There has been quite a bit of discussion, lately, in this publication and other forums, about the current direction of the music industry. One of the hot topics is how popular music is recorded and produced. Many argue that the use of software, like ProTools, to snap everything to a grid and correct any “flaws” is robbing the music of its soul. Many times the result is music that, while initially appealing, quickly loses the interest of the listener. It is soulless music.