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dCS Dances with Trusted Friends in Munich

There was a “the one solution to respect this guide is to ditch its cowl” discovery available within the dCS room, however it required studying between the traces. For me, the system was akin to revisiting shut and trusted pals: the very good dCS Vivaldi Apex digital playback system ($91,500 with out the transport), which has graced the duvet of Stereophile and, in my educated opinion, deserves a Product of the Year award; the Wilson Audio Alexia V loudspeaker ($69,500/pair base worth), one other cowl story product that continues to bless me with its riches; Dan D’Agostino Master Systems Momentum M400 MxV amplifiers ($79,500/pair), which I reward within the present, June 2023 difficulty; and what I imagine was Nordost Valhalla 2 cabling related to Nordost’s upgraded QBase (QB8) Mark III.


In brief, save for the selection of Nordost Valhalla 2 reasonably than Odin 2 and the absence of a D’Agostino Momentum HD preamp, separate music server, and energy remedy, I used to be listening to a variation of my trusted reference system.




The observe I heard was additionally acquainted: Patricia Barber’s “This Town” from Clique. Bass was wonderful in each dimension and power, albeit with a little bit of booming across the edges. Barber’s piano sounded very good, with correct timbres and overtones. But the breathtaking vary of colours and arrestingly open sound I often expertise from this stellar part configuration was MIA. And there you will have an object lesson concerning the cowl, ie, the ceaselessly intention-defeating acoustics of essentially the most difficult rooms within the MOC Atrium— the rooms whose entrance and rear partitions are principally composed of glass, and whose angled ceiling has a diabolical divider reducing throughout it perhaps 1/3 of the way in which up.

dCS Dances with Trusted Friends in Munich

There was a “the one strategy to admire this e-book is to ditch its cowl” discovery available within the dCS room, however it required studying between the traces. For me, the system was akin to revisiting shut and trusted buddies: the excellent dCS Vivaldi Apex digital playback system ($91,500 with out the transport), which has graced the quilt of Stereophile and, in my educated opinion, deserves a Product of the Year award; the Wilson Audio Alexia V loudspeaker ($69,500/pair base worth), one other cowl story product that continues to bless me with its riches; Dan D’Agostino Master Systems Momentum M400 MxV amplifiers ($79,500/pair), which I reward within the present, June 2023 challenge; and what I consider was Nordost Valhalla 2 cabling related to Nordost’s upgraded QBase (QB8) Mark III.


In brief, save for the selection of Nordost Valhalla 2 slightly than Odin 2 and the absence of a D’Agostino Momentum HD preamp, separate music server, and energy remedy, I used to be listening to a variation of my trusted reference system.




The monitor I heard was additionally acquainted: Patricia Barber’s “This Town” from Clique. Bass was glorious in each measurement and power, albeit with a little bit of booming across the edges. Barber’s piano sounded excellent, with correct timbres and overtones. But the breathtaking vary of colours and arrestingly open sound I normally expertise from this stellar element configuration was MIA. And there you’ve an object lesson concerning the cowl, ie, the steadily intention-defeating acoustics of essentially the most difficult rooms within the MOC Atrium— the rooms whose entrance and rear partitions are principally composed of glass, and whose angled ceiling has a diabolical divider reducing throughout it possibly 1/3 of the best way up.

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