fbpx

Tag Archives: raving

Printworks bids farewell

Printworks has held an important house in London’s panorama over the previous six years, welcoming 1000’s of artists and over 1,000,000 visitors by its doorways, while offering a house for development, tradition, group and extra. Printworks’ Closing Weekend was a celebration of those monumental years, internet hosting 4 occasions that embodied the venue’s historical past with big particular visitor appearances from BICEP and Andy C, and appearances from 75+ extra artists, DJs, stay acts and extra.

At the ultimate Monday 1st closing present simply earlier than BICEP’s emotional closing set, the Printworks group stunned visitors by saying their intention to return to the Press Halls in three years, answering the query on everybody’s thoughts as the ultimate season for now drew to a detailed.  

A various and progressive bookings coverage has allowed Printworks to remain on the forefront of tradition since 2017, and these closing 4 events embodied that. Reflecting the sonic journey that has been Printworks, a mixture of worldwide heavyweights, next-gen names, and native legends had been on board. Bicep, Peggy Gou, Camelphat, Andy C, Mind Against, Adriatique, DJ Koze, Elijah & Skilliam, Carlita, Black Coffee, Mixstress, Ell Murphy, Shy One, Jeremiah Asiamah, Bambii, Jaguar, Ceri, Nick Castle and many extra performed throughout the weekend. Bespoke manufacturing for the closing weekend was additionally taken to a different degree by S E T U P, who merged the boundaries of multimedia artwork, lighting and stage design for an other-worldly expertise for these in attendance.

Printworks’ legacy stretches far past the bodily house, altering the way in which the capital celebrates music and tradition. Six years in the past, when adversity noticed essential venues closing their doorways, the Broadwick Live group took on the mighty problem to open one of many largest scale cultural venues that London has seen. Incorporating a daytime mannequin they developed a brand new model of occasions, with communities in a position to come collectively in a approach like by no means earlier than. Broadwick Live has been dedicated to creating alternatives at a neighborhood scale, benefiting the communities that stay and work round Printworks, offering employment, native challenge assist and tickets to residents within the native space, with over a thousand attending the venue prior to now 12 months alone.

A courageous and dynamic hub, Printworks has performed host to sold-out membership exhibits, performances from main orchestras reminiscent of Aurora Orchestra and London Symphony Orchestra, and hosted live shows as a part of BBC Proms. It has additionally hosted vogue exhibits for manufacturers reminiscent of Raf Simmons and been immortalised on movie as a setting for motion pictures together with The Batman. The malleable nature of this industrial house has been a playground for creativity and tradition – permitting for development, experimentation, sharing, and bonds to be shaped that can final far previous the venue’s closing.

A proportion of the Printworks constructing is anticipated to be redeveloped by the homeowners, British Land and AustralianSuper, into The Grand Press workspace. This will retain the constructing’s industrial heritage and kind and embrace an expansive retail, meals and leisure providing. Broadwick Live will proceed to work in shut partnership with British Land and AustralianSuper on a future Printworks that retains the enduring, spectacular Press Halls and authenticity on the coronary heart of the Printworks and positions tradition alongside the Grand Press.

Simeon Aldred, Director of Strategy (Broadwick) says “We are delighted to announce that Printworks hopes to return in three years and that we are going to proceed to work with our companions at British Land to create the long run cultural venue that retains the essence of the enduring Press Halls. Printworks has introduced lasting influence to our scene, to our metropolis, to artists and our area people. The future Printworks venue goals to construct on this, bringing collectively all one of the best in all digital music and visible arts, each in addition to internet hosting among the world’s greatest orchestras, ballet corporations and different artwork types”.

London Night Czar, Amy Lamé mentioned: “London’s world-famous nightlife is the heartbeat of our capital and Printworks has performed a dynamic function bringing collectively tradition, music and leisure and attracting artists and guests from everywhere in the world.  I’m delighted there’s an thrilling future forward for Printworks and I’ll proceed working with all concerned to make sure they thrive.”

Created and curated by Broadwick Live, the Printworks journey has surpassed all expectations. Broadwick’s mission is to protect and reimagine disused industrial areas and provides a brand new life to tasks – creating centres of cultural gravity with a worldwide resonance, and an enduring native influence.  Broadwick has realised this with acclaim and success at Printworks in Canada Water. Starting as an experimental, momentary challenge, Printworks has cemented itself as a number one world tradition vacation spot and model.

As nicely as Printworks, the Broadwick Live group are behind Manchester’s Depot Mayfield, centre for brand new tradition Beams, agency London fave Field Day competition and new waterside venue Dockyards with extra with future venues to be introduced sooner or later.

Established in 2010, Broadwick Live is on a mission to create influence by digital music and digital arts, pushed to create pure but highly effective stay experiences in distinctive areas. Printworks and Broadwick Live wish to take this chance to say thanks to every label, crew, collective, DJ, stay act, artist, producer, employees member and most significantly the visitors who’ve been a part of the journey.

THANK YOU FROM THE PRINTWORKS LONDON + BROADWICK LIVE TEAMS

The publish Printworks bids farewell appeared first on Decoded Magazine.

