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Tag Archives: System T

Getting RodeoHouston Live and On-Air

Setting up the NRG Stadium rodeo ring for lights, cameras and additional loudspeakers. PHOTO: Courtesy of RodeoHouston
Setting up the NRG Stadium rodeo ring for lights, cameras and extra loudspeakers. PHOTO: Courtesy of RodeoHouston

Houston, TX (May 31, 2023)—It has usually been mentioned that all the things is greater in Texas, and the annual Houston Livestock Show and Rodeo is right here to show it. Held over three weeks starting in late February, the occasion attracts properly over 2 million guests yearly and presents a rodeo competitors purse of greater than $2 million, the most important on the championship circuit. Oh, yeah, and the nightly concert events can draw greater than 70,000 music followers.

RodeoHouston is a Professional Rodeo Cowboys Association cash occasion, which implies that the prize cash—the measure by which opponents are ranked—counts towards eligibility to compete within the National Finals Rodeo. To attain rodeo followers past Houston’s NRG Stadium, the place saddle bronc using, steer wrestling, tie-down roping and different occasions are held, the Cowboy Channel, regional sports activities community Bally Sports Southwest and TeleXitos Houston, a sister station to Telemundo Houston, broadcast the 2 hours of competitors dwell nightly.

“We have to be the very best rodeo broadcast there may be—and I feel we’re,” says James Davidson, Managing Director, Broadcast and Audio Visual, a 25-year veteran with the HLSR.

To obtain that purpose, Davidson says, he brings in folks reminiscent of Jason Martin of Jason Martin Audio, a supplier of A1 broadcast distant audio companies and a boutique RF gear rental home. As an skilled sports activities broadcast A1, Martin “brings to us the newest broadcast strategies, little tips and new gimmicks that maintain the viewers engaged,” Davidson says. “I’ve received the equal of Jason on the manufacturing aspect, sports activities producers who weave a narrative in order that even in case you’re not a rodeo fan, you may maintain observe of what’s taking place. That’s how I maintain our present and our manufacturing strategies present with the remainder of sports activities manufacturing.”

Those strategies are supported by the newest know-how, which this yr included the set up of an 80-fader SSL System T S500 mixing console within the broadcast manufacturing management room close to the stadium. Last yr, HLSR added a 48-fader model of the desk in a music management room the place Malcolm Harper, proprietor and operator of Reelsound Recording, combined the concert events nightly—as he has for almost 30 years— for distribution across the 350-acre NRG Park and to a multitrack recording system.

Audio A1 Jason Martin, of Jason Martin Audio, mixes the broadcast at an 80-fader SSL System T S500 console in the broadcast production control room.
Audio A1 Jason Martin, of Jason Martin Audio, mixes the published at an 80-fader SSL System T S500 console within the broadcast manufacturing management room.

“You give a man like that the fitting instruments to make use of and the outcomes are going to be nice,” Davidson says. “We had a very good expertise with Malcolm’s desk and thought we must always return and do the subsequent room with the identical system.” Both techniques have been built-in by Bill McKee and his crew at Houston-based Broadcast Technical Services.

This yr’s occasion was Martin’s first expertise with the System T. “It was difficult in that it’s a Dante-integrated desk and there was rather a lot to wrap my head round,” says the A1, who has combined the RodeoHouston broadcast for greater than 25 years. “But it was a really comprehensible workflow.”

Back when the pandemic first impacted dwell occasions, Martin started collaborating on the present with one other A1, Terry Sanders, with whom he additionally works on NBA, MLB and different main sports activities broadcasts. “He was invaluable in serving to make selections, how we have been going to do issues and closing compression, EQ and dynamics settings,” Martin says.

THE AUDIO BACKBONE

The newly put in SSL console platform helps 420 paths, into which Marin launched about 215 inputs, over two dozen greater than the earlier desk within the room might deal with. In configuring the System T for 10 stereo teams and a few mono announce teams, he says, “We created two mono packages, 4 stereo packages and a 5.1 program.”

Davidson and his crew applied a big fiber optic community when the primary System T was put in, linking I/O on the stage and within the announce cubicles and patch room within the stadium with the constructing housing the published and music combine rooms. “We at all times knew that Dante was an inevitability. We simply didn’t know we’d be doing it in an enormous method this quickly,” he says. “When we began designing a sign circulation to accommodate the brand new System T, we ended up with this huge community—and also you higher have redundancy in-built, so we constructed two parallel networks.”

