Residents at Tokyo’s legendary Womb, the duo has notched up a string of high quality releases on labels together with Tronic, Terminal M and Octopus over time, reinforcing themselves as certainly one of Japan’s most treasured techno acts.
Drunken Kong have a definite sound signature, as dreamy melodic and vocal components rub shoulders with the pair’s trademark groove-orientated rhythms to create hypnotic techno outings that span the breadth of the style, from heads down rollers to peak-time pleasure.
Their maiden outing on Drumcode is an inspiring four-track work ‘I Want To See’ that lays down this sonic manifesto, with every observe constructed round totally different vocal samples used to skilful impact. EP opener ‘It’s Then’ brings environment in spades, mixing up a chugging backside finish, a smooth synth line and a chic vocal that simmers all through. The title observe is one other late-night dancefloor affair that shifts between operate and enjoyable, as a slick mixture of polished grooves and hypnotising melodies construct in direction of an exciting crescendo. ‘That’s It’ brings peak-time vitality towards a plump electro spine and ’90-tinged vocal. The EP rounds out with evocative ‘Need It’, as a stirring vox and metallic drumlines propel the observe ahead.
Tracklist:
1. Drunken Kong – It’s Then 2. Drunken Kong – I Want to See 3. Drunken Kong – That’s It 4. Drunken Kong – Need It
Hot on the heels of his peak-time remix of Eelke Kleijn’s ‘Transmission’, Joris Voorn is again with one other remix, this time of DJ Misjah and DJ Tim’s 90s rave traditional: ‘Access’. Already performed in epic units at Tomorrowland Winter, Awakenings, Ultra Miami, Mayday and Printworks, Joris Voorn brings a model of ‘Access’ to bop flooring the world over that’s certain to cement his place in historical past among the many techno greats.
Originally launched in 1995 on acid and techno label X-Trax, which was acquired by Armada Music, the Dutch mainstay has reimagined the monitor together with his signature hypnotic sound, bringing followers again to the heyday of 90s raving with a contemporary twist.
Listed as one of many ‘Best Drops in Dance Music’ by Mixmag readers in 2020, ‘Access’ took place throughout the revival of acid techno, introduced on by the Roland TB303 “acid field” re-appearing on producer’s records. Bearing all of the hallmarks of a 90s arduous dance file with its pulsing beat and the unmistakable “squelching” synth sound signature to the style, ‘Access’ created a rhythmic sense of urgency that took the 90s techno scene by storm and stayed in heavy rotation for years to come back.
On his remake, Joris Voorn says “Remixing such an iconic file that performed such a big position within the evolution of acid techno when it initially got here out on X-Trax again in 1995 was each a pleasure and a problem. I needed to make one thing contemporary and modern that stored the essence of the unique 303 magic however had a definite 2023 take that was extra appropriate to my units. This has been taking the roof off in any respect my exhibits so I’m excited to lastly be capable of share it with you all.”
“Two Sword” is the debut album by Unity Vega. Following the head-spinning UV1 EP, the album goes deeper into one thing earthier, extra emotional and private. The 9 tracks scale a wholly distinctive sonic imaginative and prescient; an otherworldly but grounded assertion which is a testomony to a brand new artist who’s unafraid to carve a brand new path within the ever- shifting modern-day music scene. “Two Sword” is constructed on fertile floor from whichto develop additional, ever outward.
After taking to the skies with “Heaven’s Doors”, Anna Tur has a brand new launch on her palms. This time it’s a collaboration with the revered Bulgarian DJ and producer Metodi Hristov, titled “Binary Fusion”.
The four-handed observe exudes pure dynamic techno. A pulsating and insistent bass line is answerable for opening the observe and setting the bottom and tone on which the event is constructed. When the beat seems, a sequence of epic melodies does too. These dance, intertwining till they offer life to a community of layers that interprets right into a wealthy sound panorama not often seen. The melodies are each haunting and uplifting, serving to to provide the listener a sense that switches between pressure and launch.
But indisputably, the ingredient that stands out above the remaining on this collaboration between Anna Tur and Metodi Hristov is the arpeggiator. It is a particular but unusual ingredient that traces a hypnotic spiral sample leaving and becoming a member of the melody. An inexhaustible supply of profound disorientation that, however, is fascinating and enticing.
