The Burmester B18 loudspeakers and 101 built-in amplifier are right here in my listening room, they usually’re undoubtedly classing up the joint in a significant method. It jogs my memory of Blind Melon’s “Galaxie” the place the late […]
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| MIX VERDICT: SPL MTC Mk2 Monitor Controller |
| THE TAKEAWAY: “I’m recommending the MK2 for its in depth characteristic set, wonderful audio efficiency, sturdiness and a glossy, horny look that enhances any room it resides in.” |
| COMPANY: SPL • www.spl.audio PRICE: $1,299 PROS: • Excellent headroom, noise and frequency response. • A wealth of options and conveniences, with sensible design and styling. CONS: • A contact of leakage when totally attenuated. • Fewer routing choices than unique MTC. |
As a longtime person of SPL’s MTC 2381 monitor controller, I had blended anticipation in regards to the new MTC Mk2, considering, “How would possibly the corporate enhance on the wonderful design of a predecessor with out sacrificing high quality or options?” The brief reply is that they maintained the audio high quality, added quite a few trendy conveniences and surrendered just a few routing flexibilities.
Being {that a} monitor controller acts like the middle part of a mixing console for the fashionable digital studio, an incredible quantity of I/O is critical, together with a impartial sonic profile, sturdiness (for what will likely be fixed utilization) and adaptability of options to satisfy a enough variety of studio wants (switching enter sources, offering headphone outputs, routing cue mixes, offering talkback services, controlling monitor quantity and management of mono fold-down, dim and mute features, and many others.).
INS, OUTS, CONTROLS
Perhaps a very powerful characteristic improve isn’t terribly glamorous—an inside working voltage of ±18V, which ensures excessive headroom, low noise, prime sonic efficiency and signifies that that is critical skilled tools. The MTC Mk2 can deal with 22.5 dB of stage, about 1.5 dB greater than typical ±15V units. A switched-mode energy provide routinely accepts 90 – 250 VAC at 50 or 60 Hz.
SPL has continued with the wedge-shaped type issue, with a reasonable 10 x 11-inch footprint and a slanted, milled-steel faceplate. The prime row of backlit coloured buttons consists of 4 pairs of stereo inputs—A through D—with A, B and C on 1⁄4-inch TRS connections at +4 dB and D on RCAs at -10 dB. Input C is particularly the Cue Mix enter and receives particular routing therapy.
The unit consists of 4 pairs of outputs for displays SP1 to SP3, with output SP4 being a full-range mono output for connecting a subwoofer or feeding a mono speaker (e.g., a limited-bandwidth dice monitor). These switches don’t toggle, as they permit a number of monitor outputs to be chosen directly, identical to the enter buttons.
The prime row of buttons additionally consists of ample monitor features, together with L/R Swap, Phase (the distinction between left and proper channels) and Mono (the sum of left and proper). Also: a Dim button for attenuating output by -10 dB and two Mute buttons (audio system and headphones) for comfort.
The decrease row of knobs gives stage controls, beginning with Talkback, which features a built-in condenser mic and momentary change. The again panel additionally gives a 1⁄4-inch footswitch jack for comfort.
Next in line is Phonitor Matrix and crossfeed management, a completely new characteristic borrowed from a lot of different SPL merchandise. This constantly variable management permits for the introduction of a contact of leakage between channels to make headphone listening extra pleasurable and never as starkly hard-panned, really a contact extra mono, if you’ll.
The 45mm central aluminum knob/ potentiometer adjusts control-room monitoring ranges by way of the 4 speaker outputs, starting from -97 dB to 0 dB attenuation. This management is constantly variable, with no steps.
Finally, there’s a pair of headphone output controls (Producer and Artist) on the entrance panel, every with a 1⁄4-inch stereo jack. Producer is fed with no matter mixture of inputs are chosen for the audio system/displays; the Artist management feeds the identical, or solely the Input C cue combine when the adjoining Cue Mix button is chosen.
These are high-quality circuits, as SPL explains: “The output stage of the headphone amplifiers is designed as a push-pull amplifier in Class AB mode. The bipolar transistors share the amplification of the optimistic and damaging half-waves, which produces the next achieve and the next output voltage than in Class A operation, the place just one transistor amplifies each half- waves.”