Studio 338 has introduced particulars of their open air backyard events 

London venue Studio 338 strides into an enormous summer season of tenth anniversary celebrations with a mouthwatering run of unique new events, returning favourites and plenty of surprises. The packed out season consists of a lot anticipated opening events for Release Garden Opening, LoveJuice and La Fiesta within the backyard, Space Ibiza and Release mini-festivals, Sankeys Mid-Summer Rave, plus a heat return for the well-known HOME, Seb Zito’s debut Seven Dials label get together and Zamna brings the spirit of Tulum to London. Tickets for this fastidiously curated mixture of underground occasions can be found now at https://ra.co/golf equipment/74592. . 

Studio 338 has now been on the slicing fringe of London’s nocturnal scene for 10 years. From humble roots it has turn into a globally recognised venue with world famend events each week throughout a singular array of indoor and outside areas. Rather than relaxation on its laurels, the venue has continued to speculate and lift the bar with new acoustic therapies for it legendary, custom-fit VOID acoustics sound system in addition to extra programs, management and installations for the venues spectacular and immersive array of lighting rigs from the well-known octopus to model set up The Grid. All of this will probably be out in full pressure for this run of excellent summer season occasions which give the very best alternatives to bounce from day to nighttime each below the solar and in atmospheric membership rooms.  

This contemporary run kicks off with in-house model Release’s Garden Opening Party. It is an all day and night time affair on Saturday May thirteenth with the very best in home and techno from Nicole Moudaber, Tania Vulcano, Afriqua, Dense & Pika, Radio Slave and a Peace Division Special Guest.

The famously vibrant LoveJuice Garden Party on Sunday May 14th is a tropical celebration in Studio 338’s tropical outside area, the principle Terrace and the Loft. It is a uncommon probability to bounce open air within the capital with themed decor and good time vibes assured from Charlotte Van de Peer, George Mensah and extra. 

The all the time carnival atmospheres of La Fiesta return with a Summer Opening on Saturday twentieth May that begins within the Garden from 3pm then heads to the Terrace and Loft by means of till the early hours with an aesthetic line as much as be confirmed quickly.

Cult underground get together HOME then rolls again into city with its famously innovative soundtrack that includes stars from the world of home and minimal together with Dyed Soundorom, SIT Amphia (aka Cristi Cons B2B Vlad Caia), Spokenn (aka Ferro B2B Reiss), Sepp B2B Nu Zau, Alexia Glensy and Kearun.

Then comes a primary as important London tastemaker and standout selector Seb Zito premiers his ever Seven Dials Records label get together, an All Day and All Night occasion throughout indoor and outside areas. His label has created an entire new style which collides home, techno, storage and jungle into an especially compelling cocktail and will probably be represented by him in addition to Todd Edwards, Special Request, Smokey Bubblin’ B, Oneman, Lukas Wigflex, James View, Flowdan with an MC set, Bluetoof, Andrew Kay and a DJ set from 1-800 Girls. 

The all the time legendary Space Ibiza mini pageant is on July 1st with home titans Roger Sanchez and Todd Terry plus Gerrardo, Mateo Vitale and Andrew Kay, a Sankeys Mid-Summer Rave on eighth July and the an enormous Release Summer Mini-Festival on twenty ninth July with what will probably be a innovative techno lineup.

August twenty seventh then sees the spirit of Tulum land in London because the famend Zamna crew arrives for the primary time within the UK. Expect over 14 hours of the very best digital sounds, unfold throughout outside and indoor phases with a particular sense of environment that can transport you to the warmth of Mexico. 

There is nowhere finer within the nation to expertise digital music indoors, open air by means of day and night time than on the unrivalled Studio 338. Get your tickets for these unmissable events now at https://ra.co/golf equipment/74592

Sankeys Mid-Summer Rave

Sunday thirtieth April

Endor , Prok & Fitch, Anek, Proudly People, Shaf Huse, Mattia Presta 

https://ra.co/occasions/1661570

Release Garden Opening

Saturday thirteenth May

Nicole Moudaber,Dense & Pika, Tania Vulcano and extra

https://ra.co/occasions/1655254

LoveJuice 

Sunday 14th May

Charlotte Van de Peer, George Mensah, Goody

https://ra.co/occasions/1682386

 La Fiesta within the backyard

Saturday twentieth May

https://ra.co/occasions/1684947

HOME

Sunday twenty eighth May

Dyed Soundorom, SIT Amphia (aka Cristi Cons B2B Vlad Caia), Spokenn (aka Ferro B2B Reiss), Sepp B2B Nu Zau, Alexia Glensy and Kearun

https://ra.co/occasions/1615302

Seb Zito’s presents Seven Dials Records

Saturday tenth June

Seb Zito, Bluetoof, Flowdan, James View, Lukas Wigflex, Oneman  

https://ra.co/occasions/1660117

Space Ibiza and Release mini-festivals

Saturday 1st July

Roger Sanchez , Todd Terry, Gerrardo, Mateo Vitale, Andrew Kay

https://ra.co/occasions/1675004

Zamna 

Sunday twenty seventh August

Lineup to be confirmed

https://ra.co/occasions/1677310

The submit Studio 338 has introduced particulars of their open air backyard events  appeared first on Decoded Magazine.