In the phrases of Anna Tur:
“There are many causes which have made this manufacturing circulate and change into a actuality. An vital one is my long-standing admiration for Metodi as a producer. I feel he has a particular sensitivity for producing and transmitting feelings by means of music.
In 2022 I had the chance to satisfy him. We performed a b2b on the Sunrise Festival in Poland on the “Carl Cox Invites” stage and the connection was fast. During our set, we each performed a few of our unreleased tracks on the time. I requested him about among the tracks he was enjoying and he mentioned: they’re mine! That was an incredible expertise.
At that point, I used to be 7 months pregnant (I used to be working virtually till the final second and shortly after), and he requested me to collaborate with him to work on one thing for his label SET ABOUT. And, after all, I mentioned YES! It was a really completely happy time for me, I had quite a lot of vitality and was feeling actually good – I had simply had a child! After Christmas, we each labored within the studio and the outcome was a robust observe. A musical journey of techno sound with vitality and melodics, telling a narrative of optimistic vibes and flowing vitality. I’m very pleased with it and I hope you may all take pleasure in enjoying or dancing to it on the dancefloor.”
“Binary Fusion”, edited by Set About, Metodi Hristov’s label, is accessible from right this moment on all streaming platforms and solely on Beatport.
Matthew Dear’s Audion alias returns on the eve of his Movement Festival date in Detroit with The Return Of Losing It. The producer’s first launch on Spectral Sound since 2016, the two-track EP follows varied tasks with Berlin’s !K7 Records and TIGA’s Turbo Recordings, together with hazily intermittent, memorable membership appearances in recent times. Always the “id” of Dear’s catalog, the Audion identify connotes a deeper pressure of dance music, usually raucous however intensely centered; with The Return Of Losing It, he once more lets his instinctual aspect fly.
The two ten-plus minute cuts recall Audion’s subversive anthem “Mouth To Mouth” of their crisp psychedelia. Like dealing with a high-end sports activities automobile, you don’t should crank these tunes too exhausting to get the specified response.
The title lower, “The Return Of Losing It,” sounds just like the machines left on in a single day, working by means of some issues. A relentless kick gives the heart beat for Dear to scribble synth traces and washes overtop. It’s a dizzying impact that foregoes climax in favor of a extra visceral rigidity, and within the final stretch, he lastly releases us within the droning mud.
The b-side “Anything Else” opens up with a Detroit-flavored chord strike and appears to construct however by no means loses its breath. In the same type to its counterpart, the monitor locks right into a metallic groove earlier than its beatless breakdown, this time shuttering in warped static.
From a sleepless night time in Ibiza to the uncertainty of protest and lockdown in New York City, Bedouin embarked upon a seven yr journey to finish their experiential, hypnotic debut album: Temple of Dreams (Human By Default). Through 15 tracks, 14 full songs, and one interlude – recorded on the L practice – Bedouin (Tamer Malki and Rami Abousabe) have created a deep listening expertise showcasing their skills as songwriters, lyricists and musicians.
Over the course of the pandemic, Abousabe and Malki spent quite a lot of time finalizing present materials in addition to composing, writing, singing and collaborating with various expertise on new originals. Temple of Dreams is the fruits of those periods, capturing the distinctive sound of the versatile, forward-thinking group who attracts upon their Middle Eastern heritage, Western upbringing and worldly travels to attach with followers across the globe. “Temple of Dreams is an experiment that pushes boundaries and genres and lies between what we play reside and what we’re able to writing and producing,” mentioned Malki. “We wished to exceed expectations and current one thing fully new and sonically surprising. This isn’t a set of cuts; Temple of Dreams is a deep listening expertise – a journey as winding and unpredictable because the final seven years.”
The American-based DJ and music manufacturing duo have spent the higher a part of a decade fine-tuning their sound, masterfully mixing their broad sonic imaginative and prescient and various influences. The musicians, singers, songwriters and multi-instrumentalists have pioneered style transcending, timeless productions which were featured on a number of the world’s most notable labels reminiscent of Crosstown Rebels, Get Physical, All Day I Dream, and just lately their very own imprint – Human By Default. Temple of Dreams indicators yet one more evolution in Malki and Abousabe’s creative growth and enigmatic sound.