The again panel homes a pair of XLR outputs for SP1 and SP2, a pair of 1⁄4-inch TRS for SP3 and a single XLR for the Subwoofer output. The backside of the unit homes a set of dip switches for attenuating output ranges globally (-6, -10 or -13 dB) so as to get out of the primary few levels of journey with the large quantity knob and with a bit extra decision.
There can also be a Meter output, which is fed the identical sign because the speaker outputs, simply pre-fader (large quantity knob). A Cue Mix output on a pair of TRS 1⁄4-inch jacks permits for an output together with Talkback sign and switches to a direct feed from the Input C/Cue Mix enter when the entrance panel Cue Mix button is engaged. A Talkback output is offered for routing talkback mic sign on to a speaker (presumably within the performer’s room), and the Talkback change 1⁄4-inch enter is discovered right here, as nicely.
IN SESSION
Once I converted from my unique MTC (fast and easy, as I already had all the suitable connections), I used to be capable of inform that the Mk2 sounded no totally different than its predecessor, with no discernible noise, seemingly absolute linear frequency response, unrestrained headroom (all my displays hit the beginnings of dynamics loss and non-linearity lengthy earlier than the MTC does) and loads of punch.
The headphone amps sound notably good, with ridiculous quantities of achieve accessible (sufficient for higher-impedance cans) and nice imaging; the addition of the Phonitor Matrix can also be good to have, if not important. This characteristic can be in fixed use for my informal listening, however for every day work, I discover myself utilizing it solely when mixing, and even then solely sparingly.
The backlit buttons, set in opposition to the flat-black entrance panel, are straightforward to see even in a dimly lit management room. The newer monitor management features are all helpful and make mixing classes just a bit simpler. I’ve additionally discovered the Subwoofer output fairly handy for fast evaluation of bottom-end monitoring and mixing points. I maintain my 1⁄8-inch stereo mini-plug cable patched to Input D, which is fairly darn handy for all of the cellphone audio, which is an more and more frequent a part of working with my purchasers.
Lalal.ai Source Separation – A Mix Real-World Review
The one factor I don’t desire with the brand new MTC Mk2 is the simplification of routing, which has sacrificed a number of combos. The unique MTC had a number of knobs/faders for mixing sources (the Cue enter could possibly be blended with any of the stereo inputs, with such mixing accessible for the control-room speaker outputs in addition to the cue-mix outputs). This was a bit extra sophisticated in use and made for a extra crowded entrance panel, to make certain, however with these options and a follower output, I used to be capable of create three mixes (Cue 1, Cue 2 and management room) and achieve very giant live-tracking classes with no cue mixing system! Yes, this was an intricate setup and never more likely to be wanted by anyone however energy customers, however I nonetheless nonetheless miss this stage of excellent routing flexibility.
One different minor quibble is the crosstalk efficiency of the primary attenuator knob/pot. The management has leakage when totally attenuated; that’s, there’s nonetheless some audible audio, in the suitable channel solely, when the knob is totally “off” (really -97 dB). Using the worldwide -10 dB attenuation practically eliminates this minor downside.
Similarly, the left-to-right steadiness isn’t at all times balanced when the attenuator is throughout the starting of its journey, though steadiness is even and stays even above that. Both of those behaviors are an identical to the unique MTC and could possibly be alleviated by a stepped quantity management, a wildly costly characteristic discovered on mastering-grade tools that’s probably not economically possible for this unit. Once once more, utilizing international -10 dB attenuation relegates this subject to insignificance.
THE FINAL MIX
I’ve been utilizing the SPL MTC Mk2 for months now and it has develop into invisible in its software, dutifully doing its job with out being obvious. If I’m not listening to dynamics, or element, or punch, it merely isn’t within the combine—no guesswork.
At $1,299, the SPL MTC Mk2 inhabits a value vary nicely above that of semipro models, but nicely under mastering-grade and boutique models. This price-to-performance ratio is a good match for smaller professional studios (particularly these with out mixing consoles), in addition to private studios and even artist-based manufacturing rooms that want extra flexibility than a tabletop interface and software program can permit.
I’m recommending the MK2 for its in depth characteristic set, wonderful audio efficiency, sturdiness and a glossy, horny look that enhances any room it resides in.
