Tag Archives: Technology

Tracktion Waveform Pro 12.5 Launched

Waveform Pro 12.5
Waveform Pro 12.5.

Seattle, WA (May 30, 2023)—Tracktion Corporation has launched Waveform Pro 12.5, a free replace for all Waveform Pro 12 customers that provides enhanced video help, DJ edit instruments, stem separation and a bunch of workflow and UI enhancements.

The launch of 12.5 provides two brand-new packs to the record—‘Pro Video’ and ‘DJ Mix Tools,’ that are additionally out there to buy individually in Waveform Free 12.

With the brand new Pro Video features, a number of video clips can now be dragged right into a single undertaking and organized or edited as wanted. Scalable thumbnails pace syncing audio, and audio fades and results plugins could be utilized on to video tracks. Once a undertaking is full, Waveform 12.5 can export high-resolution video straight from the edit. Alternatively, customers can render and change audio on current video information.

Tracktion Waveform Pro V12 Launches

Music modifying, in the meantime, will get the addition of recent DJ Mix Tools which now additionally embrace Stem Separation. New features embrace computerized temp sync, acceptable for DJ edits or remixes, and coloured waveforms, to assist determine sections of songs or particular components inside a clip. The addition of stem separation permits customers to separate stereo mixes or extract particular components like a vocal or drums.

Elsewhere within the replace, workflow enhancements embrace Global Tracks Fold to assist hold tracks tidy, Loop Selection Move and fast entry to grasp channel plug-ins. Task administration has been upgraded with enchantments to the Rack; Multi-out plug-ins can now be mechanically wrapped, a plug-in can now be set as a default, new Meter controls have been added to Faceplates, and a Rack’s Faceplate can now have its personal window, which itself could be set as a default.

Tracktion has introduced additionally that every one merchandise on its web site are 40% off by means of June 10.

Okay-array Readies Software Suite for InfoComm 2023

K-array's K-Framework.
Okay-array’s Okay-Framework.

Firenze, Italy (May 30, 2023)—Okay-array will launch new pro-audio software program choices to enhance and management a wide range of merchandise from its manufacturers, together with Okay-array, KGEAR and KSCAPE, at InfoComm 2023 in June.

Of specific be aware is Okay-Framework, an offline software designed for 3D simulation and amplifier configuration that permits superior customers to simulate room protection after which configure the amplifiers related to the requisite loudspeakers.

Okay-array additionally will bow the Okay-Connect cellular app, obtainable for iOS and Android units, which goals to streamline the entry process by permitting customers to connect with any Okay-array amplifier hotspot with a scan of the QR code. The app provides searching and modification of settings with a simplified consumer interface.

Okay-array KGEAR Loudspeakers, Audio Matrix Debut

On-site, superior customers can use the brand new Okay-array internet app, providing common configuration of methods. For technical help throughout commissioning and for ongoing monitoring, Okay-array will probably be introducing Okay-Monitor, offering discovery instruments.

The software program options’ launch is a part of an organization initiative to supply a completely related suite of companies for design, configuration, management and monitoring. The Okay-array USA staff will probably be readily available to elucidate extra about new software program choices {and professional} audio options at InfoComm 2023 in Orlando Florida at sales space #4981.

Antares Auto-Tune Vocal Compressor – A Mix Real-World Review

Antares Auto-Tune Vocal Compressor

MIX VERDICT: Auto-Tune Vocal Compressor
THE TAKEAWAY: “If you need the pliability of mixing compressor engines and the comfort of clever settings, I might positively advocate Auto-Tune Vocal Compressor.”
COMPANY: Antares • www.antarestech.com
PRICE: $179 (perpetual license, contains one yr of Auto-Tune Unlimited); $174.99/yr as a part of Auto-Tune Unlimited Subscription.
PROS:
• Handy two-stage structure.
• Assist function supplies “clever” settings.
• Three classic compressor emulations included.
• Modern module affords clear operation and sidechain entry.
• Auto-Tune Pitch Filter geese different tracks primarily based on a vocal’s pitch.
CONS:
• Can’t hear Assist settings till you hit Apply.
• Assist settings usually embrace an excessive amount of achieve discount.