Why is rave favorite Bits and Pieces so cherished in Scotland?

Why is rave favorite Bits and Pieces so cherished in Scotland? This is the untold story of how an underground Dutch dance tune written in 1994 turned the last word Scottish anthem.

Dance banger Bits and Pieces is an unofficial Scottish anthem. Adopted by the Tartan Army because the official objective tune and performed by large names like Calvin Harris and Lewis Capaldi, it’s celebrated by younger and previous alike. But how did a bed room recording written by, Dutch underground act Artemesia, aka producer Patrick Prins, in 1994 turn into such a success in Scotland greater than 25 years on?

GBX Anthems DJ and producer Patrick Prins dive again to the halcyon days of the rave scene and get the entire story of the banger Bits and Pieces.

The put up Why is rave favorite Bits and Pieces so cherished in Scotland? appeared first on Decoded Magazine.

Green Island Festival – Manchester pageant with neighborhood at its core returns 2023

Grassroots pageant Green Island returns to Manchester for its third 12 months, presenting a  three-part collection of day festivals, with line-ups that place underground,  underrepresented, rising artists from throughout the UK and world sounds on the forefront. 

The pageant will span throughout summer season and early autumn, with the primary chapter falling on Saturday 17th June, half two on Saturday 29th July, and the ultimate chapter on  Saturday 9th September. The poster outlines the primary wave of the line-up, with the complete line-up to be revealed in April.  

Accessibility is key to its founders’ imaginative and prescient for the pageant, so a mixed day pageant and afterparty ticket begins at £22.50 per individual, whereas pageant and afterparty-only tickets begin at £12.50 every. Pre-sale for all tickets will go stay on Monday third April and common sale on Wednesday fifth April on Skiddle and Resident Advisor.  

Green Island is an enriching music and cultural escapade for all ages. A pageant stripped again to its most genuine type, with the neighborhood at its core. Manchester’s inventive neighborhood is weaved into each aspect of the pageant, from inserting the best musicians within the metropolis on its phases, to showcasing the unbelievable cuisines of native,  impartial cooks, and partnering with an array of native organisations to curate distinctive experiences for festival-goers.  

The 500-capacity pageant will see Hulme Community Garden Centre’s flora paradise reworked into an arts mecca, housing three phases – the principle stage, forest stage and the third will current a rotation of takeovers. Kicking it off in June, BBC  Introducing’s takeover will current a stage devoted to platforming the crème de la  crème of the North West’s rising expertise. Whilst July will see the legendary Ruf Dug current his famend pageant showcase ‘Ruffy’s Lab’ in his hometown for the primary time;  bringing a day of audio-visual nonsense of the best high quality.  

The line-up – to be revealed in full subsequent month – encompasses genre-spanning stay bands, artists, DJs and spoken phrase performers. Headlining June is BCUC – a seven-piece band hailing from Soweto, South Africa, bringing their indigenous funk and excessive power to Green Island. Joining them in June might be Galivantes – an eight-piece rowdy ska band, fusing skapunk, reggae, disco, folks and rock. High Hoops – the duo celebrated for throwing heroic LGBTQ+ events centred on an ethos of affection, inclusivity and voguing. SHEWillProvide – a collective championing Black girls and non-binary artists, no model is off limits so anticipate a mashup of home, techno, breaks, Afro home and funk.  

Repping town throughout July and September might be alt-rapper Charlie Boy Manson,  producer, DJ and founding father of membership evening TRPHSE, Sham Steele, poet and rapper  Meduulla – who notably featured within the 2021 season of BBC’s Rap Game – and considered one of 

town’s nightlife icons, DJ and founding father of RebeccaNeverBecky collective, Mix Stress.  

The early hours of the pageant, 10:30am – 1pm, might be dedicated to family-friendly actions.  Curating the programme for every day might be household rave pioneers The Playhouse  Project, who’re celebrated for reimagining membership experiences to get mother and father and children stomping on the dancefloor collectively. Family actions will run all all through the day till 3pm.  

Making positive company are well-fed might be Didsbury’s dumpling and kimchi masters,  Midori, who might be offering Japanese – Hong Kong fusion gas for the day. In addition to Boneless Brigade, who might be serving up their plant-powered avenue meals delicacies,  from mushroom wings to jalapeño poppers and banana blossom ‘fish’ tacos. Local legends Seven Bro7hers Brewery are official sponsors of the pageant, so might be on hand to verify company are nicely quenched with a few of their favorite pours on faucet.  

Afterparties might be hosted on the iconic establishment that’s NIAMOS, positioned a stone’s throw away from the pageant. The June afterparty is about to be curated by vinyl lovers My Analog Journal, and The Dub Smugglers are on board to current the  September chapter afterparty; bringing with them their custom-built sound system, for an elite audio expertise.  

Green Island’s dedication to cultivating the following era of musicians has additionally led them to associate with Manchester’s acclaimed grassroots station Reform Radio.  Leading as much as the primary instalment, Reform Radio might be internet hosting DJ programs to aspiring selectors, the place they are going to put together for his or her first-ever gig at Green Island Festival. Sign up right here now to register for the course.  