At the SSL console, Martin and Sanders have been within the eye of the storm, pulling in sources reminiscent of announce, crowd and results microphones from the stadium and across the complicated over the community, together with mic sources from LD Systems, the Houston-based AVL supplier, within the rodeo ring. “There are fairly a number of issues going , relying on the necessities of the present,” Martin confirms. “Oftentimes, whereas the live performance’s occurring, I’m additionally doing a submix of one other wrap-up present.”

Riding the Mix at RodeoHouston

For the primary time, the A1s additionally managed the IFBs and manufacturing comms by way of Dante interface playing cards within the desk. “That was most likely one of many more difficult facets of the present,” Martin reveals. “I’ll say this—in Dante Controller, while you label the transmits and receives, it mechanically reveals up on the labeling on the desk. There was nonetheless numerous paperwork to be completed, however that helped rather a lot.”

Dante-enabled Glensound announcer packing containers, one other first this yr, have been additionally managed by means of the desk, together with routing the talkback circuits in order that announcers might speak to one another. “Being in a position to distant management all entry of the packing containers by way of GUI was a pleasure,” Martin provides. “Not solely do they deal with the audio properly, however the headphone drivers on the different finish sounded actually good, too.”

Martin’s greatest problem was that the announcers and the results are additionally within the P.A. “My announcers are usually not within the P.A. for many of the work I do,” he explains, “so we’re doing all the things we are able to to take the P.A. out of the combination. We use a mix of de-essers and enhancers; we play with a Rupert Neve enhancer on a few of the RF microphones on the grime or on the sector announcers.”

MIKING THE RODEO RING

Martin used numerous mono and stereo shotgun mics and RF gear, equipped by means of his personal firm, from Audio-Technica, Lectrosonics, Sennheiser and Shure, based on the applying. Like any massive metropolis, Houston has a dense RF atmosphere. “We moved all of our announcers’ wi-fi microphones to the 941 band, which allowed us to don’t have any worries about interference,” he studies.

Mix engineer Malcolm Harper, of Reelsound Recording, mixed the nightly music performances on a 48-fader SSL System T S500 console.
Mix engineer Malcolm Harper, of Reelsound Recording, combined the nightly music performances on a 48-fader SSL System T S500 console.

He paired a mono Sennheiser MKH 60 shotgun, in an RF configuration for mobility, and a stereo Audio-Technica BP 4029 digicam mic on the chutes, the place the riders put together to be launched into the ring. “We discovered that stereo shotguns on the hand held cameras, particularly within the bull using and horse occasions, have been nice,” he says. “You have folks speaking to the athlete on the opposite aspect of the digicam, so it actually enhances the stereo picture.”

Eight auto-mixed dynamic mics have been positioned low to the bottom on the chutes, he continues: “You hear the animals bellowing or kicking. I’ll maintain these mics open to offer a generic enviornment sound, they’re so unidirectional. They’re gated, so I’m not getting the P.A.; I’m getting extra pronounced sounds.”

In truth, he continues, “There are 10 or 14 mics I’m in a position to go away open with out getting numerous P.A. leakage. It’s usually just some microphones at a time the place I’m challenged with leakage. Unfortunately, that features the group mics. I are likely to dip the group actual low once I’m into extra intimate moments. The opponents speak actually low and so they’re stoic, and so they’ll go from nearly whispering to slapping themselves.

“There have been a few events the place the bulls have been bellowing and making numerous noise. One cowboy turned to his companion and mentioned, ‘Thanks for the directions,’ simply clear as day. He was joking. That was actually a key second. There was some neat audio this yr.”

Mix Nashville: SSL and ATC to Team Up at Starstruck Studios

Mix Nashville: SSL and ATC to Team Up at Starstruck

Nashville, TN (May 8, 2023)—Solid State Logic was the primary sponsor to enroll in the upcoming  Mix Nashville: Immersive Music Production occasion, adopted quickly after by monitor producer ATC. The in-person occasion, happening in Music Row on Saturday, May 20, is bringing collectively leaders within the area, from prime mixers and engineers to the cutting-edge corporations creating the audio gear bringing spatial audio to life. But there’s different causes, too, why SSL is part of Mix Nashville.

REGISTER TODAY!

SSL has an extended affiliation with Starstruck Studios, relationship again to the ability’s opening within the early Nineteen Nineties, and Phil Wagner, the pinnacle of SSL within the U.S., was one of many early supporters of immersive audio, relationship again to 2013 when the format first appeared in high-end post-production.

