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Tag Archives: harbeth

Neat Acoustics Ministra Loudspeakers | REVIEW

When’s the last time you’ve heard a loudspeaker, such as the Neat Acoustics Ministra, with an isobaric woofer design? It’s been a while for me, too, but I recall two relatively small monitors from years […]

Input Audio auf Burg Vondern 2023

Input Audio auf Burg Vondern 2023

Input Audio führt auf der nunmehr siebten HiFi auf Burg Vondern sein Portfolio vor. Als Premiere erwartet Sie eine Manley-Kombo aus der Mahi Endstufe und dem Jumbo Shrimp Vorverstärker.

In mittelalterlichem Ambiente findet am 21.1. und 22.1.2023, jeweils von 10:00–17:00 Uhr auf der Burg Vondern in Oberhausen wieder das mittlerweile legendäre HiFi–Event statt. Hersteller exquisiter HiFi–Produkte stellen in verschiedenen Showrooms ihre Produkte aus und bieten somit die Möglichkeit, das Klangpotenzial moderner Audiotechnik hautnah zu erleben.

Der Vertrieb Input Audio wird hier Lautsprecher von Harbeth Audio sowie Röhrenverstärker von Manley Laboratories präsentieren. Ebenso wird Elektronik von Creek Audio sowie der Transformer Plattenspieler in der maximalen Ausbaustufe vorgeführt.

Input Audio auf der HiFi auf Burg Vondern

Erstmalig wird Input Audio dabei die Manley Mahi Endverstärker mit variablem Feedback und schaltbarem Single Ended- beziehungsweise Ultra Linear-Modus am Jumbo Shrimp Vorverstärker vorführen.

Input Audio auf der HiFi auf Burg Vondern

Sie finden den Vorführraum von Input Audio im Gewölbekeller.

Ort der Veranstaltung: Burg Vondern, Arminstraße 65, 46117 Oberhausen
Eintrittspreis: 5.– € / Person.

Über Input Audio

Input Audio ist Deutschlands Generalvertretung für ausgesuchte Hifi-Marken. Das Portfolio umfasst unter anderem Creek Audio, Parasound, Harbeth Audio, Starter, Magnum Dynalab, Isobluehifi, Trichord Research sowie Manley Laboratories. Der Vertrieb testet für den Endkunden viele Komponenten in unterschiedlichen Kombinationen und ist dabei immer auf der Suche nach dem optimalen Hörerlebnis. Die besten Ergebnisse daraus werden unter dem Menüpunkt Tipps auf der Internetseite des Vertriebs veröffentlicht.

www.inputaudio.de

www.hifi-oberhausen.de

Der Beitrag Input Audio auf Burg Vondern 2023 erschien zuerst auf FIDELITY online.

Dave McNair’s Wrap-Up | Toronto Audiofest 2022

Toronto Audiofest 2022 For a long time, my day-to-day work in music production was all I needed to escape the constant turmoil of current events worldwide. Lately, those events are more than just concerning, they’re […]

Sonus faber Lumina II Loudspeakers | REVIEW

The story of the Sonus faber Lumina II bookshelf speakers is also the story of “Yulunga,” perhaps my favorite reference track of all time. That old demo track from Dead Can Dance’s Into the Labyrinth […]

LFD NCSE Mk. 3 Integrated Amplifier | REVIEW

The LFD NCSE Mk. 3 integrated amplifier (website) has no remote control. Nor does it have XLR inputs or outputs, a home theater bypass switch, 12V trigger operation, a built-in DAC, a wide range of connectivity options nor any of the standard features we usually find in a modern integrated that costs $7,350. I’ve reviewed plenty of integrated amplifiers that cost far less than that, and they have features such as inboard phono stages and headphone amplifiers and more. Heck, the LFD NCSE doesn’t even have a grounding lug on the back panel for the phono stage. In nearly every way, the LFD is a classic Brit-Fi integrated from twenty or thirty years ago: 70 watts per channel, about the size and weight of your average one-chassis preamp, a simple black box. (Or in this case, dark gray.) Three knobs on front—volume, selector, tape monitoring. A simple toggle switch serves as the power button and there’s only one very small LED on the faceplate that tells you the NCSE is on. I was raised on simple British integrated amplifiers like this–the British Fidelity A1 and Synthesis, Naim NAIT 2, Rega Brio3 and, most notably, the LFD Mistral. The Mistral was […]

Spatial Audio Lab M3 Sapphire Loudspeaker | REVIEW

A little history, before we discuss the Spatial Audio Lab M3 Sapphire loudspeaker. About fifteen years ago, I was auditioning loudspeakers one after the other, like somebody trying on an armload of pants in a department store fitting room. I auditioned speakers from Ohm (multiple models), Totem, Reference 3A (multiple models), PSB, Silverline, Merlin, LSA, Ascend and Omega. Some (Ohm, Merlin, Reference 3A) took up residence in my listening room for months or longer. Others entered and exited in a matter of weeks. Ultimately, I found all of them not quite the right fit, and sold them online or sent them back to the manufacturer. My wife and daughter would tease me — “New speakers again?” — as I wrestled yet another bulky shipping carton across the threshold. You know all those audiophile forum threads with subject lines that begin, “Looking to get off the speaker merry-go-round”? I was one of those guys and I participated in a lot of those threads, weary of all the tweaking, buying and selling and buying again, and the financial drain of losing a few hundred dollars (at least!) with each trade. Being an audiophile was getting to be a joyless chore. What had […]

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