Co-founder of Green Island, George McGirr mentioned:  

“We are dedicated to making a pageant that’s inclusive, various and works as an area for Manchester’s underrepresented artists. There’s a lot expertise within the metropolis so it’s extra essential than ever to have a platform to showcase it. Accessibility is a  basic aspect of the pageant as we wish to encourage as many individuals from  totally different walks of life to return and expertise what our metropolis has to supply.”  

Co-founder Stephan Agbogbe added:  

“For us, Green Island is about giving house to younger creatives, serving to them develop as artists by offering alternatives in bodily areas, reserving them for his or her first gig,  and inspiring them to determine their very own community throughout the inventive neighborhood right here.  

“Our principal ambition for this pageant is to work tightly with our companions and create long-lasting alternatives for younger individuals within the music business and be a stepping stone 

for younger rising artists. For occasion, the workshops will present younger individuals with  expertise which they will use in later life.”  

Pre-sale tickets will go stay on Monday third April and common sale on Wednesday fifth  April on Skiddle and Resident Advisor – join right here now to entry the pre-sale and sustain with all updates.  

Green Island Festival 2023 will happen at Hulme Community Garden Centre, 28  Old Birley Street, Manchester, M15 5RG on all three dates. 

Each afterparty will happen at NIAMOS, Warwick St, Hulme, Manchester, M15  5EU 

The submit Green Island Festival – Manchester pageant with neighborhood at its core returns 2023 appeared first on Decoded Magazine.

Bilbao BBK Live announce Pavement, Arca, Perfume Genius and extra for 2023 version

BBK Bilbao Live, located within the lovely Basque area of Spain and going down over 6-Eighth July 2023, has at the moment introduced one other spherical of huge acts to hitch their already star-studded lineup. Bilbao BBK Live shall be welcoming the likes of Pavement, Arca, Villano Antillano, Desire, María Escarmiento, Perfume Genius, Roísín Murphy and Ry X. This yr the pageant has confirmed the likes of Arctic Monkeys, Florence + The Machine, Röyksopp, Jamie xx, Phoenix, Idles, SHERELLE, and M83.

The cult indie heroes Pavement, who kicked off their reunion tour final yr shall be bringing their simple eccentric power and catalogue of basic tracks. The Venezuelan producer and vocalist Arca shall be serving up her mind-bending sounds to the group and Perfume Genius will transport the group along with his originality and fearlessness.

Indie singer/songwriter Eee Gee rigorously combines an eclectic mixture of indie-pop, people, and soul to create a contemporary sound that can have the crowds deep of their feels, alongside the Puerto Rican rapper Antillean Villain who will deliver her fierce flows and energetic queer Caribbean spirit to the plenty at BBK. Art School Girlfriend, the singer-producer-multi-instrumentalist shall be serenading the crowds together with her atmospheric and emotional compositions, in addition to Eneritz Furyak who has established herself as one of many key new voices of Basque music.

The iconic dance-pop diva Roísín Murphy, whose performances are crammed with energetic dance strikes and vigorous spirit shall be rocking the BBK major stage. Mexican-born Bilbao native, Sama Yax shall be bringing her high-energy DJ units to the dance ground, plus the Australian singer-songwriter RY X shall be charming the crowds along with his mesmerising vocals for an awe-inspiring efficiency.

Also showing this yr at BBK Bilbao Live shall be Dalila, Desire, La Paloma, and María Escarmiento.

At Bilbao BBK Live, artwork is a basic a part of the pageant’s inventive property; earlier paintings featured a strong picture of the harrijasotzailes (a stone-lifting rural sport within the Basque Country, Spain) now the paintings options the legend of Tximistarri, a basque phrase that means ‘mild stone’. This is the fourth picture that the pageant has unveiled as a part of the art-music alliance between the artist Vicente Paredes and Bilbao BBK Live, with the frequent goal of displaying the identification and idiosyncrasy of Euskadi.

BBK Bilbao Live is dedicated to the care of the pure atmosphere, particularly the attractive pageant web site itself and surrounding areas. They try to emphasize the significance of elevating consciousness round local weather change and the urgency of caring for the atmosphere itself. With this in thoughts, they may proceed to allocate €3 of every ticket bought to the reforestation of the world burned in Balmaseda, Enkarterri to contribute their half in rebuilding the affected space.

Tickets are on sale by way of the pageant’s web site and seetickets.com, with the prospect of paying in installments and buying tenting choices.

Day tickets can be found from Thursday ninth March right here

Tickets are on sale now:

BILBAO BBK LIVE
July 6, 7, and eight 2023
Kobetamendi, Bilbao

Tickets: €150
Tickets + tenting: €170 

The put up Bilbao BBK Live announce Pavement, Arca, Perfume Genius and extra for 2023 version appeared first on Decoded Magazine.

NTIA presents the first UK Electronic Music Industry Report

The NTIA has presented the first-ever UK Electronic Music Industry Report in collaboration with Audience Strategies, demonstrating the economic, community, and cultural value of the electronic music industry and shines a light on the powerful impact of this genre on the nation.