On Saturday, May 20, SSL and ATC will host listening periods and casual immersive music mixing tutorials on the all-day occasion, main attendees by Starstruck’s new 7.1.4 Dolby Atmos combine room that facilities round an SSL System T S500 console and ATC monitoring system that features (3) ATC SCM110 for the left-center-right, (4) SCM45i for the surrounds, (4) ATC SCM25i for the heights, and (2) SCM0.1/15sl for LFE.

“When Starstruck opened, it was instantly one of many prime studios within the nation, and I can keep in mind when Don Wersheba offered them the 2 9000 J Series boards for the Pond and the Gallery,” Wagner says. “They’re nonetheless there, and so they’re working superb. So it solely made sense that when Starstruck needed to construct a world-class immersive music studio, they might come again to SSL. It’s an amazing relationship we’ve developed.”

Mix Nashville: Immersive Music Production is produced along side Host Partners Curb Studios, Belmont University and Blackbird Studio. During the day, Host Partner Curb Studios, together with Black River Entertainment, Columbia Studio A and Starstruck Studios, will characteristic a sequence of professional panels, mission profiles, know-how exhibitions and demonstrations, interviews with prime engineers and producers, immersive listening periods, and far more. At night time, the occasion strikes to the close by Berry Hill neighborhood for a celebration at Blackbird Studio, along side a Studio Crawl that includes immersive music Listening Sessions at numerous close by studios, together with Imogen Sound, Sputnik Sound, Addiction Sound Studios, Westlake Pro and the ADAM Audio showroom.

Full programming and exhibition particulars proceed to be introduced, so go to the occasion web site for probably the most up-to-date info.

Mix Nashville: SSL and ATC to Team Up at Starstruck Studios

Mix Nashville: SSL and ATC to Team Up at Starstruck

Nashville, TN (May 8, 2023)—Solid State Logic was the primary sponsor to enroll in the upcoming  Mix Nashville: Immersive Music Production occasion, adopted quickly after by monitor producer ATC. The in-person occasion, happening in Music Row on Saturday, May 20, is bringing collectively leaders within the discipline, from high mixers and engineers to the cutting-edge firms creating the audio gear bringing spatial audio to life. But there’s different causes, too, why SSL is part of Mix Nashville.

REGISTER TODAY!

SSL has an extended affiliation with Starstruck Studios, courting again to the ability’s opening within the early Nineteen Nineties, and Phil Wagner, the top of SSL within the U.S., was one of many early supporters of immersive audio, courting again to 2013 when the format first appeared in high-end post-production.

On Saturday, May 20, SSL and ATC will host listening classes and casual immersive music mixing tutorials on the all-day occasion, main attendees by Starstruck’s new 7.1.4 Dolby Atmos combine room that facilities round an SSL System T S500 console and ATC monitoring system that features (3) ATC SCM110 for the left-center-right, (4) SCM45i for the surrounds, (4) ATC SCM25i for the heights, and (2) SCM0.1/15sl for LFE.

“When Starstruck opened, it was instantly one of many high studios within the nation, and I can keep in mind when Don Wersheba offered them the 2 9000 J Series boards for the Pond and the Gallery,” Wagner says. “They’re nonetheless there, they usually’re working high quality. So it solely made sense that when Starstruck needed to construct a world-class immersive music studio, they’d come again to SSL. It’s an awesome relationship we’ve developed.”

Mix Nashville: Immersive Music Production is produced along side Host Partners Curb Studios, Belmont University and Blackbird Studio. During the day, Host Partner Curb Studios, together with Black River Entertainment, Columbia Studio A and Starstruck Studios, will function a sequence of skilled panels, venture profiles, expertise exhibitions and demonstrations, interviews with high engineers and producers, immersive listening classes, and way more. At night time, the occasion strikes to the close by Berry Hill neighborhood for a celebration at Blackbird Studio, along side a Studio Crawl that includes immersive music Listening Sessions at quite a lot of close by studios, together with Imogen Sound, Sputnik Sound, Addiction Sound Studios, Westlake Pro and the ADAM Audio showroom.

Full programming and exhibition particulars proceed to be introduced, so go to the occasion web site for probably the most up-to-date info.

Solid State Logic System T for Music Debuts

Solid State Logic System T for Music
Solid State Logic System T for Music

Oxford, UK (April 4, 2023)—Solid State Logic’s System T manufacturing system has been dealing with immersive audio workflows in submit homes for years, so maybe it was inevitable that SSL would tweak it to handle music and immersive music manufacturing—after which debut the consequence, System T for Music.

