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Tag Archives: Rocky Mountain Audio Fest

Audio Advice Live 2022 | PREVIEW

Audio Advice Live 2022 is only one week away! Our coverage begins on Friday the 19th of next week and runs continuously until completed. From our most recent communication at Audio Advice, the entire Sheraton […]

A New Audio Show Emerges | Audio Advice Live 2022

A new high-end audio show emerges! Audio Advice Live 2022 (website) is a three-day audio show event, beginning on Friday, August 19th, 2022 and ending on Sunday, August 21st, 2022. The show runs from 8am-6pm […]

Pitch Don’t Even: The Global Quest for a Lowering of the Standard Tuning Pitch

Forgotten Audiophile History This series explores little-known stories of twentieth century audio technology, sound experiences, and radio chicanery. There are some ideas so compelling that you want to drop everything and take up the cause full-time. The fact that it gives you a reason to drop all that job, house, and spouse baggage is an extra bonus. Ideas like this correspond to something akin to the hot-crazy-matrix, where the idea is so distractingly lovely that you may find yourself at a Berlin conference surrounded by neo-Nazis particularly interested in tuning forks. It happens. Words by Nan Pincus In 1989, Pavarotti, Birgit Nilsson, Joan Sutherland, and Plácido Domingo got seduced by one such idea, namely that if the international standard for middle C was lowered from 262 Hz to 256 Hz, (and correspondingly, the tuning for the A above middle C would be lowered from 440 Hz to 432 Hz) classical music would be restored to its place as the pinnacle of art and civilization, and the world would stop decaying like an antebellum tooth. In this case, the hot crazy lady was Helga Zepp-LaRouche, a German woman with no musical pedigree, who got the financial resources and the type of […]

Jeff Rowland Design Group Conductor Phono Preamplifier | Review

  Having a Jeff Rowland Design Group product in my reference system reminds me, in a roundabout way, of one of the greatest hi-fi systems I’ve heard. This happened nearly a decade ago, at the 2011 Consumer Electronics Show in Vegas. I had just received my Trenner & Friedl ART monitors—yes, I’ve owned these little gems for almost ten years now—and I was invited to Bob Clarke’s Profundo room to meet Peter Trenner and Andreas Friedl. (This was the first time I had met Bob as well, come to think of it.) Bob had brought Trenner & Friedl’s newest version of their $175,000 flagship speaker, the Duke, all the way from Austria to Vegas at considerable cost, and after a couple of hours of listening and drinking and even dancing with Colleen, I came to the conclusion that every single track we played sounded glorious, and these were perhaps the finest speakers I’d heard up to that point. (I’m sure they still are, but it’s been a while.) The system behind these magnificent speakers was quite simple. Obviously, everything was wired up with Cardas Audio Clear (T&F uses Cardas for their internal wiring), using a dCS Puccini transport as a […]

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