Electronic music has become one of the most popular genres in the UK, with a significant impact on the music industry, the economy, and the UK’s reputation worldwide. From recorded music and publishing to live concerts, events, and festivals, electronic music has taken the UK by storm and this new report explores the economic impact of electronic music including nightclubs, concerts, and festivals, as well as the benefits to communities and culture.

The main objective of the report is to work towards building funding mechanisms for artists and DJs, supporting grassroots electronic music venues and promoters, and building a stronger platform for education to secure the industry in the future. The report also examines the impact of gentrification, licensing, and zoning regulations on the industry and the need to inspire the government and industry stakeholders to support the continued growth and success of electronic music and to help build a stronger platform for education, innovation, and community engagement.

Electronic music has had a significant impact on the UK economy, contributing to the music industry and providing employment opportunities. The UK is the second largest music exporter globally, with 10% of all music streams worldwide attributed to British musicians. Exports of recorded music from the UK hit a record high of £590.8 million in 2021, with £41.2 million being electronic music. Across recorded music, publishing, and exports, electronic music is worth £181.7 million. The total measurable economic impact of electronic music in the UK, including concerts, festivals, and nightclubs, is estimated at £2.63 billion.

Live electronic music, including concerts, events, and festivals, is a popular form of experiencing electronic music, with electronic music as the most common genre in UK festivals, making up 29% of artists performing (Rock: 22%, Pop: 21% are second and third). Over 2.4 million people attended UK festivals with electronic music in the last 12 months. Nightclubs provide a space for people to come together and experience music, generating significant revenue through tickets, drinks, and other products. The UK’s electronic music education industry is also thriving, teaching the next generation about the history, evolution, and skills of producing and performing electronic music.

Key facts from the report:

  • 2nd most popular genre in the UK Top 10. Electronic music overtook hip-hop and is behind only pop music
  • 33% of the most popular artists in the world have ‘dance’ as one of the genres they produce, but not their primary genre
  • £181.7 million: Electronic music in the UK is worth about £79.0m in recorded music and £40.7m in music publishing. We calculate that electronic music exports are worth £41.2m and that another £21.2m of publishing is earned on top, totaling £62.4m.
  • 1st most popular genre in UK festivals. 29% of artists performing at UK festivals are electronic music artists
  • 103 million nights out based on electronic music. Made up of 96.2m in nightclubs, 2.5m in festivals, and 4.4m in electronic music concerts and events outside of festivals and nightclubs
  • 29.3% of UK nightclubs have been lost since the pandemic. That’s 365 lost clubs
  • 2.4 million people attended 145 UK festivals with electronic music on the bill in the last 12 months. 67% of these were ‘primarily electronic festivals
  • £519.3 million is the economic value of festivals with electronic music on the lineup
  • £272.3 million is the economic contribution of electronic music concerts and events outside of festivals and nightclubs
  • £1,657.4 million is the economic contribution of electronic music nightclubs
  • £2.6 billion is the total measurable impact of electronic music on the UK across recorded music, nightclubs, festivals, and concerts

Michael Kill, NTIA CEO Says:
“Electronic music is one of the UK’s understated phenomena, it shapes and embraces communities, educates, inspires and unites the UK with its unique form of culture.”

“For the last 2 years, we have been formulating a strategy to deliver this report, alongside key stakeholders and leaders in this space, to substantiate the true economic, community, and cultural value of the electronic music sector.”

The foundation of this work was born from the realisation during the pandemic that the Government has a limited understanding of the industry, but also considers the responsibility of the sector to educate decision-makers.

“This was highlighted when the Government’s financial support in the UK excluded electronic music in its scope, as part of the wider Cultural Recovery Fund through the Arts Council. Through the efforts of millions of electronic music supporters, we convinced the Government to recognise the importance of counter-culture and include the sector in its support.”

“We hope that the Government, through industry insight, will have a greater understanding of the sector, and support it in a way that cements its future in British culture.”

Yousef Artist/DJ/Producer Says:
“The cultural, social and economic impact of electronic music globally for over 30 years simply can not be understated. For an industry that has been born from grassroots and an almost spontaneous counter culture movement, it’s grown into the most wide reaching, accessible and dynamic music genre, possibly of all time.”

“No other genre offers such possibilities to literally all walks of life, from teen ravers in their bedrooms naively knocking out unexpected number ones, to the Grammys (finally) embracing electronic music as the mainstream. The blend of raw music to polished, spirited to the A&R now roll more closely and simultaneously than ever.  A scene that continues to evolve and prepare for the long-term future while feeling like it’s only just beginning.”

Electronic music not only brings financial gains but also contributes to communities and culture. Nightclubs serve as a platform for local artists, inspiring creativity and artistic innovation and fostering inclusivity and tolerance. However, the UK’s electronic music scene faces several challenges, such as licensing, zoning, and gentrification, which limit the number of electronic music nightclubs and increase their operational costs. There are significant concerns about the decline of physical spaces for electronic music and its impact on cultural significance. The future of electronic music in the UK will be determined by how these challenges are addressed. The report suggests that the UK government could support electronic music by appointing a nighttime advisor, reducing regulatory burdens, providing financial support, promoting the UK as a destination for electronic music, encouraging community involvement, investing in electronic music education, and addressing gentrification and redevelopment.