System T provides each channel and object-based workflows for immersive music manufacturing, supporting varied immersive audio codecs together with Dolby Atmos Music, particularly with 7.1.2 beds. Individual channel and bus codecs are configurable as much as 7.1.4. 3D panning, with each XYZ and rotational Theta pan modes is offered, whereas built-in object management is offered for DAW-hosted panner plug-ins, together with the Dolby Atmos Music Panner.

Onboard are the SSL bus compressor in 7.1.2 format, multiband compressors, dynamic EQs, tape echo, modulation instruments, reverbs, VHD saturation, transient shaper and extra. Compressor and gate hyperlink buses enable grouped processing throughout discrete object paths , whereas devoted LFE-only bus routing simplifies object sign circulation to the LFE bus.

System T’s monitor part supplies as much as 9.1.6 management room monitoring, with assist for added speaker units permitting reference comparability. A pair of 24-way exterior supply selectors and two monitoring insert factors present supply choice, together with monitoring from the Dolby Atmos Renderer. An in-built binaural encoder can present an immersive illustration when monitoring on headphones.

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The flagship S500 large-format modular console will be specified with a customized mixture of 16 to 384 premium faders, responsive multi-gesture touchscreens and a grasp part. The S300 provides a mid-size, mounted body console in 16, 32 and 48 fader configurations. Dedicated fader tiles will be mixed with touchscreens for smaller manufacturing suites.  The S500 console options the power to change the inbuilt touchscreen show from the console view to a DAW display screen, renderer or some other exterior display screen connection.

System T’s Tempest Engines present actual time digital audio processing throughout as much as 800 audio channels with full SSL dynamics, EQ and 3D panning, plus an Effects Rack. The Tempest Engine’s structure permits engineers to start out with a clean canvas and configure channels, buses, sends and inserts as wanted, in addition to permitting them to be modified in a while. Patching and routing will be managed instantly from the console software program. Everything can then be saved as a totally recallable setup, or template for future classes.

System T’s digital audio dealing with is constructed round 64-bit floating level processing and makes use of the corporate’s patented ‘SolidClock’ know-how to scale back jitter. Also onboard is superior Dante and AoIP integration, permitting 1000’s of I/O to be routed, saved, and recalled immediately from the console floor.

The System T for Music will debut within the SSL sales space on the NAB Show.

House of Glass Tackles 100-Album Project

House of Glass Studio in Tuscany recently installed a new Solid State Logic Duality console with a new System T.
House of Glass Studio in Tuscany recently installed a new Solid State Logic Duality console with a new System T.

Tuscany, Italy (November 12, 2020)—Italian producer/remixer Gianni Bini, owner of Viareggio-based recording studio House of Glass in Tuscany and one of the prime movers behind the Ocean Trax record label, has replaced a 10-year-old Solid State Logic Duality with a new System T.

The original House of Glass was destroyed in the tragic Viareggio railway disaster in 2009 and, as part of the rebuilding process, Bini decided to place a SSL Duality console at the new studio’s heart. A decade on, it became time to replace it and he found himself on the verge of signing a deal for a different brand.

“I really wanted to stay analogue and I was about sign the deal for a new analogue console when two things happened,” he says. “The first thing is that at the end of last year, I signed a huge contract for 100 albums to be produced in the next five years. And the only way to produce 100 albums in five years, is to record it live. I needed something that was going to be able to do that and manage the throughput.

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“The second thing was that I heard System T,” he continues. “This console is closer to the SSL 4000 than the Duality is. I don’t know what they did, because this is a computer, but they did it. I wanted some input from people that I trust—and I expected them to come in and say, ‘No, no no, digital is no good, don’t buy it’—but they came in, listened to it, and they said, ‘Wow, this is fantastic, the sound is brilliant.’ The word they used was ‘stellar.’”

The new installation at the House of Glass consists of a 64-channel SSL System T S500 surface, Tempest Engines and Network I/O AoIP stage boxes, featuring SSL’s SuperAnalogue mic pre technology.

Bini has found that the System T has come in handy has he tackles the mammoth 100-album project. “I did 10 albums in two and a half months because the console let me do it,” he says. “I do a set up and I can save it, and when the next band comes, if I use the same mics, then it’s already saved. The gains are already done, the workflow is already done…it’s very quick.”

Solid State Logic: www.solidstatelogic.com

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