With the discharge of the Auto-Tune Vocal Compressor plug-in (Mac/Windows), Antares goals its vocal-software experience on the crowded and aggressive compressor market. The plug-in is an modern dual-stage processor—that includes emulations of a number of basic {hardware} compressors—and employs machine-learning know-how for creating automated settings primarily based on the supply audio.

Although Antares makes use of “Vocal” within the product identify, this compressor can be well-suited for instrument tracks.

The plug-in’s GUI incorporates a slick, fashionable design. You can change between Dark and Light modes or set it to observe your system. You can freely resize the GUI by clicking and dragging on the decrease right-hand nook, making it significantly smaller or bigger than its default measurement, which is kind of useful.

Near the highest on the left aspect is the Setup part, the place you’ll be able to change between Dual and Single modes. Below is an Input achieve management and meter, together with the Assist part.

An Output degree management and meter are on the suitable, and beneath that could be a Mix knob, which lets you create parallel compression results in case you flip it beneath one hundred pc moist.

You additionally get commonplace Antares international controls for Undo and Redo, preferences and an on/off change.

THREE EMULATIONS

The plug-in defaults to Dual Mode, however you’ll be able to configure it to make use of only one compressor if most well-liked. In Dual Mode, the compressors you select—or those the plug-in chooses for you—get organized in a serial configuration.

You can populate every stage with one in every of 4 completely different compressors: FET Compressor emulates an 1176; Opto A an LA-2A; and Opto B a Tube-Tech CL1B. The fourth selection, Modern, is a digital compressor designed to sound clear. Each of the fashions has a unique management set. In the case of the emulations, the controls are carefully primarily based on the unique {hardware}.

The FET Compressor controls embrace Input, Output, Attack, Release and ratio buttons for 4:1, 8:1, 12:1 and 20:1, similar as discovered on an 1176. Faithful to the unique, the Input management governs the compression quantity. However, Attack and Release are usually not oriented backward as they’re in an precise 1176.

Opto A options Peak Reduction and Gain. Similar to an precise LA-2A, the quantity of compression is managed by the Peak Reduction setting, not the enter degree.

The management set on Opto B resembles that of a CL-1B, with Threshold, Ratio, Attack, Release and Gain controls.

All three of the emulations function an extra button labeled Warm. Modeled from FET transformers, the Warm impact is designed so as to add analog traits to the sign. On the FET and Opto B fashions, its degree is decided by the Input Level. On Opto A, Antares offered a degree knob for it.

Without query, the emulations seize the flavour and habits of the processors they mannequin. They don’t have fairly as a lot character as a few of the devoted plug-in emulations of these models, I discovered, however they had been fairly shut.

AND ONE FROM ANTARES

Controls for the Modern module embrace Threshold, Ratio, Knee, Attack, Release and Gain. Because of the dual-stage structure, you’ll be able to stack the Modern module earlier than or after one of many emulations. That manner, you’ll be able to benefit from its further parameter management whereas benefiting from the analog traits of any of the emulative modules.

The Modern setting additionally options sidechain entry, for which it affords a number of choices. These embrace high-pass and low-pass filters, which you’ll be able to assign to the interior sidechain or an exterior sign from one other observe. Antares doesn’t specify the frequencies at which these filters are set. I attempted the high-pass filter on a drum loop the place the kick drum primarily triggered the compressor. With the HPF on, the snare predominantly triggered the processing as an alternative, which was preferable.

The Auto-Tune Pitch Filter modifies the sidechain. (It took me a short while to determine easy methods to set it up, because the handbook doesn’t go into enough element.) With the compressor engaged on a vocal observe, the Auto-Tune Pitch Filter routinely tracks the vocal’s pitch. Then you probably have the compressor inserted on one other observe that’s in an identical vary to the vocal and is masking it barely, the sidechain sign will compress that observe primarily based on the pitch information it’s receiving from the occasion inserted on the vocal. The impact is fairly delicate, but it surely does assist your vocal observe stand out if it’s getting masked.