Track Highlights Every track on Temple of Dreams consists, produced and sung by Bedouin together with collaborators on a number of tracks. All lyrics – except these on three tracks, “Tijuana” which makes use of the unique lyrics by J.J. Cale; “Hokema” that includes the unique lyrics by Sima Bina; and “Flore” with lyrics from the Cecilia track “Un Ramito De Violetas.” – had been written by the duo.
Temple of Dreams begins with the enchanting, ethereal sounds and grooves of “Rise and Fall” adopted by “Coldman” and its Eastern string sounds that includes seductive vocals by Nathan Daisy. Next is “Voices in My Head,” with darkly alluring vocals that bends genres with delicate nods to early 2000s hip hop. The world journey continues with the waves of “Wash Away” impressed by the rhythms of Tulum; “Crazy” that includes the raspy vocals of Armenian Singer Iveta Mukuchyan; the haunting “Hokema” carried out by Iranian opera singer Delaram singing in Farsi; and the soulful “Flore” alluring Spanish vocals by Chico Castillo of the legendary Gypsy Kings.Other highlights embody “Enjoy the Rain,” which begins with mild acoustic guitar chords earlier than a swell of percussion wraps vocals by Nathan Daisy; “Aliens” and “Love and Hate” that are dynamic, punchy home tracks; and “Fill the Space,” a mixture of melodic magic, genuine instrumentation and rolling grooves.
Temple of Dreams marks the highly-anticipated apex of Bedouin’s prolific profession and creative portfolio up to now. Followed by a slew of authentic releases, 2020 marked the launch of their file label, Human By Default with their Whistleman EP, and in 2022 Bedouin recorded a groundbreaking Cercle set, filmed in Petra, Jordan. In addition to calling Burning Man dwelling since 2012, in 2017 the duo debuted their award-winning weekly Ibiza residency and occasion idea SAGA, which rapidly cemented itself as one of many island’s most sought-after weekly events.
On Wednesday, May 24, Bedouin will kick off the 2023 season of this immersive and transportive musical expertise atPacha, which contains a large lineup of world-class DJ expertise in a visually mesmerizing backdrop.
2023 is ready to be a really thrilling 12 months for Poolside, the recording venture of Los Angeles-based producer, songwriter and multi-instrumentalist Jeffrey Paradise. He will follow-up his final three albums with new music below a cope with Ninja Tune imprint label Counter Records. Having beforehand self-released his records by way of his personal imprint Pacific Standard Records, this marks the primary time he’s partnered with a label. In the brand new relationship, Poolside joins Counter’s roster, whose catalog contains ODESZA, LP Giobbi, Big Gigantic, RAC, and extra, and because the first providing, the one “Each Night” that includes Australian psychedelic indie-pop band Mazy is launched right now (May 17).
“Well, after 10 years of assembly with document labels, I had a gathering that modified every thing. Instead of speaking about hits, radio or TikTook, we talked about music – think about that! Ninja Tune/Counter Records urged getting weirder, experimenting, digging deeper and ignoring the foundations. I couldn’t imagine my ears. It was the polar reverse of each different assembly I’ve ever taken. It was about going deeper, not wider; it was about what was necessary for Poolside as an artist and the legacy of the artwork. I used to be listening,” provides Jeffrey Paradise. Look for extra new music to reach from Poolside this 12 months.
Maddy Salvage, VP of A&R North America at Ninja Tune / Counter says, “After being long run followers, we’re delighted to have Poolside be a part of Ninja Tune’s imprint Counter Records. This subsequent physique of labor actually looks like a brand new chapter for a venture that continues to evolve and shock us with the sheer high quality of songwriting, artistry and artistic imaginative and prescient, and we’re extremely excited to play a component in Jeff’s musical journey going ahead.”
“To me ‘Each Night’ feels recent, new, thrilling and edgy, whereas additionally sounding completely acquainted. It’s a balancing act I typically goal for and really feel like it’s achieved on this music extra harmoniously than I’ve ever managed earlier than,” shares Jeffrey Paradise of the music. “The influences at play really feel like an amalgamation of all the music I’ve listened to, performed and internalized over my a few years of loving music. It’s like your favourite music you’ve by no means heard earlier than, with glimmers of so many types starting from Shoegaze to Madchester to prog rock to bop to dub all making appearances all through.”