I’ve been attempting to take heed to a pair of Audio Note UK AN-J/D loudspeakers for many years. Why? It’s a protracted, rambling story however I’ll inform it to you RIGHT NOW. It begins in 1981, in […]
I’ve been attempting to hearken to a pair of Audio Note UK AN-J/D loudspeakers for many years. Why? It’s a protracted, rambling story however I’ll inform it to you RIGHT NOW. It begins in 1981, in […]
The VAC Statement Components: Breathing Life into Recordings At the outset, I hope it’s understood simply how lucky I contemplate myself to have the respect, belief, and privilege of being requested to convey you […]
| MIX VERDICT: Warm Audio WA-MPX |
| THE TAKEAWAY: “No matter the way you set it, it’s a retro-vibe machine.” |
| COMPANY: Warm Audio • www.warmaudio.com PRICE: $749 PROS: • Versatility; authentic-sounding Tape Saturation circuit. • Up to 90 dB of acquire. • Tone circuit provides character. • High-pass and low-pass filters. • Pleasing, old-school design and strong construct high quality. • Excellent worth. CONS: • None. |
Digital modeling of tube processors has improved considerably, however there’s nothing like precise tube {hardware}. Warm Audio’s single-channel WA-MPX and 2-channel WA-2MPX are inexpensive tube preamps that emulate the efficiency and sound of classic Ampex 351 preamps from the Fifties, which have been fashionable in recording studios through the tape period. Warm Audio despatched Mix the single-channel WA-MPX for this evaluation.
The two-rackspace unit, which is solidly constructed, options three tubes—two 12AX7s and a 12AU7—and custom-wound CineMag USA transformers.
Most of the I/O, together with the XLR mic, TRS line inputs and outputs, and an IEC energy inlet, resides on the again panel. The one exception is the front-panel instrument enter.
The firm designed the WA-MPX to look just like a 351 preamp, together with an aluminum faceplate, star-shaped knobs and enormous steel switches.
The two most distinguished knobs management Preamplifier Gain and Output Level, whereas a smaller one switches the unit between Mic, Line and Instrument ranges. A big VU meter exhibits the enter degree and may be calibrated from a front-panel calibration screw.
Audix A127 Microphone — A Mix Real-World Review
Seven toggle switches clustered on the left facet of the unit enable customers to simply flip varied preamp capabilities on or off—some typical, others not a lot. The former group contains switches for 48V phantom energy, Polarity reverse, and a high-pass filter set at 80 Hz. Among the non-standard options are a low-pass filter set at 2 okHz and a High Gain change, which, when activated, boosts the preamp acquire from 70 dB to 90 dB.
The Tone change is just like these discovered on sure different Warm preamps. It lowers the enter impedance to offer you a barely extra gruff-sounding consequence.
Another change turns the Tape Saturation impact on and off, which Warm describes as including “compression, harmonic distortion, and targeted tone filtering to emulate the sound of tape machines working at 15 ips.” Although there’s no precise tape concerned, the impact sounds glorious, whether or not you’re utilizing a little bit or rather a lot. With the Tape Sat change on, turning up the Input Gain supplies extra distortion.
Sonnox ListenHub – A Mix Real-World Review
I recorded a number of lead vocal elements by way of the preamp utilizing my go-to vocal mic, a Mojave Audio MA-300 tube condenser, and I bought persistently full and warm-sounding outcomes. On among the tracks, I dialed in a little bit of the unit’s Tape Saturation, which added a satisfying edge to the sound.
I additionally tried the WA-MPX on tambourine, acoustic guitar and mandolin, the previous by way of the Mojave mic and the latter two miked with an Oktava MK-012 pencil condenser.
The elements I tracked clear on mandolin, and acoustic guitar had good character. I additionally tried a little bit little bit of saturation with these devices. As lengthy as I saved the Input Gain low (beneath 9 o’clock), the outcomes have been edgy and fats, however nonetheless pure. Single-note strains sounded particularly good.
I additionally beloved how the preamp sounded on DI electrical guitar and bass. Dialing in only a tad of Tape Saturation warmed up my Fender Precision. Maxing out the Saturation impact added authentic-sounding distortion to my direct Telecaster. I additionally re-amped a few present electrical guitar elements by way of the WA-MPX with the saturation turned up excessive, with glorious outcomes.
I’m extremely impressed with the WA-MPX. It provides loads of acquire, and its Tone and Tape Sat circuits present spectacular sonic versatility. No matter the way you set it, it’s a retro-vibe machine. What’s extra, the worth is surprisingly low for what you get.