Despite the identify Auto-Tune Vocal Compressor, the Pitch Filter is the one space the place Auto-Tune know-how figures into the plug-in’s operation. I perceive the identify from a advertising perspective, and Antares certainly has a number of different plug-ins with “Auto-Tune” within the identify that don’t tune vocals. My guess is that some clients would possibly anticipate it to incorporate auto-tuning.

MAY I HELP YOU?

Machine studying comes into play with the Assist function. Like different “clever” plug-ins, it analyzes the supply observe and provides you a “start line” setting. To use Assist, you first should choose an Input Type from a selection of Soprano, Alto-Tenor, Low Male, Instrument and Bass Inst.

Next, you select Minimal, Controlled or Aggressive, which units the compression quantity. Minimal is 0 dB to -3 dB of achieve discount, Controlled -3 dB to -6 dB, and Aggressive -8 dB to -12 dB.

Finally, you specify whether or not so as to add saturation to the sign and the way a lot. Choosing Clean Vocals disables any saturation. Warm and Full affords a modest quantity, designed so as to add heat however not sound clearly distorted. Gritty Vocal supplies essentially the most saturation, for what Antares calls “an analog, energetic sound.”

After choosing these preliminary settings, play the observe and press the Learn button. You’ll see a countdown from 5 within the Assist part of the GUI. When it reaches 0, a pop-up window exhibits which compressors the Assist engine selected and their parameter settings. It offers you the choice to use the settings or not.

SPL MTC Mk2 Monitor Controller – A Mix Real-World Review

Unless you see one thing you don’t like within the offered parameter settings, you’ll in all probability wish to hit Apply usually, as you’ll be able to’t hear the setting’s impact till you do. If you don’t like what you hear, you’ll be able to run the Assist course of once more with completely different settings.

This workflow appears a bit clunky to me. I might have most well-liked to listen to the outcomes earlier than deciding whether or not to maintain them or strive the Assist course of once more.

I used Assist to create settings for lead and background vocals, in addition to drums, bass and guitar tracks. It at all times introduced me with a Dual mode setting. That didn’t shock me as a result of the stacking of two completely different compressors is among the handiest options of this plug-in, and it lets you do extra with the processing than you would with a single compressor.

The Assist function’s settings put me within the ballpark in virtually all circumstances. Sometimes I didn’t really feel the necessity to tweak them in any respect. My solely difficulty was that they tended to be a bit heavy-handed, and I usually needed to dial again the quantity of compression. Also, a couple of times the Assist setting decreased the amount significantly with out including make-up achieve. For essentially the most half, I appreciated having the choice to start out with an automated setting, particularly for combining two compressor varieties.

In addition to the Assist settings, the plug-in affords a modest assortment of presets of the Factory and Artist selection. The latter contains presets from Electropoint, Gloria Kaba, J-Ray and Jacquire King.

THE SUM OF ITS PARTS

Auto-Tune Vocal Compressor is an formidable and modern plug-in that mixes a number of {hardware} fashions with automated AI-based settings in a single product. The means to simply stack two compressors makes mixing compressor flavors and behaviors simple.

The plug-in can be fairly versatile and works properly on devices and vocals. If you’re trying strictly for a basic compressor emulation, I’d advocate a plug-in that does that completely—however if you need the pliability of mixing compressor engines and the comfort of clever settings, I might positively advocate Auto-Tune Vocal Compressor.

Auto-Tune Vocal Compressor is accessible via a perpetual license or by subscription to the Antares Auto-Tune Unlimited program, which incorporates the entire firm’s plug-ins for a low month-to-month cost.

Like many music software program builders, Antares is pushing its subscription program fairly exhausting, and in case you’re okay with getting your software program that manner, it’s actually a greater worth. Even in case you purchase fairly than subscribe, you get a free yr of Auto-Tune Unlimited, which is an effective deal. Either manner, a 14-day free trial can be provided, so you’ll be able to put it via its paces earlier than deciding whether or not it matches your wants.

IK Multimedia Launches iLoud MTM Immersive Speaker Mounts

IK Multimedia iLoud MTM Immersive Speaker Mounts
IK Multimedia iLoud MTM Immersive Speaker Mounts.

