiles to debate advanced subjects like {hardware}, Hi-Fi recommendation, and extra.
Check out and be a part of the colourful Qobuz Club group right here: http://group.qobuz.com/
Designed with Qobuz prospects’ music preferences and aims in thoughts, Qobuz Club’s featured sections embody Qobuz News, Music Clubs, Hi-Fi Spaces, and a Discussion Forum the place members can speak immediately with the Qobuz groups. The platform additionally has a “collector’s nook” for vinyl lovers; a beta testers house; and a help-and-suggestions house for future app enhancements.
Joining the Qobuz Club is simple and open to all Qobuz account holders with no paid subscription wanted. The platform is accessible on the internet and can quickly be obtainable through cell app to be accessible anytime, anyplace. Qobuz Club is presently obtainable worldwide in English, and a French model will probably be launched quickly.
March 2023 – Qobuz, the music lovers’ prime quality music streaming and obtain service, is launching a brand new group platform designed to attach audiophiles and music lovers all over the world: Qobuz Club. The interactive discussion board will enable Qobuz customers to convene with like-minded listeners on matters like music discovery and proposals, in addition to {hardware} and Hi-Fi recommendation.
As a part of their total concentrate on creating the very best music expertise attainable, Qobuz is launching Qobuz Club so as to add an much more social, human aspect to that have for each informal listeners and critical audiophiles alike. While algorithms and A.I. might help with personalised suggestions, on their very own they lack the emotional and social context that makes discovering music in a group setting so exhilarating – enter Qobuz Club. And along with providing customers the skills to attach on the music they love, Qobuz Club additionally facilitates an area for audiophiles to debate complicated matters like {hardware}, Hi-Fi recommendation, and extra.
Designed with Qobuz prospects’ music preferences and goals in thoughts, Qobuz Club’s featured sections embody Qobuz News, Music Clubs, Hi-Fi Spaces, and a Discussion Forum the place members can speak instantly with the Qobuz groups. The platform additionally has a “collector’s nook” for vinyl lovers; a beta testers area; and a help-and-suggestions area for future app enhancements.
Joining the Qobuz Club is straightforward and open to all Qobuz account holders with no paid subscription wanted. The platform is accessible on the net and can quickly be obtainable through cellular app to be accessible anytime, wherever. Qobuz Club is at present obtainable worldwide in English, and a French model might be launched quickly.
By now you may be aware of the fact that a number of music streaming services are offering high-res options for those of us who still care about audio quality. Amazon Music HD, Qobuz, Tidal and Apple Music’s Lossless Tier all offer CD-quality (lossless) streaming at 16-bit/44.1 kHz, with high-res options up to 24-bit/192 kHz—the latter typically at additional cost.
Unsurprisingly, Amazon Music HD is the 800-pound gorilla in the room, boasting a high-res library of more than 75 million songs. Notably absent from this list is Spotify, which announced lossless music streaming two years ago for Spotify Premium users but has yet to deliver on the promise. Nonetheless, it looks like high-quality music streaming has finally arrived.
That’s great news for listeners who want high-res audio and are willing to go the route of adding a network streaming device to their home entertainment setup. Streaming devices such as the Bel Canto e.One Stream Network Streamer provide audio outputs (analog and/or digital) that can be connected to a hi-fi preamp, which is probably the way to go if your goal is to listen to music at the highest quality possible. Others, like the Bluesound VAULT 2i, provide hardwired audio outputs, as well as the option to stream via Bluetooth. And that’s where audio quality comes into question.
It’s tough to debate the convenience of connecting a music player to loudspeakers via Bluetooth. The concept of not having to run wires inevitably evokes a response of “sign me up!” among most users, understandably so. But the sad truth is that for many listeners, the last step in the signal chain is Bluetooth, whether it be a powered BT speaker or BT headphones. Unfortunately—while BT Classic does support audio streaming and employs codecs such as SBC, aptX or LDAC to improve audio quality—its bandwidth limitations were never intended to support high-res streaming. Bluetooth LE (Low Energy) is of no more use to audiophiles than Classic, as it too was never designed for audio streaming.
Thankfully, help is on the way. In July 2022, the Bluetooth Special Interest Group completed a full set of specifications for LE Audio, opening the door for development of the next generation of BT audio devices, and promising increased audio quality due in large part to the implementation of two new codecs.
Developed by Fraunhofer IIS and Ericsson, the Low Complexity Communication Codec (LC3) and LC3plus codecs enable high-quality audio streaming on wireless headsets or speakers via BTLE. All reports indicate that the LC3 codec sounds much better than SBC, aptX or LDAC, while at the same time reducing power consumption and latency.
LE Audio also incorporates Auracast, a feature that enables an audio source transmitter (e.g., a smart TV) to transmit to an unlimited number of audio receivers—so now you can have a silent binge party for your favorite show.
Using LC3, audio can be streamed via BTLE at resolutions up to 96 kHz/32-bit, with relatively low (125 to 250 kbps) bit rates. The reduced bitrate required by LC3 and LC3plus will provide higher audio quality at lower power requirements, facilitating high-res music streaming, as well as allowing development of smaller, more efficient and more accurate hearing aid devices. Products incorporating the technology are already available, spearheaded by the release of the Sennheiser RS 120-W wireless headphones released last August.
Vor 15 Jahren wurde Qobuz ins Leben gerufen, und hat sich seitdem stetig weiterentwickelt, zum Beispiel mit neuen Features und einer Vergrößerungen der Anzahl der zum Streaming und Download erhältlichen Titel. Seit 2013 ist der Dienst auch in Deutschland verfügbar, wobei Nutzer in Deutschland vergleichsweise viel auf Musikdownloads setzen sollen.
Laut Qobuz änderte sich auch die Kundschaft der Plattform nach und nach, wobei diese heute im Durchschnitt jünger sei als zu Beginn. Dies soll laut dem Streaming-Dienst daran liegen, dass der Fokus anfangs auf Jazz und Klassik lag, und man inzwischen alle Genres anbiete.
Zusätzlich betont Qobuz, dass ihnen neben hoher Klangqualität auch faire Kunstlervergütung wichtig sei. Um die Rechteinhaber fair bezahlen zu können, verzichte der Streaming-Dienst auf ein kostenloses Abo-Modell und würde seine Abo-Preise relativ hoch ansetzen, so Qobuz.
