Tag Archives: PA

JBL Eon One MK2 Portable P.A. — A Real-World Review

JBL EON ONE MK2 Portable P.A. — A Real-World Review

MIX VERDICT: JBL EON ONE MK2 All-In-One Rechargable Column Speaker
THE TAKEAWAY: “The JBL EON ONE MK2 does lots of issues effectively, answering the wants of a different person base that can use it for an equally broad variety of purposes.”
COMPANY: JBL • www.jblpro.com
PRICE: $1,249
PROS:
• Solid sound with good throw; sturdy, modern design.
• Setup/tear-down is fast and easy.
• Lots of DSP settings for execs who need to get in-depth.
CONS:
• Mixer labels onerous to see in low-light conditions.
• System’s many nooks may have supplied a spot to maintain the AC twine.

Portable P.A.s must be lots of issues—highly effective sufficient for a professional, easy sufficient for a novice, sturdy sufficient to journey, and versatile sufficient to sound good in a foul room. Over the previous few months of testing, I’ve discovered that the JBL EON ONE MK2 All-In-One Rechargeable Column Speaker checks off all these containers.

TESTING THE JBL EON ONE MK2

The makes use of for a transportable P.A. are countless, as they will present reside sound in all places from occasions at homes of worship, colleges and group conferences, to musicians enjoying in a small setting like a espresso home and even busking on the road.

All Mix Real-World Reviews take a look at tools in working conditions the place it has to ship, so I used the EON ONE MK2 for 2 sorts of purposes: a number of library lectures, the place it needed to deal with spoken phrase and laptop computer audio, and extra conventional live-music use, i.e., reside and recorded music at a vacation social gathering.

Testing it in all these conditions, the system was simple to move and arrange. The EON ONE MK2 is just below 43 kilos, so it’s not light-weight, however you’re not going to throw your again out earlier than a gig both. It is sturdy and cleanly designed, too, so it slides into the again of an SUV or a automobile trunk with out snagging on something.

WHAT YOU GET WITH THE JBL EON ONE MK2

Supporting a three-part array column, the cabinet itself houses a 10-inch bass-reflex woofer, which provides low end down to 37 Hz.
Supporting a three-part array column, the cupboard itself homes a 10-inch bass-reflex woofer, which supplies low finish right down to 37 Hz.

The coronary heart of the system is the primary cupboard, which not solely serves up bass but additionally serves as a base. Supporting a three-part array column, the cupboard itself homes a 10-inch bass-reflex woofer, which supplies low finish right down to 37 Hz.

The column, in the meantime, is residence to the system’s rechargeable battery (6 hours of use from 2.5 hours of charging) and a phalanx of eight 2-inch tweeters in a c-shaped array. The tweeter association allows you to cowl a decent-sized viewers whereas providing you with some slack in relation to putting the system in a room. If you’ve got a less-than-ideal acoustic setting and have to position it off-axis to your viewers, the 140-degree horizontal dispersion is useful, whereas the 30-degree vertical dispersion ensures the EON ONE MK2 will be heard no matter whether or not it’s on the identical degree as the group, above it on a stage, or beneath it on the backside of a corridor with raked seating.

The again of the cupboard is designed to soundly maintain the tweeter column’s three segments throughout transport; when faraway from their slots, the tweeter array, a spacer and the battery slide collectively to assemble the array column, which in flip drops right into a socket on the cupboard’s prime (as a result of the spacer is hole, it could be nice if it had a small compartment to hold the P.A.’s one unfastened merchandise—the AC twine).

CONTROL OPTIONS FOR THE JBL EON ONE MK2

Removing the segments from the cupboard reveals the built-in mixer on the again, based mostly round 5 channels—three XLR-1⁄4-inch mixture connectors, a line enter and a 3.5 mm Aux In; channels 1 and a couple of provide phantom energy if wanted. There’s additionally a pair of USB slots, a vibrant, shade LCD show, and 6 multifunction knob/button encoders for quantity/menu entry, acquire, bass, mid, treble and reverb. While it’s all well-labeled and accessible, the management panel is recessed into the cupboard, which I discovered made the labels tougher to see in low-light settings. Luckily, the system can be managed remotely through Bluetooth with the free JBL Pro Connect app.