New York, NY (May 25, 2023)—IK Multimedia has shipped its new iLoud MTM Wall/Ceiling Mounting Brackets, meant for creating knowledgeable monitoring setting for immersive audio.

Custom IK mounting brackets for immersive installations are actually out there however the brackets will also be used on a typical microphone stand. Designed with the iLoud MTM Immersive Bundle in thoughts, the metallic brackets provide adjustment for positioning the audio system to swimsuit any mixing area and configuration.

iLoud MTM’s 3/8″ threaded backside additionally permits them to be mounted straight to straightforward mic stands in most international locations or through the use of a 5/8″ plug to three/8″ socket thread adapter (required for the US and a few territories).

IK Multimedia Axe I/O ONE Audio Interface Debuts

Using the included MEMS measurement microphone, the audio system’ built-in ARC self-calibration system adjusts shortly, correcting each’s output in each place, together with ceiling-mounting with the goal of a real phase-coherent response throughout the frequency spectrum for pure sound.

iLoud MTM screens are reportedly 30 to 50% smaller and lighter than comparable studio screens. The Immersive Bundle and mounting brackets can be found now from the IK Multimedia on-line retailer and from IK licensed sellers worldwide.

The Immersive Bundle 11 prices $3999.99. It contains 11 x iLoud MTM screens and 1 x ARC MEMS measurement microphone. Meanwhile, the iLoud Wall/Ceiling Mounting Bracket runs $49.99 per unit.

Positive Grid Bias FX 2 Update – A Mix Product of the Week

The marketplace for amp-and-effects modeling software program is extremely aggressive, with many glorious merchandise obtainable. Nowadays, just about each developer providing such merchandise does a great job of modeling the sounds of assorted amps and results. So to face out, a product should present extra worth and utility. With the newest replace of BIAS FX 2 (v. 2.6.0), Positive Grid does simply that, including a number of spectacular new capabilities and enhancements to present options.

BIAS FX 2, which options modeled guitar and bass amps and results, features a plug-in and a standalone utility and is appropriate with Mac and Windows. Positive Grid revised 10 of the amp fashions utilizing a brand new DSP engine. According to the corporate, the up to date fashions provide richer tones and extra responsive dynamics. The new model contains these 10 along with a set of “Legacy” amp fashions whose dimension varies relying on which tiered model of BIAS FX 2 you buy. The most costly tier, BIAS FX Elite ($209), contains 100 amps whole. The Pro model ($139) comes with 60 amps, and the Standard model ($69) 30.

Dear Reality MIYA – Mix Product of the Week

Audix PDX720 Signature Edition Vocal Microphone – Mix Product of the Week

The new Cabs 3.0 characteristic contains new IRs for the ten transformed amps. It additionally makes mic placement simpler, and you’ll pan the 2 selectable microphone fashions on every cupboard to create true stereo blends. Meanwhile, Guitar Match II upgrades an revolutionary characteristic that means that you can apply completely different guitar fashions to your guitar’s tone, providing you with many extra sonic choices. The new Guitar Match Quick Mode makes switching fashions quicker and simpler; you may even flip your guitar right into a bass by selecting one of many bass fashions.

Another helpful characteristic is known as Rewind for Auto Recording. It mechanically captures your enjoying for as much as 10 minutes, making it simple to return and hearken to any riffs or concepts you got here up with whereas enjoying into it.

Positive Grid added a Cloud Bank characteristic for storing, backing up, and sharing presets. You can simply obtain artist, or user-uploaded presets from an intensive assortment. Although it’s now considerably extra highly effective than earlier variations, BIAS FX 2 can be extra environment friendly; acccording to Positive Grid, it’s extra steady, supplies higher reminiscence administration and reduces CPU utilization by 20 %.

The new model of Bias FX 2 is a free improve for present customers.

 

Pure Resonance Audio P110 Passive Speaker Debuts

Pure Resonance Audio P110 Passive Speaker
Pure Resonance Audio P110 Passive Speaker.

New York, NY (May 3, 2023)—Pure Resonance Audio has launched its new P110 10-inch, 2-way passive speaker.

