Drummer Al Foster has performed with many jazz greats, together with Miles Davis, McCoy Tyner, and Joe Henderson. For his second launch on the Smoke Sessions label, Foster teamed up with saxophonist Chris Potter, trumpeter Nicholas Payton, pianist Kevin Hays, and bassist Vincente Archer, all with spectacular credentials and a expertise for swinging. That studio session produced 11 alternatives, six by band members and the remaining by musicians Foster has performed with or admired all through his seven-decade profession. Two of Foster’s unique compositions, together with the opener (“T.S. Monk”) and the nearer (“Monk’s Bossa”), are tributes to Thelonious Monk. Potter contributes the stunning ballad “Open Roads,” Payton’s “Six” throws a little bit funk into the combo, and Hayes’ “Beat” is a medium swinger primarily based on Sam Rivers’ “Beatrice.” A few my favourite jazz classics, Joe Henderson’s “Punjab” and Miles Davis’ “Half Nelson,” are given tremendous therapies right here. The album was recorded every week after Foster’s 79th birthday, and all of the youthful guys confirmed their respect by bringing their A-game. Kudos to Smoke Sessions for as soon as once more bringing some heavy hitters collectively to file some well-crafted compositions with panache.

The put up Al Foster: Reflections appeared first on The Absolute Sound.

Drummer Al Foster has performed with many jazz greats, together with Miles Davis, McCoy Tyner, and Joe Henderson. For his second launch on the Smoke Sessions label, Foster teamed up with saxophonist Chris Potter, trumpeter Nicholas Payton, pianist Kevin Hays, and bassist Vincente Archer, all with spectacular credentials and a expertise for swinging. That studio session produced 11 picks, six by band members and the remaining by musicians Foster has performed with or admired all through his seven-decade profession. Two of Foster’s unique compositions, together with the opener (“T.S. Monk”) and the nearer (“Monk’s Bossa”), are tributes to Thelonious Monk. Potter contributes the stunning ballad “Open Roads,” Payton’s “Six” throws slightly funk into the combo, and Hayes’ “Beat” is a medium swinger based mostly on Sam Rivers’ “Beatrice.” A few my favourite jazz classics, Joe Henderson’s “Punjab” and Miles Davis’ “Half Nelson,” are given high-quality therapies right here. The album was recorded per week after Foster’s 79th birthday, and all of the youthful guys confirmed their respect by bringing their A-game. Kudos to Smoke Sessions for as soon as once more bringing some heavy hitters collectively to report some well-crafted compositions with panache.

The publish Al Foster: Reflections appeared first on The Absolute Sound.