Tag Archives: virtual

Making Vinyl Conference Goes Virtual

Making Vinyl VirtualNew York, NY (November 25, 2020)—Making Vinyl conferences have been making waves for the last few years, connecting players throughout the entire vinyl production and retailing chain. The latest edition will move online with Making Vinyl Virtual set to take place December 8-9, presenting a two-day line up of speakers and panels, ranging from top mastering engineers holding forth on the intricacies of their work, to renowned packaging designers, to pressing plant operators.

Among the confirmed speakers are mastering engineers Kevin Gray, Scott Hull, Clint Holley, Adam Gonsalves, JJ Golden, and Greg Reierson, who will trade notes on lacquer supplies and cutting trends. In a related session, cutting newcomer Robyn Raymond will share how she attended her first Making Vinyl in 2017 without knowing anyone and launched her career.

Record Made of Soap Plays a Song for our Times

Pressing plants Independent Record Pressing, Optimal, Furnace, Gotta Groove, Hand Drawn will hold forth on how to maintain quality control and run a lean operation; and hand-in-hand with that, indie labels speaking about vinyl production include Mute, Merge, Epitaph,  Secretly and Coleman.

If you’ve ever wondered how the decisions for what catalog releases get reissued—and how, not to mention on what label—a top choice may be to catch Universal Music VP of A&R Harry Weigner explaining that very process. Along with that, Rhino’s A&R, designer, packaging coordinator, and project manager will dissect the massive LP deluxe boxed set for The Stooges’ Fun House.

On the retail side, Record Store Day co-founder Carrie Colliton will give an update on how the three “Drops” and Black Friday fared; Urban Outfitters and Newbury Comics will discuss vinyl’s growth and special editions; and musician Jeffrey Lewis will share the real-world economics of touring with vinyl vs. CDs.

While speakers and panels are key components of the event, there will also be plenty of opportunities for one-on-one meetings, chat functionality for networking and more. Each day runs from 11 AM – 3 PM, and registration packages start at $95.00.

Making Vinyl • https://makingvinyl.com

Emmy Awards for Sound Winners Announced

72nd annual Emmy AwardsLos Angeles, CA (September 17, 2019)—With the pandemic still in full swing, this year’s 72nd annual Emmy Awards are presenting the Creative Arts Emmy Awards in an unusual fashion: The awards are being announced across five nights of award presentations, which began Monday, September 14 and will end Saturday, September 17. All the sound-related awards were announced across the September 14-16 presentations, so while the Creative Arts ceremonies continue, this year’s winners for the sound categories are as follows:

 

OUTSTANDING SOUND MIXING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Apollo 11 – CNN

ERIC MILANO, Re-Recording Mixer

 

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Apollo 11 – CNN

ERIC MILANO, Sound Design

 

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL

The Oscars – ABC

PAUL SANDWEISS, Production Mixer

TOMMY VICARI, Orchestra Music Mixer

BIFF DAWES, Music Mixer

PABLO MUNGUIA, Pro Tools Mixer

KRISTIAN PEDREGON, Post Audio

PATRICK BALTZELL, House P.A. Mixer

MICHAEL PARKER, Monitor Mixer

CHRISTIAN SCHRADER, Supplemental Audio

JOHN PEREZ, VO Mixer

MARC REPP, Music Mix Engineer

THOMAS PESA, Orchestra Monitor Mixer

 

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR)

AND ANIMATION

The Mandalorian – Chapter 2: The Child – Disney +

SHAWN HOLDEN, Production Mixer

BONNIE WILD, Re-Recording Mixer

CHRIS FOGEL, Scoring Mixer

 

OUTSTANDING SOUND MIXING FOR A LIMITED SERIES OR MOVIE

Watchmen – This Extraordinary Being – HBO

DOUGLAS AXTELL, Production Mixer

JOE DEANGELIS, Re-Recording Mixer

CHRIS CARPENTER, Re-Recording Mixer

 

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

Stranger Things – Chapter Eight: The Battle Of Starcourt – Netflix

CRAIG HENIGHAN, Co-Supervising Sound Editor

WILLIAM FILES, Co-Supervising Sound Editor

RYAN COLE, Sound Editor

KERRY DEAN WILLIAMS, Sound Editor

ANGELO PALAZZO, Sound Editor

KATIE HALLIDAY, Sound Editor

DAVID KLOTZ, Music Editor

STEVE BAINE, Foley Artist

 