The report also highlights the benefits of electronic music and how it goes beyond just financial gains, contributing to communities and culture and serving as a platform for local artists, and fostering inclusivity and tolerance. Let’s support the electronic music scene and keep the UK economy dancing to the beat of electronic music.

Download the full report here

The post NTIA presents the first UK Electronic Music Industry Report appeared first on Decoded Magazine.

Book of the Month – Goldie All Things Remembered

“Bloodied and bruised […] concussive, a bit chilling and thoroughly infectious – just like the music [it] celebrates” – Guardian

This is the full, uncensored memoir of Goldie, one of Britain’s most influential DJs, producers, promoters, and record-label owners, whose contributions to the UK rave scene in the 1990s helped define the genres jungle and drum and bass. He is also a respected graffiti artist and actor.

Born Clifford Joseph Price in Walsall in 1965, Goldie was put up for adoption and raised in a succession of child-care homes and foster families. By his early teens, he had become part of the burgeoning UK breakdance scene, performing in crews around Wolverhampton, and had started to make his name as a graffiti artist, the success of which led to a brief residence in the US.

But it was Goldie’s involvement with the UK rave scene that really brought him into the public eye. In 1991, he was introduced to the emerging jungle scene by his girlfriend DJ Kemistry, and in 1992 he released his breakout track, “Terminator”, under the name Metalheadz. It was a massive underground hit and pioneered the time-stretching technique which characterised much of ’90s breakbeat. The Metalheadz record label soon followed, as did the infamous Sunday night Metalheadz sessions at the Blue Note in Hoxton Square where, alongside DJs Kemistry and Storm, he established the frenetic, inclusive template of urban rave.

A constant innovator – “[he] revolutionized jungle not once but thrice”, according to Simon Reynolds – Goldie went on to become one of the most respected artists of the past three decades. He has also enjoyed a successful acting career in film and TV, has exhibited his art in London, Ibiza, and Berlin, and in 2016 he was awarded an MBE for services to music and young people.

Review

“A fabulous, whirling kaleidoscope of music, memory and trauma. Top highlights: when Goldie’s boa constrictor decides to try to eat him after he staggers home from the pub smelling like a kebab; and when his favourite piece of custom-made jewellery is stolen – right from under his nose – by dodgy Russian airport officials. Magical and cautionary.” – Nicola Barker

Available via Amazon or other leading retailers

The post Book of the Month – Goldie All Things Remembered appeared first on Decoded Magazine.

R&S Records prime ‘In Order To Dance 4.0’ album to mark label’s 40th anniversary

R&S and cutting-edge electronic music are as synonymous as Messi and football. You can barely speak of one without mentioning the other, such is the label’s impact on the scene over the last 40 years. To mark the momentous milestone anniversary, Renaat Vandepapeliere’s Belgian powerhouse is doing what it does best — serving up ‘In Order To Dance 4.0’, a brand new installment in its legendary series that once again showcases new music from a mix of familiar names alongside next-generation artists. It is a timely reminder of where the label has come from and where it is going next.

The years in between have seen the label launch artists like James Blake, Lone and Blawan, offer a European home to US greats like Derrick May and Joey Beltram (whose classic ‘Energy Flash’ on R&S remains one of techno’s biggest-ever tunes) and even work with the untouchable Aphex Twin, all while offering an endlessly high quality stream of innovative techno. More recently the sounds have evolved to encompass hip-hop and lo-fi soul, but the label’s famous prancing horse logo remains a respected stamp of authority whatever the genre.

The first ‘In Order To Dance’ compilation came back in 1989 and showcased the best in house and new beat, the latter of which being a homegrown Belgian sound that is very much back in fashion today. The artists on that album were all A&Red by Vandepapeliere’s expert ear, and it is that same ear that has carefully curated this latest collection.

Hyphen kicks off this new era with the stirring electronic soul of ‘Winter Sky’. It’s awash with melodic beauty and elegant beats that get you on your toes before Paul Roux’s ‘Baptéme’ leads you inwards. The smeared chords convey brokenhearted melancholy over heavy broken beats. After that artful start, Subject 13 & Conscious Route showcase R&S’s other side on ‘Dripping Sauce’ — an irresistible dancefloor sensibility with sleazy bars over ghetto beats. There is skewed futurism to the frosty hip-hop of Nphonix & Matrika’s ‘Rumble Around’, which embodies the evolution of the R&S sound, while Saytek’s ‘IYNDUB01 (Live)’ douses you in warm dub currents as you gaze off to the stars.