Able to accommodate as much as 300 watts of energy, the P110 PA speaker encompasses a 10-inch graphite woofer and a 1.4-inch high-frequency compression driver for offering full-range sound at music performances, public talking occasions, company shows, health facilities, gymnasiums, medium auditoriums, small church buildings, advantageous arts school rooms, and different medium to massive venues. The speaker’s 300-watt output at 8 ohms gives a 100° x 70° audio protection with 96 dB sensitivity and a frequency response of 60 Hz – 20 okayHz.

The P110 has a rugged, scratch and fade-resistant black end and a metallic grille to guard the speaker elements from injury.  The high-grade 15mm thick medium-density high-grade fiberboard enclosure is handled for wear-resistant safety, and the metallic grill is handled with an anti-fading therapy. The exterior is constructed to resist long-term use and is straightforward to move, mount on a speaker stand, or set up with its M10 suspension flying factors.

Pure Resonance Audio S6 Speaker Launched

“We’re thrilled to carry the P110 10” 2-way cupboard loudspeaker to our vary of high-quality audio tools,” mentioned Shawn Holden, product line supervisor for Pure Resonance Audio. “We designed this speaker to satisfy the wants of functions that demand high-quality sound and sturdiness from their tools. We’re assured that the P110 will exceed expectations.”

The Pure Resonance Audio P110 10″ PA loudspeaker is on the market on the Pure Resonance Audio web site and thru licensed sellers.

Yorkville Sound YXL18SP 18” Subwoofer Launched

Yorkville Sound YXL18SP 18” Subwoofer
Yorkville Sound YXL18SP 18” Subwoofer.

Toronto, Canada (May 2, 2023)—Canadian professional audio producer Yorkville Sound has unveiled the YXL18SP powered subwoofer, supposed for the DJ and musician marketplaces. The YXL18SP is the newest addition to the YXL Series, Yorkville’s new line of powered cupboards.

The first subwoofer within the YXL lineup was launched in 2022—the 15-inch YXL15SP.  The new 18” YXL18SP continues to supply Yorkville Sound’s greatest ratio of energy, efficiency, and worth for an lively subwoofer enclosure. Providing 1,000 watts, the YXL18SP is loud for its measurement. Weighing in at simply over 70 kilos, the YXL18SP stays transportable and in a position to be maneuvered by customers as wanted to realize the specified sound protection.

Yorkville Sound YXL15SP Powered Subwoofer Launches

Jeff Cowling, Yorkville’s Vice President of Sales and Marketing feedback, “Our YXL line of inexpensive cupboards grew from two powered cupboards launched in 2020, to a sturdy number of powered and passive fashions for the working DJ and Musician.   With Yorkville’s specialty in Subwoofers, it made sense to double up by including the YXL15SP and YSL18SP. We now have two YXL powered sub choices which are accessible, versatile and which uphold our fame for excellent sound and sturdiness.”

The new powered subwoofer is obtainable now and can be utilized with any full-range cupboard.  Yorkville Sound’s YXL line consists of choices for 10, 12 and 15-inch full-range audio system.

oeksound’s Soothe Live Plug-In Comes to Avid S6L

oeksound’s Soothe Live Plug-In
oeksound’s Soothe Live Plug-In.

Burlington, MA (April 10, 2023)—Plug-in producer oeksound’s dwell mixing providing, Soothe Live, which adapts the know-how behind its recording-oriented Soothe and Soothe2 to the dwell atmosphere, is now obtainable for unique use on the Avid Venue S6L and HDX platforms.

Intended to deal with frequent dwell mixing challenges corresponding to overly shiny devices, proximity impact in vocals, muddiness and instrument bleed, the plug-in can be utilized to assist take away excessive harshness, undesirable resonances and sibilance, bleed from devices and obtain tonal stability throughout the frequency spectrum, decreasing undesirable frequencies in real-time.

Innovations: oeksound Soothe Live Plug-In

According to Olli Erik Keskinen, oeksound’s founder, “Turning it right into a dwell plug-in has at all times been our purpose, and we’re thrilled that our imaginative and prescient has come to fruition with the Avid VENUE | S6L platform as its host.”