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR)

AND ANIMATION

The Mandalorian – Chapter 1: The Mandalorian – Disney+

DAVID ACORD, Co-Supervising Sound Editor/Sound Designer

MATTHEW WOOD, Co-Supervising Sound Editor

BONNIE WILD, Sound Effects Editor

JAMES SPENCER, Dialogue Editor

RICHARD QUINN, ADR Editor

RICHARD GOULD, Foley Editor

STEPHANIE MCNALLY, Music Editor

RYAN RUBIN, Music Editor

RONNI BROWN, Foley Artist

JANA VANCE, Foley Artist

 

The Emmy Awards • https://www.emmys.com

NAMM Show 2021 Replaced by ‘Believe in Music Week’ Online

NAMM Believe In Music WeekCarlsbad, CA (August 10, 2020)—With the Covid-19 pandemic continuing to rage on, NAMM has shifted gears in regard to its annual NAMM Show convention, which was scheduled to take place in January, 20201. The in-person convention will not be held, but instead replaced by “Believe in Music Week,” a week-long online music event kicking off January 18, 2021.

The organization expressly states the event will not be a virtual tradeshow, but rather a panoply of programming and professional education, presented alongside “an interactive marketplace to connect buyers and sellers.” In an announcement for Believe in Music, NAMM emphasized educational offerings aimed at all segments of the MI, pro audio and retail industries that would provide thought leadership, raising the possibility of its trademark NAMM University presentations typically given at the annual trade show. Nonetheless, the organization fully plans to also provide B-to-B opportunities for product announcements, brand initiatives, customer engagement and more.

AES Names October as Audio Engineering Month

“While it remains unsafe for us to gather in person in January, Believe in Music week will use new, intuitive technology to connect us all to harness the incredible energy that happens when we come together,” Joe Lamond, NAMM President and CEO, said in a statement. “Believe in Music week will be a critical step for our industry to help us prepare for the new year and new opportunities.”

While The NAMM Show will not be taking place, many of its tent-pole events, such as the TEC Awards and Top 100 Dealer Awards will be held during Believe in Music Week. Aa always, the 36th TEC Awards will recognize individuals, companies and technical innovations behind the sound of recordings, live performances, films, television, video games and multimedia. Accordingly, the TEC Awards’ annual call for entries remains open through August 31 at www.TECAwards.org.

The event will be accessible at https://believeinmusic.tv, and NAMM plans to announce more details of events, receptions and other activities in the weeks and months ahead.

NAMM • www.namm.org

AES Virtual Education Mini-Conference Set for Thursday

AES Education Virtual Mini-Conference
AES Education Virtual Mini-Conference

New York, NY (July 21, 2020)—While the Audio Engineering Society’s Audio Education Conference has been postponed until next summer, a new, free virtual Education Mini-Conference will be held Thursday, July 23, offering numerous events and presentations about the pedagogy and delivery of audio and music technology.

Taking place 11am-2:30pm ET, the Education Mini-Conference is free to all current members of the AES; non-members may pay $125 to both join the AES and register for the conference.

AES Names October as Audio Engineering Month

Among the mini-conference’s offerings are:

