TIDAL Audio Prisma Preamplifier | Review

Is the absence of any coloration its own signature coloration? During my time with the TIDAL Audio Prisma preamplifier, I found myself asking that very question. People like me who listen to music for a living (including lots of audiophiles I know) have developed a familiarity with the various sonic signatures that any piece of audio electronics contributes to the music passing through it. Whether I’m using certain pieces of gear to master music in my studio or swapping out stuff in my home system for a review, I’m highly aware of whatever sonic stamp, however slight, is being placed on the music. In the case of the TIDAL Audio Prisma, that sonic stamp is very audible. But it’s in a class that is reserved for the best of the best, audio electronics that are so low in any added texture or distortions that the sound seems magically transformed by what’s NOT there. Where’s The Flava? Since digital recording became essentially omnipotent as the pro recording medium of choice, it’s become standard practice by many engineers to use whatever tools available to impart a sonically pleasing amount of harmonics to the recording process in search of more apparent texture and […]