Santa Monica, CA (March 10, 2023)—The Recording Academy Producers & Engineers Wing has archived and is making accessible six webinar episodes, titled “Inside the Mix,” that it co-presented with Dolby as a particular engagement of the Dolby Atmos Music Master Class sequence.
Each featured completely different consultants from Dolby protecting the whole lot from room configurations and tuning to metadata for immersive audio, together with a stay Q&A with producers and engineers working with Dolby Atmos immersive audio. The webinars had been launched by Maureen Droney, vp of the Recording Academy Producers & Engineers Wing, and Christine Thomas, Dolby Laboratories head of music partnerships, and moderated by four-time Grammy Award-winning engineer Michael Romanowski.
The episodes are offered by Dolby Atmos knowledgeable Ceri Thomas; Bryan Pennington, senior purposes supervisor at Dolby; David Gould, Dolby’s senior director, content material creation options, and John Scanlon, senior supervisor of Dolby Institute and occasions; and Mike Ward, Dolby director of client leisure expertise and Romanowski.
P&E Wing Shares Immersive Audio Panel
Topics embrace deliverables; room configurations and tuning; pointers, instruments and mixing workflow; a deep dive into the technical capabilities of Dolby Atmos Music codecs; metadata; and an outline of certification choices, skilled assist boards and data bases, and different sources.
Maureen Droney remarks, “As a part of the P&E Wing’s ongoing dedication to offering the trade with essentially the most wanted info, we’re happy to current these periods recorded with consultants from Dolby. These periods had been informative, well timed and entertaining as nicely, and we invite all audio professionals to observe them for yourselves and get the within scoop. We thank all of our company from Dolby for his or her incisive commentary, and we look ahead to additional periods protecting extra subjects of significance sooner or later.”
Also a part of the “Inside the Mix” sequence, a separate earlier session, “Prelude: Immersive Audio 101,” provided an immersive audio primer. The session featured panelists Jimmy Douglass (producer and engineer: Justin Timberlake, Missy Elliott, Jay-Z); Leslie Ann Jones (recording engineer, director of music recording and scoring/Skywalker Sound, and present co-chair of the P&E Wing); Mike Piacentini (mastering engineer: Bob Dylan, Coheed and Cambria, Miles Ahead – A Miles Davis Biopic); and Darcy Proper (mastering engineer: Billie Holiday, Steely Dan, the Eagles).The panel was joined by moderator Brian (BT) Gibbs (producer and immersive combine engineer, Skyline Entertainment & Publishing) and Droney.
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