  • Preview of the 2021 AES Conference on Audio Education at Middle Tennessee State University and Belmont University in Nashville. (Bill Crabtree & Michael Fleming, Conference Chairs) (15 minutes)
  • Workshop on How to Write and Submit a Peer Reviewed Academic Paper (Brecht De Man, Vice Chair of the AES Education Committee) (10 minutes)
  • Presentation of an example accepted paper by Braxton Boren, American University. Teaching Acoustics to Audio Student: A Middle Path. (15 minutes)
  • Presentation of an example paper by Daniel Fox, Tufts University. Achieving Educational and Program Outcomes through Instrument & Equipment Maintenance. (15 minutes)
  • Presentation of an exciting learning activity for audio students at any level: Professor Alex Case’s Chamber Reverb Challenge (20 minutes)
  • AES Educational Activities in Latin America with Cesar Lamschtein, AES Vice President for Latin America (20 minutes)
  • Professor Allan Tucker reveals The MusicAlebrije Collaborative Education Model at Tecnologico de Monterrey in Mexico. (12 minutes)
  • Co-Curricular Resources for teaching Acoustic Science, Dr. Magdalena Piotrowska (AES Education Committee, Co-Chair) (15 minutes)
  • Exploring Immersive and Surround Formats in Audio Education with Professor Scott Metcalfe, Peabody Conservatory of Johns Hopkins University)
  • An examination of machine learning and new technology with We Are The Robots: Accepting and Embracing Virtual Assistance in Audio Production (Brecht De Man, Vice Chair of the AES Education Committee) (15 minutes)
  • Documenting Resources for Teaching During the Covid 19 Pandemicwith Professor Christoph Thompson of Ball State University (10 minutes)
  • High School Audio with Professor Gabe Herman (Vice Chair, AES Education Committee) (25 minutes)
  • Mike Lawson (Executive Director of Technology Institute for Music Education) Ti:ME’s 25 years of Integrating Technology into Music Education. (30 minutes)
  • Keynote Presentation: Preparing Students for Lifelong Success in the Audio Industry with Dr. Agnieszka Roginska (AES President, New York University) (30 minutes)

AES • www.aes.org

AES Names October as Audio Engineering Month

(l-r): AES Show Fall 2020 Convention Co-Chairs Paul “Willie Green” Womack, Valerie Tyler and Jonathan Wyner
(l-r): AES Show Fall 2020 Convention Co-Chairs Paul “Willie Green” Womack, Valerie Tyler and Jonathan Wyner

New York, NY (July 13, 2020)—The Audio Engineering Society has declared October “Audio Engineering Month” as it expands its traditional Fall Convention Technical Program and exhibition Showcase into the virtual realm. The AES will host four weeks of audio presentations and activities online, running from Tuesday, October 6 through Friday, October 30.

The AES Show Fall 2020 Professional Audio Convention will offer full Technical Program access featuring live and on-demand content, student and career activities, engagement with peers and audio luminaries, the audio hardware and software product showcase and special events throughout the month.

“Expanding the Convention offerings across a full month answers one of the biggest questions raised by Convention attendees in the past when faced with hundreds of compelling sessions packed into just four days: ‘How do I choose?’,” says AES Show Fall 2020 co-chair Jonathan Wyner. “Applying lessons learned from AES’s first online Convention experience with the highly successful AES Virtual Vienna, we are extending the timeline to provide our ‘attendees’ the opportunity to dive deeper into the program and explore new topics. Plus, we have some exciting and innovative new programming. A virtual event allows us to take attendees places they have never been. It also means that you will be able to see and hear presenters up close and personal as never before. All attendees will have the best seat in the house!”

AES Show Logo“With all the online content, the Convention can now be experienced by anyone in the world that has an internet connection,” adds Convention co-chair Valerie Tyler. “Combined with lowered registration fees, and without the necessity of travel costs and logistics, the 2020 AES Show will be the most accessible ever.”

The third Convention co-chair, Paul “Willie Green” Womack, takes that point further: “It’s our goal, and my personal passion, to encourage diversity in our attendees. New voices and topics during the last several AES Conventions have broadened our attendee base. Now, we’re taking the Convention directly to everyone everywhere. That can only build on our progress – there’s infinite room under the umbrella.”

The first two weeks of Audio Engineering Month will feature interviews, webinars on timely topics and an online AoIP Summit. Week three will be Student Week along with the exhibition Showcase. Week Four will bring the balance of the traditional AES Convention Tech Program – Workshops, Papers, Engineering Briefs, Keynotes and other Special Events.

Several new features of this year’s AES Convention have been designed and reworked for maximum impact for our virtual multimedia presentation formats, combining live and on-demand sessions and real-time Q&A sessions with presenters. Other new features will include a AES Show Product Launch  and virtual Tech Tours, visiting legendary studios across the globe

Early Bird rates are $99 for AES Members and $224 for non-members – the latter including one year of AES membership.

Audio Engineering Society • www.aes.org

Registration • www.AESShow.com

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