The plug-in was rearchitected to go well with the S6L dwell sound atmosphere with a person interface optimized for the S6L system. It will also be used within the Pro Tools atmosphere with an HDX card. Equipped with low latency of 0.66 ms (roundtrip latency of 0.99 ms) and touchscreen usability, its parameters have been designed particularly for dwell mixing and are mapped to favor commonplace settings and customary use circumstances. Sound engineers can work together with it in a manner that most closely fits their workflows, utilizing knobs on the management floor, a mouse or the contact display.

Avid is providing all Avid Venue | S6L house owners on a present help contract a free one-year authorization of Soothe Live and will probably be extending this supply to new S6L customers in 2023.

JackTrip Remote Performance Platform Adds AI-Powered Packet Loss Concealment

Jacktrip Labs has added a new AI-powered loss concealment feature, and Soundscapes.
Jacktrip Labs has added a brand new AI-powered loss concealment characteristic and Soundscapes.

California (March 8, 2023)—Jacktrip Labs unveiled its distant collaboration Virtual Studio platform final yr, offering a means for musicians to remotely carry out collectively in real-time. Now the service has unveiled a pair of recent options supposed to enhance the person expertise for viewers and performers alike, with the introduction of a brand new AI-powered loss concealment characteristic, and Soundscapes.

The Soundscapes characteristic permits customers to customise the net efficiency house to their wants with quite a lot of presets to assist customise a digital setting to the performers’ tastes.  Users can add reverb and noise gate results, panning, limiting and compression to decorate their collective sound.

Audix A127 Microphone — A Mix Real-World Review

Another improve is JackTrip’s loss concealment expertise, which makes the Virtual Studio accessible by way of a wider vary of web connections. Making use of AI, JackTrip engineers utilized machine studying expertise to coach their platform to adapt to completely different connection kinds of various high quality. According to the corporate, this enables for potential glitches within the audio, brought on by misplaced community packets, to be eradicated in real-time.

CEO and co-founder Mike Dickey defined, “While web protocols are in place to adapt to poor connection high quality, this adaptation introduces loads of further latency which makes real-time collaboration tough. JackTrip’s AI-based loss concealment reduces latency by correcting high quality points because the collaboration is unfolding, making potential the sensation of being in the identical room and a way of neighborhood.”

SPL BiG Stereo Stage Processor – A Real-World Review

SPL BiG Stereo Stage Processor
SPL BiG Stereo Stage Processor
MIX VERDICT: SPL BiG Stereo Stage Processor
THE TAKEAWAY: “Carefully used, like any powerful processor, it can work wonders on non-correlated stereo audio and is magical!”
COMPANY: SPL • spl.audio
PRICE: $649
PROS:
• Very exacting stereo widening processor with specific parameters.
CONS:
• Takes time and some care when listening and adjusting.

SPL’s BiG is a dual-slot, 500 series stereo analog module that manipulates the stereo sound image, or stage. When used judiciously, the stereo width, presence and depth can be altered while maintaining accuracy and overall mix balance.

BiG, which is distributed by Focal-Naim America/Canada, works on the components of stereo audio that have little or no correlation between the left and right channels. Stereo L/R audio coming into BiG is algebraically summed [S=(L-R)] to produce a full-spectrum signal that contains only non-correlated information and phase anomalies, such as those generated by added reverb, room acoustics, multiple microphones and delays. This signal is fed into a highly modified, state-variable filter. A typical state-variable filter is capable of producing lowpass, highpass and bandpass outputs all at the same time, and all from a single audio input.

At the top of BiG’s front panel are the interactive Range and Stage controls, specifically designed controlling parameters for adjusting BiG’s state-variable filter. Range is the filter’s frequency control, with an operating range from 6 kHz, at full counter-clockwise (High), to 500 Hz at full clockwise (Open).

SPL of Germany MTC MK2 Monitor Controller Debuts

The larger Stage knob controls the filter’s bandwidth and slope. When the Stage control is fully CCW in the Back position, the center frequency of the Range control is 1.5 kHz. As Stage is turned clockwise, the Range frequency goes lower and lower—until about 110 Hz. Because of the filter’s design, the amount of phase shift and slope is identical in all positions.