“‘Each Night’ was written through the ending levels of a relationship,” shares collaborator Mazy. “I used to be all the time working late and didn’t personal a automotive, so I discovered myself operating dwelling to her via the empty streets at midnight. It is a music about realizing that one thing is coming to an finish, however holding on to the enjoyment and great thing about the best way it was, not but able to let go. The music got here collectively organically, we really feel it captures the essence of providing your finest firstly of making one thing new and are honored to collaborate with Poolside, whose work we admire.”
The “Each Night” single is accompanied by a video directed by rising artist Nathan Castiel (https://nathancastiel.com/) whose portfolio contains work for Remi Wolf, Jackson Wang and Surf Case. Between a retro-futuristic setting paying homage to A Clockwork Orange, Castiel tapped AI artist Max Kreis who utilized off-market know-how to weave velvety illustration all through enhancing the storyline. Shares Castiel on the video, “With ‘Each Night,’ I needed to inform a darkish and quirky sci-fi story a few younger lady hooked on an immersive VR world. The video is multimedia, with half shot dwell motion on 16mm movie and the opposite half animated utilizing generative AI methods. I collaborated with an unimaginable animator named Max Kreis who has been working with generative AI for shut to five years. The know-how is a little bit of a darkish artwork to me however I knew it might be the proper maximal digital foil to the narrative’s minimal analog aesthetic.”
Meanwhile, Poolside who simply carried out dwell its largest present of its profession to an viewers of 40,000 at Mexico’s Festival Vaivén is confirmed for a lot of excessive profile pageant dates this 12 months together with Lollapalooza, Osheaga, Outside Lands, Corona Capital, Format Festival, Austin City Limits and extra:
Date – Venue/Event – City
May 20 – Tecate Supremo – Juarez, MEXICO
May 21 – Corona Capital – Guadalajara, MEXICO
May 26 – The Marble Bar – (Movement Afters) Detroit, MI
2023 is ready to be a really thrilling 12 months for Poolside, the recording undertaking of Los Angeles-based producer, songwriter and multi-instrumentalist Jeffrey Paradise. He will follow-up his final three albums with new music underneath a cope with Ninja Tune imprint label Counter Records. Having beforehand self-released his records through his personal imprint Pacific Standard Records, this marks the primary time he’s partnered with a label. In the brand new relationship, Poolside joins Counter’s roster, whose catalog contains ODESZA, LP Giobbi, Big Gigantic, RAC, and extra, and because the first providing, the only “Each Night” that includes Australian psychedelic indie-pop band Mazy is launched in the present day (May 17).
“Well, after 10 years of assembly with report labels, I had a gathering that modified all the pieces. Instead of speaking about hits, radio or TikTook, we talked about music – think about that! Ninja Tune/Counter Records recommended getting weirder, experimenting, digging deeper and ignoring the principles. I couldn’t imagine my ears. It was the polar reverse of each different assembly I’ve ever taken. It was about going deeper, not wider; it was about what was necessary for Poolside as an artist and the legacy of the artwork. I used to be listening,” provides Jeffrey Paradise. Look for extra new music to reach from Poolside this 12 months.
Maddy Salvage, VP of A&R North America at Ninja Tune / Counter says, “After being long run followers, we’re delighted to have Poolside be a part of Ninja Tune’s imprint Counter Records. This subsequent physique of labor actually appears like a brand new chapter for a undertaking that continues to evolve and shock us with the sheer high quality of songwriting, artistry and artistic imaginative and prescient, and we’re extremely excited to play an element in Jeff’s musical journey going ahead.”
“To me ‘Each Night’ feels contemporary, new, thrilling and edgy, whereas additionally sounding completely acquainted. It’s a balancing act I typically intention for and really feel like it’s achieved on this track extra harmoniously than I’ve ever managed earlier than,” shares Jeffrey Paradise of the track. “The influences at play really feel like an amalgamation of the entire music I’ve listened to, performed and internalized over my a few years of loving music. It’s like your favourite track you’ve by no means heard earlier than, with glimmers of so many kinds starting from Shoegaze to Madchester to prog rock to bop to dub all making appearances all through.”
“‘Each Night’ was written through the ending phases of a relationship,” shares collaborator Mazy. “I used to be all the time working late and didn’t personal a automobile, so I discovered myself operating dwelling to her by means of the empty streets at midnight. It is a track about realizing that one thing is coming to an finish, however holding on to the enjoyment and fantastic thing about the way in which it was, not but able to let go. The track got here collectively organically, we really feel it captures the essence of providing your greatest at the start of making one thing new and are honored to collaborate with Poolside, whose work we admire.”