These have been the Sonner Audio displays I used to be purported to get a few years in the past, the pair that left me dumbstruck after I first heard them on the 2019 Capital Audiofest. I’d by no means heard […]
| MIX VERDICT: Lalal.ai Source Separation |
| THE TAKEAWAY: “I undoubtedly suggest attempting out Lalal.ai, if something only for the expertise of it.” |
| COMPANY: Lalal.ai • www.Lalal.ai PRICE: Free, $15 or $30, priced by minutes of utilization. PROS: • Fast, easy, intuitive workflow and interface. CONS: • Inconsistent lack of constancy and incompleteness of separation. |
Some of essentially the most fascinating processes right now are people who assist us un-mix, or separate the sources from inside a mixture. The want to do such un-mixing would possibly vary from creating karaoke backing tracks, to distinctive remixes for a DJ gig, and even to return in and proper a mixture you simply can’t stay with anymore. Whatever the case, with the assistance of some synthetic intelligence, you are able to do all that, and rather more.
I’ve reviewed supply separation packages prior to now for Pro Sound News and located them to be all-at-once exceptional but in addition not fairly as much as par. However, new participant on the scene Lalal. ai guarantees advances within the ease of the method, now with 10 separation varieties, in addition to enhancements within the closing outcomes.
HOW IT WORKS
Lalal is a web-based program, not a plug-in or stand-alone software as put in in your pc. You merely go to the web site (www.lalal.ai), the place you’ll land with the operative components entrance and middle: a button to add your audio file of selection, and a pull-down menu of 10 separation varieties accessible (Vocal and Instrumental, Voice and Noise, Drums, Bass, Electric Guitar, Acoustic Guitar, Piano, plus three in beta— Synthesizer, Strings and Winds. Choices for Processing Levels embody Mild, Normal and Aggressive. I first selected Normal.
Once you’ve chosen your file to course of and the kind of separation you need, Lalal kicks in and processes a piece of your file (about 90 seconds value), then after a short wait offers you a preview of the “separations” outcomes. Each may be auditioned individually, and when you like what you hear, you’ll be able to select to course of the whole file. This takes only a bit longer. It then reveals two information you’ve created—the separated supply, and a mix-minus with out that supply—which you’ll be able to obtain on to your pc’s Downloads folder (hyperlinks to the brand new information will even present up in your electronic mail inbox). These full-length information obtain in a matter of seconds.
I can nearly really feel you attempting so as to add up how lengthy all this takes, seeing as you’re paying for time, however it’s surprisingly fast. I selected a 3:45-long rock tune (44.1 stereo WAV file) and did separations for Vocal-Instrumental, Drums, Bass and Guitar. The entire course of took lower than 20 minutes.
HOW WELL IT WORKS
Not not like earlier assessments I’ve finished with supply separation expertise, the outcomes concurrently amazed and disillusioned me. There have been moments within the tune the place I merely couldn’t imagine how properly the method labored, solely to then hear an occasional glitch or some “sandiness.” Other processes have been unbelievable at how utterly a supply was eliminated, solely to listen to a second of transient infidelity, echoes, fuzziness or swooshy phasing. Other processes (ie., bass guitar) appeared affected by fixed “underwater muffling,” or murkiness, a la a 128 kbps MP3.
This led me to strive the Aggressive setting, which appeared to take a tad bit longer to investigate however by some means was as quick as Normal processing when all was mentioned and finished. Aggressive yielded higher leads to all methods (much less sand, much less phaseiness, fewer echoes, fewer intrusions from cymbal crashes and loud occasions, extra readability to the separated stems, in addition to the mix-minuses), but among the identical issues remained, even when much less intense and fewer frequent.
Ayaic Mix Monolith Plug-In — A Mix Real-World Review
Despite that combined bag of efficiency, there’s an fascinating caveat: these barely compromised separations may be added/summed again collectively (at unity acquire, no panning, with no extra processing) and the summed end result sounded practically good a lot of the time, with solely occasional murkiness or phasiness. The soundstage might slender only a bit, and the frequency response is barely compromised, however the general constancy of this “taken aside after which reassembled audio Frankenstein” is just exceptional.
