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Tag Archives: Fuzz

Steve Albini Gets Fuzz on Tape at United

Pictured in United Recordings Studio B are (l-r) recording engineer Steve Albini explaining an obscure analog recording technique to Chad Ubovich, United staff engineer Scott Moore, Charles Moothart and Ty Segall. Photo by David Goggin.
Pictured in United Recordings Studio B are (l-r) recording engineer Steve Albini explaining an obscure analog recording technique to Chad Ubovich, United staff engineer Scott Moore, Charles Moothart and Ty Segall. David Goggin.

Hollywood, CA (October 5, 2020)—Los Angeles-based raw power trio Fuzz have announced III, their first album in five years, which was recorded on 24-track 2-inch analog tape and mixed at United Recording with renowned engineer Steve Albini shortly before the Safer at Home order was issued.

Keeping the focus on the live sounds of the band, comprising Ty Segall (drums, vocals), Charles Moothart (guitar, vocals) and Chad Ubovich (bass, vocals), the use of overdubs and studio enhancement were kept to a minimum.

“We’ve recorded with Steve a few times over the years with Ty’s band,” recalls Moothart. “We recorded with him at his Electrical Audio studio in Chicago for the first time a few years ago, and then again the following year. Steve also engineered a session at Ty’s home studio in between those two sessions, and then we had him fly out to engineer a live record for Ty’s Freedom Band at the beginning of 2018. So over the years, we have gotten really comfortable working together.”

World Champ Tracks at United Recording

Steve Albini has recorded more than 1,500 albums, including LPs by Nirvana, Pixies, PJ Harvey, Cheap Trick, Veruca Salt, Robert Plant and Jimmy Page. Since the early 1990s, Albini has been best known as a record producer; however, he dislikes the term and prefers to receive no credit on album sleeves or notes. When credited, he prefers the term “recording engineer.”

Albini has stated that putting producers in charge of recording sessions often destroys records, while the role of the recording engineer is to solve problems in capturing the sound of the musicians, not to threaten the artists’ control over their work.

Moothart says, “Ty had done a mixing session at United Recording, so that is where the idea of recording at United with Steve came from. We wanted to record in L.A. to stay close to home; we wanted to be able to go in and get live takes and not stress too much on mixing, and we wanted it to be fun. All signs pointed to working with Steve at United.”

United Recording • www.unitedrecordingstudios.com

Radar Stays True to Analog with Neve Genesys

Radar Sounds in London, one of the few remaining studios in the UK to offer analog tape recording facilities, has installed a Neve Genesys G32 console
Radar Sounds in London, one of the few remaining studios in the UK to offer analog tape recording facilities, has installed a Neve Genesys G32 console.

London, UK (July 10, 2020) — Radar Sounds in London, one of the few remaining studios in the UK to offer analog tape recording facilities, has installed a Neve Genesys G32 console, replacing an aging Amek Angela.

Radar Sounds was established eight years ago when studio owner “Fuzz” Barthram-Keet took over the facility, which was formerly used by record label 4AD. Located on Platts Eyot, a small island in the River Thames (close to Hampton Court), Radar Sound Services places a strong emphasis on live recording and making the most use of the analog facilities to capture the best sound.

AMS Neve Launches Neve 8424 Console

“The Angela’s reliability had become a problem because it was so old, and we also needed something that offered proper automation and recall for mixdown,” explains Fuzz. “I already own a pair of Neve 1073DPA mic pre-amps and I know just how much I love the sound of them, so a Neve console was top of my shopping list. The desk’s fabulous analog design and Neve preamp circuitry allows us to keep the mix analog from start to finish without sacrificing modern features such as hands-on DAW control and connectivity.”

As well as tracking, Fuzz also offers mixing and mastering services and describes the business as a one-stop shop for musicians, media companies and voice-over artists. Clients have come from many different countries and genres and include Slobheads, Young Romance, Archie Bronson Outfit, Ariel Pink, Atlas Sound/Deerhunter, Hard Fi producer Wolsey White, Serafina Steer and Younghusband.

“I’ve always been interested in capturing the true essence and vibe of a band and I do feel live recording to 24-track analog tape enables you to do that better. But obviously, as a commercial business, we cater for all types of projects and are equally at home with digital, which we record using our *IZ ADA system.”

AMS Neve • www.ams-neve.com

 

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