The “Each Night” single is accompanied by a video directed by rising artist Nathan Castiel (https://nathancastiel.com/) whose portfolio contains work for Remi Wolf, Jackson Wang and Surf Case. Between a retro-futuristic setting paying homage to A Clockwork Orange, Castiel tapped AI artist Max Kreis who utilized off-market know-how to weave velvety illustration all through enhancing the storyline. Shares Castiel on the video, “With ‘Each Night,’ I wished to inform a darkish and quirky sci-fi story a couple of younger girl hooked on an immersive VR world. The video is multimedia, with half shot stay motion on 16mm movie and the opposite half animated utilizing generative AI strategies. I collaborated with an unimaginable animator named Max Kreis who has been working with generative AI for shut to five years. The know-how is a little bit of a darkish artwork to me however I knew it will be the right maximal digital foil to the narrative’s minimal analog aesthetic.”
Meanwhile, Poolside who simply carried out stay its greatest present of its profession to an viewers of 40,000 at Mexico’s Festival Vaivén is confirmed for a lot of excessive profile pageant dates this 12 months together with Lollapalooza, Osheaga, Outside Lands, Corona Capital, Format Festival, Austin City Limits and extra:
Date – Venue/Event – City
May 20 – Tecate Supremo – Juarez, MEXICO
May 21 – Corona Capital – Guadalajara, MEXICO
May 26 – The Marble Bar – (Movement Afters) Detroit, MI
2023 is about to be a really thrilling 12 months for Poolside, the recording mission of Los Angeles-based producer, songwriter and multi-instrumentalist Jeffrey Paradise. He will follow-up his final three albums with new music beneath a take care of Ninja Tune imprint label Counter Records. Having beforehand self-released his records by way of his personal imprint Pacific Standard Records, this marks the primary time he’s partnered with a label. In the brand new relationship, Poolside joins Counter’s roster, whose catalog contains ODESZA, LP Giobbi, Big Gigantic, RAC, and extra, and because the first providing, the only “Each Night” that includes Australian psychedelic indie-pop band Mazy is launched in the present day (May 17).
“Well, after 10 years of assembly with document labels, I had a gathering that modified every part. Instead of speaking about hits, radio or TikTookay, we talked about music – think about that! Ninja Tune/Counter Records urged getting weirder, experimenting, digging deeper and ignoring the foundations. I couldn’t consider my ears. It was the polar reverse of each different assembly I’ve ever taken. It was about going deeper, not wider; it was about what was vital for Poolside as an artist and the legacy of the artwork. I used to be listening,” provides Jeffrey Paradise. Look for extra new music to reach from Poolside this 12 months.
Maddy Salvage, VP of A&R North America at Ninja Tune / Counter says, “After being long run followers, we’re delighted to have Poolside be part of Ninja Tune’s imprint Counter Records. This subsequent physique of labor actually seems like a brand new chapter for a mission that continues to evolve and shock us with the sheer high quality of songwriting, artistry and artistic imaginative and prescient, and we’re extremely excited to play an element in Jeff’s musical journey going ahead.”
“To me ‘Each Night’ feels contemporary, new, thrilling and edgy, whereas additionally sounding completely acquainted. It’s a balancing act I typically purpose for and really feel like it’s achieved on this music extra harmoniously than I’ve ever managed earlier than,” shares Jeffrey Paradise of the music. “The influences at play really feel like an amalgamation of the entire music I’ve listened to, performed and internalized over my a few years of loving music. It’s like your favourite music you’ve by no means heard earlier than, with glimmers of so many kinds starting from Shoegaze to Madchester to prog rock to bop to dub all making appearances all through.”
“‘Each Night’ was written in the course of the ending levels of a relationship,” shares collaborator Mazy. “I used to be at all times working late and didn’t personal a automotive, so I discovered myself operating dwelling to her by way of the empty streets at midnight. It is a music about realizing that one thing is coming to an finish, however holding on to the enjoyment and fantastic thing about the best way it was, not but able to let go. The music got here collectively organically, we really feel it captures the essence of providing your greatest firstly of making one thing new and are honored to collaborate with Poolside, whose work we admire.”