The mid-point is marked by the playful melodies and vocals of ‘Did This’, a truly original cut from Dino Lenny who has been embedded in the scene now for 30 years. Label purists will love the trio of tracks that follow and very much capture the essence of R&S: there are the twisted beats and cosmic synth sorcery of VROMM’s ‘Red Tuna’, punchy techno elegance of Insider’s ‘Something Flash’ and raved-up energy of ‘Hold On’ by Pascal Nuzzo. Things get even more visceral and direct with the frazzled jungle rhythms supplied by Som.1 on ‘Ultimatum’ before the soulful breaks and chords on Dharma’s ‘Structured Chaos’ provide room for thought. Adam Antine’s ‘Sortavala’ is a funky breaks workout and Acidulant closes things out with ‘Make Love to a Machine’, a coruscated acid-electro cut designed to rip up the floor. The first ‘In Order To Dance’ compilation was pivotal in the early evolution of electronic music, and 40 years on this installment is just as important.

There’s a series of cutting-edge music videos to accompany the new wave of ‘In Order To Dance 4.0’ tracks. Acclaimed artists and video directors, including Alessandro Amaducci, Ben Marlowe and Gala Mirissa have all stamped their digital artistic visions onto these stunning compositions, syncing audio and visual for a multi-sensory experience.

Album Pre-Saves: here

The post R&S Records prime ‘In Order To Dance 4.0’ album to mark label’s 40th anniversary appeared first on Decoded Magazine.

R&S Records prime ‘In Order To Dance 4.0’ album to mark label’s 40th anniversary

R&S and cutting-edge electronic music are as synonymous as Messi and football. You can barely speak of one without mentioning the other, such is the label’s impact on the scene over the last 40 years. To mark the momentous milestone anniversary, Renaat Vandepapeliere’s Belgian powerhouse is doing what it does best — serving up ‘In Order To Dance 4.0’, a brand new installment in its legendary series that once again showcases new music from a mix of familiar names alongside next-generation artists. It is a timely reminder of where the label has come from and where it is going next.

The years in between have seen the label launch artists like James Blake, Lone and Blawan, offer a European home to US greats like Derrick May and Joey Beltram (whose classic ‘Energy Flash’ on R&S remains one of techno’s biggest-ever tunes) and even work with the untouchable Aphex Twin, all while offering an endlessly high quality stream of innovative techno. More recently the sounds have evolved to encompass hip-hop and lo-fi soul, but the label’s famous prancing horse logo remains a respected stamp of authority whatever the genre.

The first ‘In Order To Dance’ compilation came back in 1989 and showcased the best in house and new beat, the latter of which being a homegrown Belgian sound that is very much back in fashion today. The artists on that album were all A&Red by Vandepapeliere’s expert ear, and it is that same ear that has carefully curated this latest collection.

Hyphen kicks off this new era with the stirring electronic soul of ‘Winter Sky’. It’s awash with melodic beauty and elegant beats that get you on your toes before Paul Roux’s ‘Baptéme’ leads you inwards. The smeared chords convey brokenhearted melancholy over heavy broken beats. After that artful start, Subject 13 & Conscious Route showcase R&S’s other side on ‘Dripping Sauce’ — an irresistible dancefloor sensibility with sleazy bars over ghetto beats. There is skewed futurism to the frosty hip-hop of Nphonix & Matrika’s ‘Rumble Around’, which embodies the evolution of the R&S sound, while Saytek’s ‘IYNDUB01 (Live)’ douses you in warm dub currents as you gaze off to the stars.

The mid-point is marked by the playful melodies and vocals of ‘Did This’, a truly original cut from Dino Lenny who has been embedded in the scene now for 30 years. Label purists will love the trio of tracks that follow and very much capture the essence of R&S: there are the twisted beats and cosmic synth sorcery of VROMM’s ‘Red Tuna’, punchy techno elegance of Insider’s ‘Something Flash’ and raved-up energy of ‘Hold On’ by Pascal Nuzzo. Things get even more visceral and direct with the frazzled jungle rhythms supplied by Som.1 on ‘Ultimatum’ before the soulful breaks and chords on Dharma’s ‘Structured Chaos’ provide room for thought. Adam Antine’s ‘Sortavala’ is a funky breaks workout and Acidulant closes things out with ‘Make Love to a Machine’, a coruscated acid-electro cut designed to rip up the floor. The first ‘In Order To Dance’ compilation was pivotal in the early evolution of electronic music, and 40 years on this installment is just as important.

There’s a series of cutting-edge music videos to accompany the new wave of ‘In Order To Dance 4.0’ tracks. Acclaimed artists and video directors, including Alessandro Amaducci, Ben Marlowe and Gala Mirissa have all stamped their digital artistic visions onto these stunning compositions, syncing audio and visual for a multi-sensory experience.

Album Pre-Saves: here

The post R&S Records prime ‘In Order To Dance 4.0’ album to mark label’s 40th anniversary appeared first on Decoded Magazine.

12 Essential electronic music documentaries you must watch

It’s winter, you’ve still got Christmas leftovers in the fridge and a half bottle of Baileys, so what better way to kill the time by kicking back with 12 must watch electronic music documentaries to get you through the days. Kick back, grab a drink and turn it up.

  1. I Was There When House Took Over the World – A documentary about the history of house music. Featuring Nile Rodgers, Marshall Jefferson, Honey Dijon, and many more. Nile Rodgers and more on how Disco’s death gave birth to the most iconic sound in dance. How social unrest and Chicago’s underground gay clubs led to a global dance movement. How young black entrepreneurs created a music empire that eventually topped UK charts.