Even when you’re not a DJ or remixer, there are extra typical functions Lalal.ai can sort out with helpful outcomes. Case in level: I had a stay efficiency from a singer/songwriter who needed to course of his vocal with lots of megaphone filtering/distorting, however the processing was ruining the guitar and the entire combine because of the guitar bleed. After separating the guitar bleed from the vocal observe, I used to be left with a virtually good vocal that was simply processed and it finally saved the combo.
ALL IN ALL
It deserves point out that solely the vocal separations use Lalal’s new Phoenix neural community (Lalal’s definition: “a sequence of algorithms that endeavors to acknowledge underlying relationships in a set of knowledge via a course of that mimics the way in which the human mind operates”), which appears at a bigger part of audio to course of with extra emphasis on part variations than amplitude to establish sources. Phoenix is quicker, extra correct and gives cleaner outcomes; a portent of issues to come back.
Of course, your success will range relying on amplitude, frequency content material and part relationships, however I anticipate that Lalal might make vital enhancements in eradicating bleed from each vocal and instrumental tracks. Maybe not as attractive as separating sources for a remix, however this means could make an enormous distinction daily, or at the very least on the common.
You can check out Lalal’s Free Pack, with solely 10 minutes of processing time, a 50 MB restrict, a slower processing pace and the potential for ready in a queue when demand is excessive. The Lite Pack gives 90 minutes of sooner processing, as much as 2 GB, extra file varieties, together with video (FLAC, AVI, MP4, MKV, AIFF and AAC), and no queue for a flat $15 charge. Finally, the Plus Pack gives 300 minutes of processing, 2 GB, quick processing, and all the above, for a flat $30 charge. Business options for integrating Lalal into an internet site or software can be found for considerably larger charges.
I undoubtedly suggest attempting out Lalal.ai, if something only for the expertise of it. By investing a whopping $15 or $30, you’ll be able to drill down deeper.
Lalal has new neural community algorithms supplied in beta mode, hinting at simply what this expertise might obtain down the street because the AI improves over time. If you’re the snooty audio perfectionist reviewer kind (who, me?), then Lalal’s tech may be of average curiosity, however aspiring artists, remixers and people with extra tolerance/persistence than I may discover a new facet for his or her work and a few fascinating inventive prospects.
| MIX VERDICT: Lalal.ai Source Separation |
| THE TAKEAWAY: “I positively suggest making an attempt out Lalal.ai, if something only for the expertise of it.” |
| COMPANY: Lalal.ai • www.Lalal.ai PRICE: Free, $15 or $30, priced by minutes of utilization. PROS: • Fast, easy, intuitive workflow and interface. CONS: • Inconsistent lack of constancy and incompleteness of separation. |
Some of probably the most attention-grabbing processes as we speak are those who assist us un-mix, or separate the sources from inside a combination. The want to do such un-mixing may vary from creating karaoke backing tracks, to distinctive remixes for a DJ gig, and even to return in and proper a combination you simply can’t reside with anymore. Whatever the case, with the assistance of some synthetic intelligence, you are able to do all that, and way more.
I’ve reviewed supply separation packages prior to now for Pro Sound News and located them to be all-at-once exceptional but additionally not fairly as much as par. However, new participant on the scene Lalal. ai guarantees advances within the ease of the method, now with 10 separation sorts, in addition to enhancements within the closing outcomes.
HOW IT WORKS
Lalal is a web-based program, not a plug-in or stand-alone software as put in in your pc. You merely go to the web site (www.lalal.ai), the place you’ll land with the operative elements entrance and middle: a button to add your audio file of alternative, and a pull-down menu of 10 separation sorts obtainable (Vocal and Instrumental, Voice and Noise, Drums, Bass, Electric Guitar, Acoustic Guitar, Piano, plus three in beta— Synthesizer, Strings and Winds. Choices for Processing Levels embody Mild, Normal and Aggressive. I first selected Normal.
Once you’ve chosen your file to course of and the kind of separation you need, Lalal kicks in and processes a piece of your file (about 90 seconds price), then after a short wait offers you a preview of the “separations” outcomes. Each might be auditioned individually, and should you like what you hear, you may select to course of the whole file. This takes only a bit longer. It then reveals two recordsdata you’ve created—the separated supply, and a mix-minus with out that supply—which you’ll obtain on to your pc’s Downloads folder (hyperlinks to the brand new recordsdata may even present up in your e-mail inbox). These full-length recordsdata obtain in a matter of seconds.
