Herbie Hancock: Crossings

Welcome to the fusion funhouse. Fans of Bitches Brew-era Miles Davis will recognize this classic blast of funk and fusion from jazz grasp Herbie Hancock. The second installment in a trilogy that included 1971’s Mwandishi and 1973’s Sextant, this 1972 recording grew out of Hancock’s function in some landmark fusion albums by Miles. It’s an amalgam of experimental electronics, synths, jazz, funk, and natural African-style percussion. Hancock enlisted an all-star band of Patrick Gleeson (synthesizers), Julian Priester (trombone), Bernie Maupin (sax), Eddie Henderson (trumpet), Buster Williams (bass), and Billy Hart (drums). This audiophile-quality all-analog LP was lower from the unique grasp tapes by Kevin Gray at Cohearent Audio and pressed at Optimal Media on 180-gram vinyl. The file consists of three lengthy tracks: the drum-heavy five-part suite “Sleeping Giant” occupies Side A; the flip aspect options “Quasar” and the sublimely trippy “Water Torture.” The music is unusual, exhilarating, and sometimes stunning. The sound ranges from earthy and natural to digital and house age. This was a vibrant interval wherein Hancock explored the outer reaches of jazz. Curious listeners will likely be rewarded with certainly one of his most neglected, however most adventurous, sonic sojourns.

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May 28, 2024 at 06:47PM