2. Free Tekno

Freetekno is a cultural movement that is present in Europe, Australia and North America. Freetekno sound systems or tribes form in loose collectives, frequently with anarchist philosophies. These sound systems join together to hold parties wherever a viable space can be found – typical locations include warehouses (also known as squat parties), fields, abandoned buildings or forests. Because freetekno parties are usually held illegally this sometimes leads to clashes with the police, as was the case at both the 2004 and 2005 Czechtek festivals and many other, smaller parties around the world at different times.

3. RICHIE HAWTIN – Pioneers of Electronic Music

The film draws from the important stages and events in Richie Hawtin’s personal and artistic life, revealing the journey of an introverted and transplanted computerminded teen that develops by way of Detroit’s radio and records fueled by pure driven passion into a successful techno-entrepreneur and global DJ entertainer. Assembling an extensive archive of both new and unreleased photos, video and exclusive interviews, the film provides an extraordinary insight into the life and career of Richie Hawtin.

4. Drum & Bass: The Movement – A D&B Documentary

20 years that changed our lives: Presenting our feature-length documentary – Drum & Bass: The Movement – capturing a specific and intense slice of drum & bass culture’s rapid acceleration from 1996 – 2016. Brought to you by Drum&BassArena, featuring Goldie, Andy C, Roni Size, DJ Flight, Grooverider, Ed Rush & Optical, Mefjus, Friction, El Hornet, Chase & Status and many more, as well as exclusive unseen footage from our scene’s rich history.

5. The Chemical Generation – Acid House documentary

2001 Channel 4 documentary, presented by Boy George, looking at the history and legacy of the UK acid house, rave and clubbing culture since the 1980s. The program goes into detail on the way UK society and attitudes changed after the dawn of acid house culture and, perhaps, more importantly the introduction of chemical of choice, ecstasy to the party diet of the young people of Britain. Tony Wilson, Irvine Welsh, Danny Rampling, Mike Pickering, Paul Oakenfold, CJ Mackintosh and Nicky Holloway all feature; as well as the kids who were there at the time from dealers to clubbers. Ibiza, Shoom, the Hacienda and the Criminal Justice Bill

6. The Prodigy, A film by Dugdale

Recorded before 65,000 fans, this is the debut live film documenting The Prodigy’s biggest concert to date. Directed by award winning director Paul Dugdale, the full length feature was devised with close direction from the band throughout, and features a short film of previously unseen footage taken on tour in Brazil.

7. WE CALL IT TECHNO! A documentary about Germany’s early Techno scene and culture

Inspired by new sounds, new technologies and the political events of the time, the early 90s sees the emergence of a scene that euphorically celebrates the dawning of a new era. In Berlin, Frankfurt and many other German cities, activists tinker on a new music and club culture oriented around the coordinates Techno and House. At Berlin’s Love Parade in 1991, different local scenes congregate for the first time.

The trend turns into a movement. A German Summer of Love, which changes whole lives overnight and kick-starts careers. The basic principle of Techno stands for experimenting, crossing borders and DIY. Fans become DJs or party promoters. Labels are founded and record stores open up. The scene grows. An independent microcosm is created. Networks are formed away from established structures. For a moment everything seems possible… WE CALL IT TECHNO! tells the story of a tempestuous phase in music history, the first time that pop culture was created significantly in Germany. With exclusive interviews and comprehensive, mostly unreleased film and photo archive material from the years 1988-1994!

8. A Trip Around Acid House 1988 ITV

The documentary was originally shown on ITV’s World In Action current affairs series and was produced by Granada Television.

9. Sound of Berlin

A journey through the capital of electronic music Interviews w/ Juan Atkins, Dr. Motte, Dimitri Hegemann, Marc Houle, Monolink, Pan-Pot, Mathias Kaden, Nela, Alexander Krüger, Ekaterina, FreedomB

10. Sub Berlin -“The Story of Tresor”

The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit. It quickly became a second home for artists like Juan Atkins, Jeff Mills and Blake Baxter, as well as countless German DJs.

Directed by Tilmann Künzel, SubBerlin traces the club’s history from its beginning in the early ’90s to the closure of its original location in 2005. It includes interviews with many of the artists that played at the venue, from Atkins to Sven Vath, as well as the people that made the club happen, such as original founder Dimitri Hegemann.

11. The Story of STREETrave

The Story of one of the UK’s biggest and oldest Club brands, from the old-skool raves to the mega clubs. Streetrave have produced an in-house documentary of the last 20 years involvment at the very forefront of the clubbing world telling the true story of how it all started and continuing to the present day.

This film contains exclusive video footage from STREETrave at the legendary Ayr Pavilion, Prestwick International Airport and The Arches, Glasgow to name but a few. We also speak to some of the dj’s and friends who helped along the way including Carl Cox, John Digweed, Jon Mancini, Graeme Park and Hooligan X.

12. Pump up the volume: A history of House music

Documentary about history of house music, from its early days as NY disco to the massive European and International scene it has become, via the major people and clubs who pushed it forward.

The post 12 Essential electronic music documentaries you must watch appeared first on Decoded Magazine.

Select your currency