With the Range control at High, turning the Stage control from “Back” to “Front” at full clockwise, the slope of the filter becomes increasingly steeper, with a concomitant phase shift. The sonic result is that stereo-panned instruments and voices become closer and louder to the “front of the stage” for the listener. As the Stage control reached the Front position, my auditory perception was that the stereo sound seemed to wrap around me.

The third control on SPL’s front panel is the large Bigness control knob that blends this processed audio back into the stereo output using a proprietary combining method.

The final section is a master EQ—a passive bell-shape equalizer for a 2 dB boost at 45 Hz and a 1.5 dB boost at 15 kHz. This EQ is based on the AirBass section of the SPL Iron Mastering Compressor.

MIXING WITH BIG

I found that BiG works most impressively on recordings that already have substantial, non-correlated acoustical ambiance recorded into them. Although any stereo audio can benefit greatly from BiG’s effect, mixes with many panned mono tracks, “stereo” synthesizers, and contrived L/R delays may not benefit as much.

I had a recording of Manhattan Transfer’s 50 album that has a cover of the Beach Boys’ song “God Only Knows.” This is a live orchestral and choir recording in a live hall using multiple microphones—there are no drums or percussion.

I loaded a copy of the stereo mix into Pro Tools with BiG inserted on the master bus. Listening on both my monitor speakers and headphones, I put a stereo instance of Nugen Audio’s Halo Vision plug-in on the master stereo bus/monitor to visually monitor phase and stereo correlation.

I kept the AirBass EQ on all the time and soon found that there is no wrong or bad way to set BiG except for maybe using way too much of its effect! Generally, the Bigness control only has to be about midway between off and straight up at 12 noon (“10” on the panel) to hear massive changes in the stereo imaging. Furthermore, you can expect a slight overall level increase through the unit with most settings.

DPA 4055 Kick Drum Mic – A Real-World Review

With the Stage control midway (5) in its range and the Range control at 2, I could use plenty of the Bigness control up to the point where the high frequencies started to get shrill at certain moments.

I found that juggling the Range and Bigness controls to dial in just the right balance worked great. I did check the Correlation Matrix window in Halo Vision and saw certain sections of the song were more non-correlated than others, but usually I could get a wide sound and still average way above -0.50, or the anti-correlation threshold where full mono capability is uncertain. This was a recording without the “centering and anchoring effect” of a kick drum or bass instrument.

Keeping the same Range and Bigness settings, rotating the Stage control toward the Front becomes a trade-off between excessive anti-correlation readings and actually altering the mix itself. This led me to try using BiG on individual stereo tracks in a mix.

SEPARATE TRACKS

I tried BiG on a stereo-synthesized harp pluck track that had lots of delay repeats and a little reverb. I kept the Bigness control at 6 or about one-third up, Range at just 2, and Stage at 2, or all the way back counter-clockwise. BiG has a way of making the harp sound overall brighter, panoramically wider and, if the Stage control is turned toward the Front, more immersive—all at the same time.

Listening in mono had close to the same sound as in stereo but lacked some of the low frequencies. In stereo—for this mix—this worked out well on the harp part; it now had a much wider presentation way on the “back wall,” behind the mix.

Next, I tried BiG on the reverb returns of LiquidSonics’ Cinematic Rooms. I liked what BiG did to the reverb sound, and by adjusting Range, Stage and Bigness, I was able to have a reverb wider than the other reverbs in the mix. By nature, reverberation is non-correlated anyway.

On an entire drum kit stem, I had Range at 3, Stage full counter-clockwise (Back), and Bigness at 2. My stereo room tracks came up considerably within the drum mix, and any reverb I had already added to the drums became more present! I also tried BiG directly on the drum overhead tracks without luck. For the drum tracks, I tried it on, the jury is still out.

The SPL BiG provides a good way to expand the stereo imaging of entire mixed tracks, individual stereo instrument and vocal tracks, or stems. Carefully used, like any powerful processor, it can work wonders on non-correlated stereo audio and is magical! Highly recommended. I love it!