I can nearly really feel you making an attempt so as to add up how lengthy all this takes, seeing as you’re paying for time, however it’s surprisingly fast. I selected a 3:45-long rock tune (44.1 stereo WAV file) and did separations for Vocal-Instrumental, Drums, Bass and Guitar. The entire course of took lower than 20 minutes.
HOW WELL IT WORKS
Not not like earlier exams I’ve executed with supply separation know-how, the outcomes concurrently amazed and disenchanted me. There had been moments within the tune the place I merely couldn’t imagine how properly the method labored, solely to then hear an occasional glitch or some “sandiness.” Other processes had been unbelievable at how fully a supply was eliminated, solely to listen to a second of transient infidelity, echoes, fuzziness or swooshy phasing. Other processes (ie., bass guitar) appeared affected by fixed “underwater muffling,” or murkiness, a la a 128 kbps MP3.
This led me to strive the Aggressive setting, which appeared to take a tad bit longer to investigate however one way or the other was as quick as Normal processing when all was mentioned and executed. Aggressive yielded higher leads to all methods (much less sand, much less phaseiness, fewer echoes, fewer intrusions from cymbal crashes and loud occasions, extra readability to the separated stems, in addition to the mix-minuses), but a few of the similar issues remained, even when much less intense and fewer frequent.
Ayaic Mix Monolith Plug-In — A Mix Real-World Review
Despite that combined bag of efficiency, there’s an attention-grabbing caveat: these barely compromised separations might be added/summed again collectively (at unity acquire, no panning, with no further processing) and the summed consequence sounded practically excellent a lot of the time, with solely occasional murkiness or phasiness. The soundstage could slender only a bit, and the frequency response is barely compromised, however the total constancy of this “taken aside after which reassembled audio Frankenstein” is solely exceptional.
Even should you’re not a DJ or remixer, there are extra typical purposes Lalal.ai can deal with with helpful outcomes. Case in level: I had a reside efficiency from a singer/songwriter who wished to course of his vocal with lots of megaphone filtering/distorting, however the processing was ruining the guitar and the entire combine as a result of guitar bleed. After separating the guitar bleed from the vocal observe, I used to be left with an almost excellent vocal that was simply processed and it finally saved the combination.
ALL IN ALL
It deserves point out that solely the vocal separations use Lalal’s new Phoenix neural community (Lalal’s definition: “a sequence of algorithms that endeavors to acknowledge underlying relationships in a set of information via a course of that mimics the best way the human mind operates”), which appears at a bigger part of audio to course of with extra emphasis on part variations than amplitude to determine sources. Phoenix is quicker, extra correct and supplies cleaner outcomes; a portent of issues to return.
Of course, your success will differ relying on amplitude, frequency content material and part relationships, however I count on that Lalal may make important enhancements in eradicating bleed from each vocal and instrumental tracks. Maybe not as attractive as separating sources for a remix, however this potential could make an enormous distinction every single day, or at the very least on the common.
You can check out Lalal’s Free Pack, with solely 10 minutes of processing time, a 50 MB restrict, a slower processing velocity and the potential of ready in a queue when demand is excessive. The Lite Pack presents 90 minutes of quicker processing, as much as 2 GB, extra file sorts, together with video (FLAC, AVI, MP4, MKV, AIFF and AAC), and no queue for a flat $15 payment. Finally, the Plus Pack presents 300 minutes of processing, 2 GB, quick processing, and all the above, for a flat $30 payment. Business options for integrating Lalal into a web site or software can be found for considerably greater charges.
I positively suggest making an attempt out Lalal.ai, if something only for the expertise of it. By investing a whopping $15 or $30, you may drill down deeper.
Lalal has new neural community algorithms provided in beta mode, hinting at simply what this know-how could obtain down the highway because the AI improves over time. If you’re the snooty audio perfectionist reviewer sort (who, me?), then Lalal’s tech could be of average curiosity, however aspiring artists, remixers and people with extra tolerance/persistence than I could discover a new side for his or her work and a few fascinating inventive potentialities.
Sometimes large issues are available small packages. I used to be on the hunt for modestly priced phono phases to sing with my new Rega P3 turntable. My present entry stage separate phono stage is the Schiit […]