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Peek Inside Phish Bassist Mike Gordon’s Home Studio

First purchased in 2003, the Vermont home of Mike Gordon is up for sale.
First built in 1990, the Vermont home of Phish bassist Mike Gordon is up for sale.

Phish bassist Mike Gordon put his Essex Junction, VT home on the market in late December, 2020, looking to get $895,000 for the 12-acre homestead. First purchased by Gordon in 2003 for $425,000, the 3,400-square-foot, 3-bedroom, 4-bath contemporary-style house, built in 1990, has a finished basement, eat-in kitchen and multiple balconies, but the stunning draw for many will be the gorgeous attic recording studio.

The amply sized live room of the attic recording studio.

Gordon has put the home facility to good use over the years, recording solo albums like The Green Sparrow (2008) and Moss (2010) there, as well as parts of his 2020 collaboration album with Leo Kottke, Noon. Looking through the real estate listing for the house, clearly other rooms have been used for recording as well, including a second-floor bedroom with conspicuous acoustic treatments.

Reclaimed mahogany doors lead to the control room.
Reclaimed mahogany doors lead to the control room.

The two-room studio has radiant heat to keep things quietly warm in cold Vermont, and features an antique painted-tin ceiling, reclaimed cypress walls, stained glass and a curved bank of windows with views of the Green Mountains.

Mike Gordon's control room centers around a circa-2001 Digidesign Control|24 control surface.
The control room centers around a circa-2001 Digidesign Control|24 control surface.

Passing through reclaimed mahogany doors to the control room, visitors are greeted by more stained glass and a variety of recording gear. Centered around a circa-2001 Digidesign Control|24 control surface, the room also sports a good-sized rack of outboard gear, adjacent patch bay and a Grace Design M906 monitor controller to switch between the consumer multimedia speakers and Dynaudio BM6A nearfield monitors on hand.

Peek Inside the Home Studio of Danny Elfman

Finally, there’s sure to be plenty of good vibes that have soaked into those cypress walls from all the years of music-making, and that’s something you can’t put a price tag on.

Peek Inside the Private Studio of The Matrix’s Scott Spock

Scott Spock's home studio
Scott Spock’s home studio

As part of pop production legends The Matrix, Scott Spock (AKA Scott Alspach) has written, composed and produced tons of hits over the years, working with the likes of Jason Mraz, Katy Perry, Britney Spears, Rihanna, Shakira, Avril Lavigne, Liz Phair, Korn, The Mooney Suzuki, Christina Aguilera and numerous others. While those hits have circled the world, many of them first came into this world inside Spock’s private home studio, located appropriately in L.A.’s Studio City neighborhood.

Scott Spock's home studio
Scott Spock's home studio
The private entrance to the studio
The adjacent bedroom/iso booth.
The upstairs living room, well-appointed with a plethora of awards.

Spock bought the ¾ acre property on a cul-de-sac back in 2002 for $1.61 million and recently put the house on the market for $3.95 million. While it sports his custom recording space, it also has five bedrooms, six bathrooms, a four-car garage, a killer kitchen, tiled private pool, spa and more.

Audio pros, however, will want to check out the studio: Located on the lower level, the studio has its own kitchen, bedroom and private patio entrance, making it a self-contained facility. While there’s no word if the hardware comes with the house (we’re guessing no way), let’s eyeball some gear, shall we?

The main workspace is bookended by a sizable pair of PMC IB1S 3-way studio monitors, while off in the credenza, you can spot a Sherman Filterbank; Universal Audio 6176 channel strip; Manley VoxBox; two Empirical Labs Distressors; an API 2500 stereo bus compressor; a pair of API 512C 500 Series mic pres in a rack mount; a Neve 1272 Brent Averill Mic Preamp; and plenty of other goodies.

The adjacent guest room/iso booth is appropriately acoustically treated and wired up so that it can handle numerous mics, including the ones in the photo—a Blue Microphones Bottle in the foreground, and off to the left, a trusty Neumann U 87.

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