The “Each Night” single is accompanied by a video directed by rising artist Nathan Castiel (https://nathancastiel.com/) whose portfolio contains work for Remi Wolf, Jackson Wang and Surf Case. Between a retro-futuristic setting paying homage to A Clockwork Orange, Castiel tapped AI artist Max Kreis who utilized off-market know-how to weave velvety illustration all through enhancing the storyline. Shares Castiel on the video, “With ‘Each Night,’ I wished to inform a darkish and quirky sci-fi story a few younger lady hooked on an immersive VR world. The video is multimedia, with half shot stay motion on 16mm movie and the opposite half animated utilizing generative AI strategies. I collaborated with an unbelievable animator named Max Kreis who has been working with generative AI for shut to five years. The know-how is a little bit of a darkish artwork to me however I knew it could be the right maximal digital foil to the narrative’s minimal analog aesthetic.”
Meanwhile, Poolside who simply carried out stay its greatest present of its profession to an viewers of 40,000 at Mexico’s Festival Vaivén is confirmed for a lot of excessive profile pageant dates this 12 months together with Lollapalooza, Osheaga, Outside Lands, Corona Capital, Format Festival, Austin City Limits and extra:
Date – Venue/Event – City
May 20 – Tecate Supremo – Juarez, MEXICO
May 21 – Corona Capital – Guadalajara, MEXICO
May 26 – The Marble Bar – (Movement Afters) Detroit, MI
As many seminal 90s events the place Ross Harper started his journey are trying again by celebrating his twenty fifth and thirtieth birthdays, Harper is embodying his experiences and writing the longer term. The Dark Album is now blossoming into a group of music that could be a assertion to a divided scene about musical unity in range. Harper has personally been road-testing the remixes in London, Amsterdam and Barcelona as a part of 2023/24 The Dark Album World Tour.
The crowd response has been excellent, the appears on a few of the raver’s faces when these tracks drop is second to none. The Kay Barton remix brought on full drama, as did the extremely highly effective JoeFarr remix. Feedback from the Barcelona present was an absolute dream with a few guys emphatically stating this was one of the best DJ that they had ever heard, related feedback got here from Harper’s time at Sisyphos, the place one raver stated he had lived in Berlin for 10 years and this was one of the best DJ set he had heard.
Volume 3 has an distinctive high quality to supply from 4 excellent artists. Harper first got here throughout AMAS with their Face 1 EP, he was surprised by the emotion held of their deep techno sound. The Jozef Ok tackle My Gift runs in an identical vein, holding feeling and area within the sound, truly the AMAS and Jozef Ok remixes work superbly “within the combine”. Kay Barton ramps issues up in unbelievable model with a pressure of power that’s as grounded as it’s area age. The build-up on this observe is totally wild, the facility of which should be witnessed to be believed. Finally, after his Zeitgeber remix from Volume 2, Mario rejoins The Dark Album remix throng, this time with a wonderfully paced downtempo vibe.
AMAS are a mysterious duo hailing from southern Germany, writing music that displays the psychology of recent life. Their tackle My Gift concerned threading in elements of their poem referred to as The Void. The wealthy harmonics are achieved by means of basic {hardware} such because the Juno 60 and Moog Subsequent 37. The result’s a timeless piece of latest musical poetry.
Jozef Ok is a longtime UK producer with releases on established labels reminiscent of Last Night on Earth and DJ assist from the likes of Dixon, The Blessed Madonna and Jo- ris Voorn. For his remix, he labored utterly “within the field” and focussed on creating a robust bass to accompany facets of the unique melody, in addition to threading in some stand-out Jozef Ok atmospherics.
Kay Barton heralds from the identical era as Harper himself, with roots and connections to the unique Berlin Love Parades, he has been producing since his teenage years and has seen releases on labels reminiscent of Bonzai and Trapez. So it’s no shock that his remix attracts on that unique 90s power, albeit with fashionable manufacturing high quality. Barton utilises Harper’s bleeps and psychedelic tones, then bounds them up in a tougher, quicker model with a robust Arturia Brute synth lead after the drop.
Harthouse, Broque and Form&Terra mainstay, Mar io adorns us in his comfortable spot for downtempo, which, once more has a hyperlink to the 90s by means of teams reminiscent of Morcheeba and Massive Attack. When he heard The Power of Three he was transported again to “that place” and felt impressed to create a quiet and relaxed remix that’s appropriate for residence listening, after-hours and chillout areas.