The JBL EON ONE Mk2's built-in mixer.
The JBL EON ONE Mk2’s built-in mixer.

The JBL Pro Connect app simplifies entry to the P.A.’s onboard options, which embody some simply discovered EQ presets for spoken phrase, female and male vocals, acoustic guitar and bass. For those that need to take a deep dive into the onboard DSP, accessing it through the app is the way in which to go, as it will possibly shortly get you into the customizable settings of the Lexicon results (reverb, refrain and delay), dbx Driverack choices resembling Automatic Feedback Suppression, and a Ducking by Soundcraft function. Making adjustments through Bluetooth means there’s a 2- to 3-second lag earlier than listening to the outcome, however that’s a small value to pay for having the ability to management the system remotely.

[JBL released a major update to the JBL Pro Connect app after this review went to press; the new V.11 adds BLE security, a hardware system lock and more.]

REAL-WORLD USE OF THE JBL EON ONE MK2

We tested the EON ONE Mk2 at a number of public library lectures.
We examined the EON ONE Mk2 at a lot of public library lectures.

My library lectures, delivered in a small group room, a lecture corridor and a former college gymnasium, required a wired mic on Ch 1, and sound from a laptop computer inputted by the Aux In 3.5 mm enter on Ch. 5. In every venue, the EON ONE MK2 was greater than in a position to maintain its personal, offering readability because it coated the crowds with out knocking them over. The system can dish out 123 dB peak when utilizing AC or 119 dB peak when operating on battery energy; maybe unsurprisingly, I didn’t have to get that loud within the libraries.

Audio from movie clips performed again from a laptop computer retained their energy and musicality, and utilizing the spoken-word preset gave form and definition to the talking voice, which significantly helped within the former gymnasium.

As for enjoying reside music—the EON ONE MK2’s raison d’être in any case, because it’s primarily geared toward solo performers—it made amateurs at a loud social gathering sound pretty much as good because it may, and clearly skilled musicians may actually profit from the system’s output. I plugged two vocal mics and an electrical guitar into it, and every one had an outlined relative presence within the ensuing sound. The female and male vocal presets introduced some appeal to the mics, and everybody sounded much better than they deserved (myself included). Meanwhile, trendy pop performed again through Bluetooth (Taylor Swift’s omnipresent Midnights) sounded stable and grounded with out that barely hole really feel that some audio system have when enjoying again Bluetooth materials.

FINAL THOUGHTS ON THE JBL EON ONE MK2

The JBL EON ONE MK2 does lots of issues effectively, answering the wants of a different person base that can use it for an equally broad variety of purposes. Setting up and tearing down is straightforward and fast, and the design is sturdy however nonetheless fashionable. The built-in mixer and DSP choices shall be comparatively intuitive for execs, however novices will need to dig in and get to know their new system earlier than placing it in entrance of an viewers. While utilizing the JBL Pro Connect app is non-obligatory, I’d suggest it for the straightforward entry to deep settings and the flexibility to make adjustments remotely.

The most necessary facet of a P.A., nonetheless, is its sound, and that’s the place the EON ONE MK2 shines, benefitting from JBL’s many years of expertise because it supplies clear, satisfying audio that covers an area effectively. The JBL EON line has been a favourite for musicians and professional audio specialists for many years, and the EON ONE MK2 supplies one other prime instance of why.

LD Systems DAVE G4X Series PA Launches

LD Systems’ new DAVE G4X Series PAs come in DAVE 18 G4X, DAVE 15 G4X and DAVE 12 G4X variations.
LD Systems’ new DAVE G4X Series PAs come in 18, 15, and 12 G4X variations.

Neu-Anspach, Germany (December 6, 2022)—German pro-audio manufacturer LD Systems has introduced its new DAVE G4X loudspeaker Series. An active 2.1 PA system for DJs, live groups, solo entertainers, parties and the like, it is available in four sizes and performance classes.

Models available include the DAVE 10 G4X (2 x double 4” satellites + 10” subwoofer, 680 W), the DAVE 12 G4X (2 x 6.5” satellites + 12” subwoofer, 1,460 W), the DAVE 15 G4X (2 x 8” satellites + 15” subwoofer, 2,060 W), and the DAVE 18 G4X (2 x 8” satellites + 18” subwoofer, 4,000 W).

All of the versions now feature an integrated 6-channel mixer with input options to aid working with microphones, instruments, line-level signals and auxiliary players – wired and wireless, thanks to integrated Bluetooth for easy streaming via a smartphone or tablet.

The mixer’s first two channels are designed as channel strips, allowing for the optional connection of a microphone, a high-impedance instrument and line-level sources. Stereo line inputs 3 + 4 are suitable for keyboards, synthesizers, drum machines or small e-drum kits. Each version also includes a digital SPDIF stereo input and Bluetooth connectivity so that a setup can be expanded with a media player, computer or smartphone to play backing tracks, sound effects, intermission music, or to use the DAVE G4X as a karaoke system.

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The DAVE line makes use of new compression drivers and waveguides for homogeneous and directional dispersion, as well as FIR filters and DSP technology. In addition, the subwoofer has been equipped with a larger voice coil than previous DAVE iterations, and an optimized bass reflex system to reduce ventilation noise.

The series also has selectable mode presets for classic stereo use or a setup with two closely spaced satellites on a T-stand above the subwoofer. This latter preset allows for the interference-free clustering of two satellites through a special M/S division and reproduction of the stereo signal for more headroom and directivity. The range extends from custom-fit bags to a roller board and the aforementioned T-stand. A pole mount stand and a wall mount for the satellites are also available, especially for the DAVE 10 sound system.

The three bigger models of the series DAVE 12, 15 and 18 are available now. The DAVE 10 model will be available from the beginning of 2023.

Meyer Sound Unveils Leopard-M80 Loudspeaker

Meyer Sound Leopard-M80 Loudspeaker
Meyer Sound Leopard-M80 Loudspeaker Clive Young | Pro Sound News

Berkeley, CA (January 22, 2021)—Meyer Sound has unveiled its new Leopard-M80 narrow coverage linear line array, available immediate. Leopard-M80 is identical to the existing Leopard design except that it provides an 80° horizontal pattern instead of the 110° coverage of the original model. Because the vertical coverage and rigging hardware are identical to the original Leopard, the new Leopard-M80 can be configured in mixed arrays of both loudspeaker variants; the company suggests using Leopard-M80 loudspeakers in the upper array section to provide focused long-throw coverage while Leopard loudspeakers below spread horizontal coverage for closer seating sections. Arrays configured with only Leopard-M80 loudspeakers can offer a long throw with reduced spill to the sides of the array, aiding use in narrow venues with reflective side walls, as well as in outdoor applications where side spill into adjacent areas must be minimized to conform to noise regulations.

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Leopard-M80 also affords additional system configuration options. Leopard enables tighter horizontal control across a broad spectrum of outfill, center fill and delay applications when used in large-scale systems with Leo and Lyon main line array systems. All current Meyer Sound line array loudspeakers share a common acoustical signature. “Leopard has been one of the most successful loudspeakers in our company history and is by far the bestselling member of our line arrays,” notes Meyer Sound vice president and chief loudspeaker designer Pablo Espinosa. “With Leopard-M80 we are offering system designers and rental companies yet another option to create high-performance, cost-effective systems for any application, from a small club with Lina arrays up to massive stadium and festival systems with LEO main arrays scaling down through Lyon and Leopard fill and delay systems.” Meyer Sound • www.meyersound.com

Star Spangled Panner Aims to Aim Speakers

The Star Spangled Panner
The Star Spangled Panner and Star Spangled Panner Mini.

London, UK (December 4, 2020)—Live sound engineer Matthew Russell has used pandemic downtime to invent the Star Spangled Panner and Star Spangled Panner Mini—tools for precisely setting the horizontal pan of speaker cabinets.

“These products have been specifically designed to address the difficulties in achieving the precise real-world realization of the orientation of event fixtures according to a CAD model, such as those generated in ArrayCalc or MappXT,” he told Pro Sound News. “From a sound perspective, which is my background, the purpose [is] to optimize HF coverage of point sources; however, I also see them having applications in the world of LX and AV.”

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While it is relatively easy to adjust the vertical tilt of a speaker cabinet to ensure coverage matches that suggested by analysis software, adjusting horizontal pan is often done by eye—so the Panner aims to bring a greater level of precision to that effort.

Designed to work with clamps by Doughty, the Panner is placed between the rigging frame yoke and clamp. The clamp is then used as a fixed reference to determine the pan of an individual fixture or splay of adjacent fixtures.

Produced and sold by Augment The Event Ltd., the Panners are CNC milled out of 6082 T6 Aluminum which are then black anodized and engraved for touring durability. The laser boxes are 3D printed out of matte black PLA.

Russell is a UK-based production sound engineer with 12 years experience in the UK theatre industry, working for a number of theatre producers including ATG Productions, RSC, National Theatre Productions, Fiery Angel, Headlong and Chichester Festival Theatre.

Star Spangled Panner • www.starspangledpanner.co.uk

1873 Cathedral Updates with 2020 Audio System

Built in 1873, St. Eugene’s Cathedral in Derry, Ireland, now sports a sizable d&b audiotechnik xC-Series system.
Built in 1873, St. Eugene’s Cathedral in Derry, Ireland, now sports a sizable d&b audiotechnik xC-Series system.

Derry, Ireland (June 8, 2020)—Following an architectural refurbishment and technical systems upgrade to match, St. Eugene’s Cathedral in Derry, Ireland, now sports a sizable d&b audiotechnik xC-Series system to help parishioners hear sermons within the massive stone house of worship.

Built in 1873, the cathedral is from an era before audio systems, and has the reflections and reverberations to prove it. Looking to tame them, however, the church turned to acoustical consultant Michael Kielty of Belfast-based MK Audio, who in turn recommended a distributed system, and contacted Absolute Technologies for a specific solution recommendation that would meet the church’s requirements.

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Absolute Technologies brought on the xC-Series column loudspeakers from d&b audiotechnik. Supported by Oran Burns from d&b’s Application Support team, Absolute made an initial design for the church using d&b ArrayCalc software to predict coverage and decide on suitable loudspeaker positions. Following this, an in-situ system demonstration was arranged and was decided upon as the solution for the church.

The design uses an inner pair of d&b 24C-E cabinets at the front and an outer pair of 24C serving the aisles; further down the room are two more pairs of 24Cs as delays, again arranged as inner and outer pairs. The system is powered by two d&b D10 amplifiers. For control, simplicity was key, with as little user interaction required as possible. An Allen & Heath Qu-Pac mixer is provided, with presets for the various regular services.

Aside from intelligibility, St. Eugene’s presented another major challenge: building restrictions forbid the fixing of hardware to walls and pillars. The only option was the creation of custom floor-mount brackets. Designed in conjunction with the architect and a specialist engineering company, each bracket is unique, to account for floor height and pan angle, and incorporates a plate for mounting beneath the floorboards and a rear cover to hide mounting bolts and cable. The back plate is finished in the same RAL colour as the loudspeaker, and the base plate in stainless steel to reflect its surroundings.

d&b audiotechnik • www.dbaudio.com